* i18n: add Italian (it) UI translation
Adds an Italian interface catalog (crates/ui-egui/src/i18n/it.rs) covering every
key of the shared table and of the Arabic table (1,430 strings), written from the
English source using ordinary Italian desktop-publishing vocabulary.
Registers "Italiano" in Edit > Interface Language, wires it into tr(), and extends
the i18n and menu tests (lookup, no duplicates, full key coverage, translated menu
titles, language switch frames).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* contributors: add emanuelebonaventura (display name insanityxoff)
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Text frames: column rules draw between columns on screen and in PDF
A frame with Column Rule on gets a bar centred in each gutter, inside the
insets, broken around paragraphs that span columns; right-to-left and
vertical frames included. object.textFrameOptions takes columnRuleWeight
and columnRuleColor (unknown swatches are an error) and an inset array
whose null sides stay; document.inspect reports the rule.
* Text Frame Options: Column Rules fields; OK changes only edited fields
The dialog shows the selected frame's options, with an inset field per
side, and sends only what the user changed, so unequal insets survive.
The rule weight is read in points.
* Column rules: tint, horizontal offset and top/bottom insets; IDML import and export
Text Frame Options gains Tint %, Top Inset, Bottom Inset and Horizontal
Offset for the rule, and object.textFrameOptions and document.inspect
take and report them. IDML reads the ColumnRule attributes of
TextFramePreference on frames and object styles and writes them when a
rule is set.
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Paragraph rules: a partial ruleAbove/ruleBelow edit keeps the other rule fields; Rule Above honours Text width
* Paragraph Rules: dialog for the selected paragraphs and a Paragraph Style Options section
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- An RGB image with no ICC profile of its own was written as DeviceRGB
under the CMYK output intent, and the export only warned. In PDF/X-4
it now carries the sRGB profile (assets/icc/sRGB-v2-magic.icc, ICC
v2.1, CC0). JPEGs stay passed through. Untagged PNG, GIF and WebP,
and the decoded TIFF, BMP and PSD fallback, go in as RGB with the
profile. A re-encoded JPEG keeps the source's RGB profile or gets
sRGB. Grey images and images with their own profile are unchanged.
- Every image constructor asked for interpolation. PDF/X-4 and PDF/A
exports now write images without it, which also removes the
ImageInterpolation error that stopped PDF/A exports with a placed
image. Plain exports keep it.
- make_pdfx4 writes pdf:Trapped False into the XMP, matching
/Trapped/False in the document information.
- check_pdfx4 reports an image that asks for interpolation.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Text set in Spanish was not hyphenated at all. It now uses Javier
Bezos's Liang patterns, hyph-es.tex 5.0 from hyph-utf8 under MIT,
through the hypher crate 0.1.8 with only its alloc and spanish
features. The full feature, which embeds 48 languages under several
licences, stays off.
- hyphen::Lang names the hyphenator for a run: English, or a hypher
language. Lang::for_language maps a language name or locale code.
- word_breaks_in and hyphen_points_in take the language. word_breaks
and hyphen_points stay as the English entry points.
- Composition hyphenates a non-English run whose language has
patterns and skips the rest. The word cache key includes the
language.
- NOTICE carries the Bezos copyright line and the MIT text.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* UK1: add Ukrainian interface translation
Translate existing interface catalogs and wire Ukrainian menu selection, contextual publishing labels and grammatical counters. Validate persisted selection, untouched document data, placeholder/key coverage and bundled Cyrillic glyphs.
Co-Authored-By: Codex <noreply@openai.com>
* i18n uk: translate the open and place alert titles
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Codex <noreply@openai.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The rows share one fixed height that preserves their composed total. Merged rows and rows that are not laid out are refused, and the table stays unchanged.
* UI: right-clicking a ruler picks that ruler's units, and the vertical ruler measures in the vertical units (#133)
* UI: the Properties panel's Character section sets the text's language, from the same list as the Character panel (#130)
Resolve i18n conflicts: keep this branch's revised zh/ar wording plus
main's new rows (font-name, missing-glyph, Korean line-break labels).
Brazilian Portuguese (#103) now uses the same cached HashMap lookup as
Arabic; the cached-lookup test covers pt-br too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Resolve conflicts keeping both sides: doc gains both `cjk` and
`datamerge` modules; file.open resolves data-merge sources and loads the
document's fonts; DocState keeps preview_stash/preview_record and fonts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Revert no longer shares Undo's Simplified Chinese label. Drop the
comments and ROADMAP wording that tied terminology to a vendor's help.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
IDML names some languages by locale code
(AppliedLanguage="$ID/de_DE_2006", "$ID/nl_NL_2005") beside names such
as "English: USA" and "Spanish: Castilian". language_tag maps any locale
code (ll, ll_CC, ll-CC, with a reform year after them) to its BCP 47 tag
(de-DE, nl-NL; kept once per process, at most 512 distinct tags), ignores
IDML's $ID/ prefix, and knows Spanish: Castilian (es-ES) and Swiss French
and Italian. The stored name stays as written, so IDML round trips are
unchanged.
What depends on the language now goes by the tag: typographer's quotes
(by language subtag; Swiss regions take guillemets), English
hyphenation and spelling (is_english), Korean word breaking and the CJK
fallback chains (ja-JP, ko-KR are Japanese and Korean whatever the
region).
Font menus list Western (and other-script) families first, then
Japanese, Simplified Chinese, Traditional Chinese and Korean families,
each group alphabetical by the name shown, with a separator between
groups. The group comes from the font's own data, strongest signal
first: the meta table's dlng (else slng) languages, family names in a
CJK language (Windows and Macintosh language IDs), OS/2 code pages (JIS,
Chinese Simplified, Korean Wansung, Chinese Traditional, Korean Johab);
a font declaring none of these goes by what it covers (kana, Hangul,
ideographs). Ties go Japanese, Simplified, Traditional, Korean. Loaded faces are classified
once; installed fonts by the font scan, which also reads their OS/2 and
meta tables (and cmap only for fonts declaring nothing), capped.
CJK families show their family name in their language, the English
name on hover; Preferences > Type > Show Font Names in English
(prefs.set {showFontNamesInEnglish}, off by default) shows English
names. Search matches either name; documents store the English name.
The Character panel, Control bar, Properties, style dialogs, Find Font
and Glyphs panel lists all follow this order. The main font menu stays
open while searching or starring (it closed on any click inside).
Font previews don't draw DesignCraft's missing-glyph box for fonts
whose .notdef is empty.
A character the applied font lacks is drawn as that font's missing-glyph
box (its .notdef, gid 0), on screen and in PDF, and Preflight lists the
characters by font ("Missing glyphs in <family> <style>: …", an error,
at most 20 named). A .notdef without an outline is drawn as a hollow box
across its advance, so a missing character never disappears. PDF draws
.notdef glyphs as paths, which PDF/A and PDF/UA accept. Kenten marks are
set in their text's font the same way.
The document setting Draw Missing Glyphs from Fallback Fonts
(DocSettings::glyph_fallback; Preferences > Composition,
document.preferences {glyphFallback}, undoable) draws them from fallback
fonts instead (the language-aware chains, then any font; kenten marks
from a fallback font, else a bullet). It is off in new documents and
IDML imports and on in files saved before it existed, which keep
drawing as they did. A missing font's substitute always uses fallback
fonts. The composition cache's signature includes the setting. Tests
whose Arabic comes from a fallback font turn the setting on.
language_tag ignores case and punctuation and recognises Chinese in its
common spellings and locale codes (Simplified Chinese, Chinese
(Simplified), zh_CN, zh-Hans; Traditional Chinese, zh_TW, zh_HK,
zh-Hant), and Japanese and Korean locale codes (ja_JP, ko_KR).
Typographer's quotes for Chinese and Japanese follow the tag, so every
spelling takes the same quotes. IDML import keeps the name as written.
Composition draws the characters a named font lacks with fallback faces
(the language's CJK chain, then the generic fallbacks). Package now also
copies their font files: it collects the distinct faces of the visible
glyphs of every composed story (table cells and footnotes included) and
copies those that aren't a named font's face by the same rules (restricted
licence listed, bundled included with DesignCraft, no file noted, each file
once). The report lists them under Fallback fonts.
The fonts in a document's Document Fonts folder are registered under a
font scope that the document holds while it is open (Document::font_scope,
runtime only; DocState keeps the scope alive and closes it when the last
copy of the state goes: file.close, closing a tab, revert, a book
chapter's export, the session ending). Composition, preflight, font.list,
Package and the font menus, Glyphs panel and previews look fonts up
through FontDb::scoped(scope): the document's own faces first, then the
shared ones. Other open documents don't see them, and two documents with
fonts of the same name each set text in their own. Composite fonts'
member fonts and the fallback for kenten marks are looked up the same
way.
Font files stay in memory for the session (FaceRef keeps faces for the
process); a document opened again reuses the faces of its unchanged files
(same path, length and modification time) instead of reading them again.
The composition cache's signature includes the scope; the word cache and
the outline and PDF font caches are keyed by face. Variable font
instances are kept per base face.
A family's installed faces join the shared fonts all at once, and a
face two lookups load at the same time is kept once, so a parallel
fallback lookup never takes a family's bold before its regular has
loaded.
In vertical text Down and Up move along the line by a character (by a
word with Alt), Left and Right to the next and previous line keeping the
position along it, and Shift extends, as the arrows do in horizontal
text turned a quarter. The caret is a bar across the vertical line.
Vertical is a story property: every frame of a thread is vertical or
horizontal together, a frame threaded onto a story takes its direction,
and frames split off by threading or breaking a thread keep theirs.
Type > Story Direction is type.storyDirection {vertical} (checked in the
menu) for the stories of the text selection or selected frames;
object.textFrameOptions {vertical} and frame.create {vertical} set the
frames' stories. Documents that stored Vertical on the frame open with
each story taking its first frame's direction. IDML StoryOrientation is
read into and written from the story, beside its column direction
(StoryDirection), which stays a separate setting.
In vertical frames upright runs are shaped TopToBottom (vert; vkrn/vpal
when asked), advance by their vertical metrics and hang from their
vertical origins on the em box centre, on screen and in PDF; their line
ascent and descent are the em box. Turned runs stay horizontal without
vrt2 (rather than every run taking vert and vrt2), and tate-chu-yoko
stays horizontal and centres on the em box, its offsets moving it along
and across the line. Horizontal Kana in upright runs takes vkna. Each
run is shaped with the text around it, as horizontal runs are.
Korean is set word by word (KLREQ): Hangul, in any language, and Han
ideographs in Korean-language text take no line breaks between
characters, so lines break at spaces. Glyphs carry their language tag
for this. A paragraph attribute, koreanCharBreaks (type.para, paragraph
styles, Paragraph Style Options > Justification), breaks between
syllables instead. It is DesignCraft-only; IDML doesn't carry it.
A paragraph's kinsoku set decides which breaks it forbids, and Korean
still breaks at spaces under one.
Kinsoku still holds, also when the single-line composer has to split a
word wider than the measure: the split moves back so no line starts
with closing punctuation.
Opening a .designcraft or .idml file from disk (file.open, file.openIdml,
book chapters, recovered documents) loads the fonts in the "Document
Fonts" folder beside it. Their faces come before installed faces of the
same family and style. The files are untrusted: at most 200 are read,
256 MB each (full CJK collections fit) and 512 MB in all; files over a
limit by their listed length are skipped unread, and damaged, oversized
and surplus files are listed in the open result's warnings. Document fonts stay
loaded for the session (the font database is process-wide).
Faces record their source (bundled, installed file, document file,
memory); font.list reports it. File > Package copies the font files the
document uses into the package's Document Fonts folder unless OS/2
fsType restricts the licence, and the report says which fonts weren't
copied and why.
Characters the primary font lacks try a fallback chain by language
before the language-blind search: Japanese (the craft-fonts Japanese
faces first, Mincho first), Simplified Chinese (also plain Chinese),
Traditional Chinese and Korean each list their macOS, Windows and Linux
system families. Hangul, kana and Bopomofo pick their language's chain
whatever the character language; ideographs and CJK punctuation follow
it, and keep today's fallback without a CJK language. Chain families
load from the system font catalog the first time they are needed.
designcraft_fonts::testing (feature `testing`) builds synthetic fonts
with a given family name and coverage for tests.
The character's language (as IDML names it) maps to a BCP 47 tag
(designcraft_doc::language_tag) and is the shaping context's language
on the harfrust buffer, so OpenType locl applies for every language in
the list (Japanese, Chinese, Korean, Turkish, ...), not only Arabic,
Persian, Urdu, Hebrew and English: other names used to reach the
shaper as they were written, which it doesn't know, so their locl never
applied. designcraft_fonts no longer maps names itself. The word-shaping
cache is keyed by the tag. Chinese: Simplified and Chinese: Traditional
join the language list (plain Chinese stays, tagged zh); Simplified
Chinese takes curly quotes, Traditional Chinese corner brackets.
Remove links to the deleted localization-terminology.json from ROADMAP.md
and the Chinese/Arabic translation module comments. Preserve the scope
statement about verified Adobe help terminology and original labels.
Validation: cargo xtask ci passed fmt, clippy, tests, assets and layers.
WASM checks remain blocked by the missing wasm32-unknown-unknown standard
library in the local toolchain. Repository search finds no remaining
references to localization-terminology.json.
Reuse wrapped and shaped RTL galleys across frames using a bounded,
context-local cache keyed by the complete LayoutJob. Invalidate cached
results when egui replaces its font-cache token, including font, DPI and
atlas changes. Preserve existing wrapping and elision behavior.
Add regression coverage for cross-frame reuse, layout parameter changes,
font/scale/atlas invalidation and cache eviction, plus an opt-in benchmark.
Validation: cargo xtask ci passed fmt, clippy, 590 tests, assets and layers.
WASM checks are blocked by the missing wasm32-unknown-unknown standard
library in the local Homebrew Rust toolchain (E0463).
Arabic menu screenshots remained identical after ten additional frames.
Manual benchmark: 200 wrapped labels took 31.46 ms uncached vs 0.082 ms
with final-layout cache hits on this machine.
Window, Utilities, Data Merge lists the linked fields and previews a
record without merging. Create Merged Document runs the merge. The
desktop open dialog offers CSV, TSV, tab, text, and Excel files. The
roadmap records this phase of the feature.
Port the CJK1 and AR1 changes from 3ecdb78 and de83cdc onto current main. Resolve translation and font-stack conflicts by retaining main localization and craft-fonts integration while preserving all typesetting code, tests, and documentation.
Validation: all six CI gates passed, including 616 tests and WASM checks.
Decode the merged composite of .psd/.psb files in designcraft-images
(public file format spec) instead of the psd crate, which mapped
channels by count: grayscale with extra alpha/spot channels rendered
yellow, blue or invisible, and RGB + one spot channel was read as RGBA.
Channels now map by colour mode (Bitmap, Grayscale, Duotone, Indexed,
RGB, CMYK via the uncalibrated CMYK formula, Lab; 8 and 16 bit; raw and
PackBits). The first extra channel is the alpha only when the layer
count is negative (also via Lr16/Lr32), un-matted from white; other
extra channels are ignored. Damaged or oversized files return None
without panicking. Drops the psd dependency and its panic paths.
Extend interface language selection with Chinese and Arabic translations
across menus, dialogs, panels, tooltips, and common application controls.
Keep English fallback for untranslated strings, return borrowed translation
text, and validate translation key uniqueness and language switching.
Bundle redistributable Noto CJK and Arabic fonts with OFL license files and
ASSETS.md attribution so native and WASM builds have portable glyph coverage.
Register Arabic regular and semibold families while retaining existing font
fallbacks for proportional and monospace controls.
Render Arabic labels using Unicode bidirectional runs and contextual shaping.
Wrap logical text at grapheme boundaries before ordering each visual line,
mirror neutral punctuation, preserve logical source text for accessibility,
and handle truncation, empty lines, and mixed Latin text and numbers. Keep
ASCII labels on the normal rendering path. Disable selection on shaped RTL
labels because egui's default label cursor mapping assumes LTR text.
Adapt welcome controls, menu ordering, popup alignment, and new-document rows
for RTL layout. Bound popup geometry and avoid unsupported RTL grid behavior;
keep numeric inputs LTR. Isolate user-provided document names from Latin
application and zoom metadata. Interface language changes leave document
binding, paragraph direction, editable text, and engine state unchanged.
Add regressions for contextual Arabic joining, bidirectional punctuation,
mixed document names, logical wrapping, truncation, language switching, and
finite widget geometry. Update the roadmap with localization coverage.
Apply equivalent chunk-iteration and PDF Option/borrow simplifications needed
by the current Rust toolchain's strict Clippy checks.
Validation:
- cargo xtask ci: fmt, Clippy, native tests, assets, and layers passed;
native tests total 517 passed and 2 ignored.
- UI regression suite: 26 passed.
- Headless UI screenshots verified Arabic welcome/new-document creation,
menus, mixed-script document names, and switching back to Chinese/English.
- Default WASM gate is blocked by this host's missing precompiled wasm32
standard library. All 15 WASM crates pass using the installed Rust sources:
RUSTC_BOOTSTRAP=1 CARGO_UNSTABLE_BUILD_STD=std,panic_abort
target/debug/xtask wasm.
Shippori Mincho (8.7 MB) and its licence leave assets/fonts. Japanese fonts now
come from storytold/craft-fonts when built with CRAFT_FONTS_DIR (never a
Cargo.toml dependency): crates/fonts/build.rs embeds its manifest as
designcraft_fonts::CRAFT_FONTS. Native builds embed all four fonts; wasm32
embeds BIZ UDPGothic Regular only (web size budget).
- UI (egui): the Jpan faces at the end of every family, BIZ UDPGothic first
(Bold first in the semibold family).
- Documents: FontDb loads them after the bundled fonts, Mincho first, so they
are the Japanese fallback ahead of system fonts; SVG text gets them too.
- Vertical alternates test runs on every craft-fonts face and skips when
CRAFT_FONTS is empty; new UI no-tofu test and without-craft-fonts tests.
- FreeBSD CI tests with craft-fonts; release.yml builds every platform with
CRAFT_FONTS_DIR + CRAFT_FONTS_REQUIRED=1 at a pinned commit, packages carry
OFL-<family>.txt; NOTICE, ASSETS.md, AGENTS.md/CLAUDE.md, README, ROADMAP.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- view.snapPreferences {alignEdges, alignCenters, smartDimensions,
smartSpacing, zone} sets the smart guide options; the Preferences
dialog goes through it, so the control channel and MCP reach them.
- Smart guide, gap and measurement colours come from theme::Tokens.
- Remove the unused closest-target helper (snap_rect and friends).
- Drop the agent planning docs (docs/superpowers) and the .worktrees
ignore line; ROADMAP entry for smart guides and snapping.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The UI theme included the 8.7 MB font a second time; it now uses
designcraft_fonts::JAPANESE_FALLBACK (release binary 72 MB -> 63 MB).
The ROADMAP note joins the Interface language entry.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
emanuelebonaventura
aiongg
ROSSA AI
Dmytro
skylar taylor-barrick
Vikram Bhaskaran
Brandon Thomas
aiongg
Shao Wenbin
Cameron Gilroy
midasdf