M13.11: docs (parity PRV-3, 3D-3, CMP-7, AUT-2; architecture GPU Advanced 3D)

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

docs/architecture.md

@@ -175,7 +175,15 @@ fragment sort (intersecting planes, coplanar stack order), Blinn-Phong lighting,
 against the caster planes (Shadow Diffusion, Light Transmission) and blending. Adjustment layers
 run their effect stacks on the GPU-resident comp (`Renderer::run_effects_on` with an `FxTarget`):
 runs of GPU effects stay on the device and only non-GPU effects read back and upload. Advanced 3D
-compositing and wireframes still run on the CPU between GPU steps (read back, draw, upload). GPU
+runs render on the GPU end to end (`gpu::adv3d`, `Renderer::prepare_adv_run` /
+`Accelerator::render_3d`): each motion-blur sub-sample's scene is rasterised (`advanced3d.wgsl`),
+then compute kernels (`adv3d.wgsl`) resolve the 2×2 supersampling, average the sub-samples
+(nearest depth), apply the depth-based iris depth of field with the Classic 3D bokeh spans
+(`three_d::bokeh::kernel_spans`, highlight boost, progressive blur levels) and composite over the
+GPU canvas; only the depth of field reads back its 8-byte radius range. Advanced 3D layers with
+blend modes, track mattes or Preserve Transparency and environment backgrounds take the CPU's
+2D compositing path (their scenes still render through `render_3d`). Wireframe outlines draw on
+the GPU from the CPU's pixel list (`Renderer::wireframe_pixels`). GPU
 effects (`effects::GPU_EFFECTS`, 152 of them: blurs, colour correction, keying incl. Key Light,
 mattes, channel, stylize, distortion, transitions, generators, noise, grain and time; see
 [effects.md](effects.md)) repeat the CPU effect's steps (padding, box radii, parameters, hashes)

docs/parity.md

@@ -129,18 +129,18 @@ the disk cache in the formats wave; the 3D Camera Tracker in M12.6.)
 | Output | 97% | 0.8 | Render Settings complete (field render + 3:2 pulldown, effects/solo/guide/depth/blending/blur overrides, time sampling, storage overflow), Output Module crop/ROI/resize, alpha modes, post-render actions, PCM formats, templates with defaults, render logs, Notify (M10.2); WebM VP9 key + inter frames with motion search, loop filter and rate control; M13.4: HEVC export (MP4 `hvc1`, `effectcraft-hevcenc`: Main / Main 10, IDR + P slices, quarter-pel motion, deblocking, bit-exact with ffmpeg) and AV1 export (MP4 `av01` and WebM, `effectcraft-av1enc`: 8/10-bit key + inter frames, quarter-pel motion, loop filter, bit-exact with libdav1d) with profile, level, bitrate / constant-quality and key-frame interval options; Opus SILK (NB/MB/WB, mid/side stereo) and hybrid (SWB/FB) modes chosen by bitrate and Audio/Voice tuning, with the Opus bitrate in the Output Module. HEVC/AV1 import decodes through FilmCraft (MP4/MOV/MKV/WebM). Left: HEVC/AV1 have no B-frames, multi-reference, SAO/CDEF/restoration or alpha (compression below mature encoders); Opus has no FEC/DTX and only 20 ms frames; Photoshop sequence output, overflow for movies only checks at file creation |
 | Audio | 85% | 0.5 | audio to keyframes |
 | Import | 97% | 0.5 | JPX / JBIG2 images and predefined non-Identity CJK CMaps inside PDF/AI files, Illustrator EPS relying on Adobe procsets, PSD 3D layers (M13.12: mesh shadings — free-form / lattice Gouraud triangles, Coons and tensor patches — and function-based shadings, CCITT G3 / G4 images, knockout / isolated transparency groups with group alpha and soft masks on the group's result, `/W2` vertical metrics, EPS text with embedded Type 1 / CFF or bundled fonts, and Create Shapes from Vector Layer keeping images as parented footage layers in paint order; M13.6: PDF/AI text with embedded TrueType / CFF / Type 1 / Type 3 fonts and standard-14 fallback to the bundled fonts, Flate / DCT / inline / stencil images with soft masks, Indexed and ICC alternates, luminosity / alpha soft masks, the 16 blend modes, tiling patterns, calculator functions, any page via `file.import page` and the Import dialog, clip groups kept by Create Shapes from Vector Layer as layer masks / Merge Paths; PSD smart-object perspective quads and placed-layer warps — named styles and custom quilt meshes — baked as placed; PDF / PDF-compatible AI / EPS vector footage with Continuously Rasterize, layered composition import and Create Shapes from Vector Layer, and PSD smart objects with embedded files landed in M13.2; PSD as footage/composition/retain layer sizes, SVG footage earlier) |
-| Automation | ≈ 99% | 0.1 | `.jsxbin` (AUT-2: ScriptUI resource strings, `onDraw`/ScriptUIGraphics, live `onChanging`, `Socket`, Essential Graphics hooks — `addToMotionGraphicsTemplate(As)`, `canAddToMotionGraphicsTemplate`, `exportAsMotionGraphicsTemplate`, `motionGraphicsTemplateName`, controller count/names — and Watch Folder landed in M13.7; the core object model landed in M14.4; ScriptUI windows/dialogs/dockable panels with `scriptui.*` agent commands, File ▸ Scripts install + sample scripts, and the effect plug-in API (EFF-6, WebAssembly) landed in M13.1) |
+| Automation | ≈ 99% | 0.1 | `.jsxbin` (AUT-2: concave / self-intersecting `onDraw` fills, real images in `drawImage`, image controls and icon buttons landed in M13.11; ScriptUI resource strings, `onDraw`/ScriptUIGraphics, live `onChanging`, `Socket`, Essential Graphics hooks — `addToMotionGraphicsTemplate(As)`, `canAddToMotionGraphicsTemplate`, `exportAsMotionGraphicsTemplate`, `motionGraphicsTemplateName`, controller count/names — and Watch Folder landed in M13.7; the core object model landed in M14.4; ScriptUI windows/dialogs/dockable panels with `scriptui.*` agent commands, File ▸ Scripts install + sample scripts, and the effect plug-in API (EFF-6, WebAssembly) landed in M13.1) |
 | Shapes | ≈ 80% | 1.5 | Lottie can't carry stroke taper/wave (stroke Taper and Wave, Dash 2/Gap 2/Dash 3/Gap 3 and radial-gradient Highlight Length/Angle landed in M13.5; pen tool for shape paths and vertex editing in M6.5) |
-| Compositions | ≈ 80% | 3.5 | Mocha-style planar tracks for templates, Essential Graphics' mirrored properties (CMP-7: Font and uniform Scale controls, Composition ▸ Open in Essential Graphics, Save Frame As ▸ Photoshop Layers / ProEXR and the VR Comp Editor landed in M13.7; the marker dialog, Composition Flowchart, Essential Graphics with master properties, `.ectemplate` templates and Responsive Design — Time landed: CMP-6, CMP-7) |
+| Compositions | ≈ 81% | 3.3 | Mocha-style planar tracks for templates (CMP-7: Essential Graphics mirrored and linked properties landed in M13.11; Font and uniform Scale controls, Composition ▸ Open in Essential Graphics, Save Frame As ▸ Photoshop Layers / ProEXR and the VR Comp Editor landed in M13.7; the marker dialog, Composition Flowchart, Essential Graphics with master properties, `.ectemplate` templates and Responsive Design — Time landed: CMP-6, CMP-7) |
 | Animation | 70% | 9.0 | puppet depth beyond pins and recording (puppet pin recording with Record Options landed in M13.1), Wiggler/Smoother/Motion Sketch (motion-path handles and the graph editor transform box landed in M5.8; keyframe colour labels and Select Keyframe Label Group, Graph Editor snapping to markers / layer ends in M13.5) |
 | Text | ≈ 96% | 0.3 | no extruded strokes (M13.12: the Variable Font Axes animator re-spaces the text — advances follow the animated axes; M13.6: variable font axes in the character style — `layer.setText variations`, the Character panel's Variable Font Axes fields — shape with HVAR / gvar advances and draw at that design-space position; OpenType features — stylistic sets, discretionary ligatures, contextual / stylistic alternates, swash, titling, ordinals, fractions, figure styles, true small caps / all small caps and superior / inferior glyphs with faux fallback — per character with the Character panel's OpenType popup and `text.fontFeatures` landed in M13.2; vertical Roman / Tate-Chu-Yoko, forced LTR paragraphs, caret on animated and path text, Variable Font Axes and Lottie style runs landed in M13.5; extruded, bevelled text in M7.6; per-character styles, paragraph settings, on-canvas editing and the `sourceText` style API in M9.9–M9.10) |
 | Web | 93% | 0.5 | GPU effects in the browser (WebGPU compositing only on the page), no disk cache, no shared-memory threads inside one engine instance (browser storage, Web Audio, Web Worker renders/analyses, WebGPU viewer and offline install landed in M15.2; viewer frames in frame workers fed by project diffs, Roto Brush propagation in a worker, non-blocking `wait: true` jobs and a browser Media Browser (File System Access folders, browser storage) in M13.10) |
-| 3D | 88% | 5.5 | multi-view layouts, the Extended Viewer for Advanced 3D comps (Classic 3D Extended Viewer landed in M13.5 UI completion); collapsed precomps of another size seen through the parent's camera render (fixed in M13.2); stereo rigs, orbit nulls, lights controlled by the camera, cameras/lights from glTF models, environment backgrounds, Advanced 3D motion blur, blend modes and track mattes landed in M7.7; Classic 3D iris-shaped bokeh with highlights, progressive depth of field on tilted layers and the focus-link commands landed in M13.5; Advanced 3D depth of field with the iris and highlight options, collapsed precomps as real Advanced 3D geometry and extruded text/shape strokes landed in M13.8; Advanced 3D (glTF/OBJ models, primitives, extruded text and shapes, PBR, image-based light, shadow maps, GPU rasteriser) in M7.4–M7.6 |
+| 3D | 88% | 5.5 | multi-view layouts, the Extended Viewer for Advanced 3D comps (Classic 3D Extended Viewer landed in M13.5 UI completion); collapsed precomps of another size seen through the parent's camera render (fixed in M13.2); stereo rigs, orbit nulls, lights controlled by the camera, cameras/lights from glTF models, environment backgrounds, Advanced 3D motion blur, blend modes and track mattes landed in M7.7; Classic 3D iris-shaped bokeh with highlights, progressive depth of field on tilted layers and the focus-link commands landed in M13.5; Advanced 3D depth of field with the iris and highlight options, collapsed precomps as real Advanced 3D geometry and extruded text/shape strokes landed in M13.8; Advanced 3D (glTF/OBJ models, primitives, extruded text and shapes, PBR, image-based light, shadow maps, GPU rasteriser) in M7.4–M7.6; Advanced 3D end to end on the GPU (motion blur, iris depth of field, compositing) in M13.11 |
 | Effects | ≈ 85% | 3.0 | GPU versions of the remaining effects (152 run on the GPU since M13.9, EFF-5: keying, mattes, channel, colour correction, stylize, distort, noise, blurs and time effects joined the 58 of M12.7; Warp, Bezier Warp, Reshape, Smear, Cartoon, CC Page Turn and others still render on the CPU) and the missing controls listed as partial in [effects.md](effects.md) (every After Effects effect exists since M9.11, M12.5 and M12.6; parameter names, order, twirl-downs, popups, units and defaults were aligned in M9.12) |
 | Interface | 74% | 5.0 | more Learn tutorials and pixel-level fidelity of dialogs (the Home ▸ Learn tab with interactive tutorials and a UI fidelity pass landed in M13.5 UI completion; visual editors for Lumetri RGB / hue-saturation curves, Colorama's output cycle wheel, Glow's colour map and Reshape's correspondence points (viewer handles), a scrolling Preview panel and AE-style Composition / Timeline tabs (close, label swatch, viewer lock) landed in M13.10; Timeline outline and Project panel columns scroll horizontally, the Layer Style dialog, ROI resize handles, Pan Behind snapping and 3D Reference Axes landed in M13.5; native macOS menu bar, Timeline columns/search/reveal-add, Home screen with recent projects and all AE workspaces landed; viewer rulers/snapping/channels/snapshots landed in M0.13) |
 | Project | ≈ 68% | 5.5 | auto-save, folder moves, OCIO displays beyond the built-in tone map (Color Engine with OCIO/ACES working spaces, HDR compand/tone mapping, Rec. 2100 PQ/HLG output, Feet + Frames, display colour management, Simulate Output and the locked viewer landed in M7.7; proxies and Interpret Footage fields / pixel aspect / alpha guess landed: PRJ-8, PRJ-3) |
 | Masks & roto | 74% | 5.0 | Roto Brush's learned (3.0) segmentation model (variable-width mask feather points with the Mask Feather tool landed in M13.5; mask tracking and Mask Interpolation landed in M6.6; Roto Brush & Refine Edge with graph-cut segmentation, flow propagation, edge matting, decontamination and Freeze in M6.7) |
-| Preview | 74% | 3.2 | wireframes and Advanced 3D compositing on the GPU (Classic 3D bokeh depth of field — iris shapes, highlights, fringe, progressive blur on tilted planes — runs in WGSL since M13.6: 3D Showcase GPU warm 205 → 54 ms/frame at full size on an M4 Pro; the Preview panel's five shortcuts with their own Include / Loop / Cache Before Playback / Range / Play From / Frame Rate / Skip / Resolution / Full Screen / stop options and `playback.settings.get/set` landed in M13.8; Classic 3D runs and adjustment layers composite on the GPU since M12.7; persistent disk cache with the blue cache bar landed; region of interest, snapshots, exposure and Fast Previews landed in M0.13) |
+| Preview | 77% | 2.8 | GPU compositing of Advanced 3D layers with blend modes / track mattes and of environment backgrounds (Advanced 3D runs — raster, motion blur, iris depth of field, compositing — and wireframes run on the GPU since M13.11: CPU warm 3394 → GPU warm 290 ms/frame at 1920×1080 (11.7×; Half 968 → 85 ms), GPU ≠ CPU on 0.005 % of pixels, on an M4 Pro under load; Classic 3D bokeh depth of field — iris shapes, highlights, fringe, progressive blur on tilted planes — runs in WGSL since M13.6: 3D Showcase GPU warm 205 → 54 ms/frame at full size on an M4 Pro; the Preview panel's five shortcuts with their own Include / Loop / Cache Before Playback / Range / Play From / Frame Rate / Skip / Resolution / Full Screen / stop options and `playback.settings.get/set` landed in M13.8; Classic 3D runs and adjustment layers composite on the GPU since M12.7; persistent disk cache with the blue cache bar landed; region of interest, snapshots, exposure and Fast Previews landed in M0.13) |
 | Tracking | ≈ 96% | 0.3 | face tracking is a classical (skin model + feature components + shape model) fitter, not a learned detector: profile views and occluded faces are weak; Rolling Shutter Ripple is approximated by Subspace Warp's mesh density (face tracking (Outline Only / Detailed Features with Face Track Points and Extract & Copy Face Measurements), Subspace Warp's content-preserving mesh warp on subspace-smoothed trajectories, and radial lens distortion (k1, k2) in the camera bundle adjustment with Undistort Footage landed in M13.3; Rolling Shutter Repair in M9.11; point tracker, mask tracking, Warp Stabilizer and the 3D Camera Tracker in M6.x / M12.5 / M12.6) |
 | Paint | 0% | 4.0 | Brush, Clone Stamp, Eraser |
 
@@ -204,6 +204,41 @@ axes since M13.6; Advanced 3D's DOF has iris shapes since M13.8).
   as real geometry lit by the parent (2D collapsed precomps draw nested 3D layers with the
   parent's renderer); text and shape strokes extrude as bevelled meshes in paint order.
 
+## Update: M13.11 Advanced 3D on the GPU, Essential Graphics mirrors, ScriptUI paint
+
+- **Advanced 3D on the GPU (PRV-3, 3D-3)**: a whole Advanced 3D run renders on the device
+  (`gpu::adv3d`, `Renderer::prepare_adv_run`, `Accelerator::render_3d`): every motion-blur
+  sub-sample's scene is rasterised (depth buffer, PBR, image-based light, shadow maps), then
+  compute kernels resolve the 2×2 supersampling, average the sub-samples (nearest depth), apply
+  the depth-based iris depth of field (the Classic 3D bokeh row spans and prefix-sum gather,
+  highlight boost, progressive levels) and composite over the GPU canvas without a readback.
+  Meshes from extruded text and shapes, cards, glTF models and collapsed precomps all go through
+  it. Layers with blend modes, track mattes or Preserve Transparency (and environment
+  backgrounds) keep the CPU's 2D compositing path, their scenes still rendered by
+  `render_3d`. Wireframe-quality outlines draw on the GPU (exactly the CPU's pixels). The CPU
+  stays the oracle: GPU-vs-CPU tests on lit scenes with shadows, environment light, DOF (hexagon
+  with fringe and highlights, Fast Rectangle, radii at the 48 px cap), motion blur, extrusions
+  and collapsed precomps agree within 1/255 on ≥ 99 % of pixels (measured: ≤ 0.01 %; the rest
+  are silhouette pixels the two rasterisers cover differently), and the GPU post kernels match
+  the CPU post-processing of the same GPU raster on ≥ 99.9 % (measured: all pixels). Fixed on
+  the way: NaN environment lookups for straight up/down normals on Metal (`atan2(0, 0)`).
+  `bench --gpu --adv3d` (1920×1080 Advanced 3D comp: PBR primitives, bevelled extruded text, a
+  shadow-casting spot, point and environment lights, hexagonal-iris DOF with highlights,
+  8-sample motion blur): CPU warm 3394 → GPU warm 290 ms/frame at 1920×1080 (11.7×; Half 968 → 85 ms), GPU ≠ CPU on 0.005 % of pixels, on an M4 Pro under load.
+- **Essential Graphics mirrors (CMP-7)**: adding a property that is already in the panel adds a
+  *mirror* (its own name and place; one value in the comp and in every instance — editing,
+  reverting or pushing either acts on both; Font / Scale `as` controls mirror per kind);
+  `essential.addMirror`. A property control can also drive further properties of the comp
+  (`essential.linkProperty` / `unlinkProperty`): links follow the main property both ways and
+  take each instance's value. Panel badges and a ⋯ menu (Add Mirror, Link Selected Property,
+  Unlink); `addToMotionGraphicsTemplate` on a property already present adds a mirror, and
+  mirrors count as controllers.
+- **ScriptUI (AUT-2)**: `fillPath` fills any path (non-zero winding trapezoid tessellation:
+  concave, self-intersecting, holes) instead of egui's convex-only polygons;
+  `ScriptUI.newImage` / ScriptUIImage hold an image file or embedded PNG/JPEG bytes, drawn by
+  `drawImage`, image controls and icon buttons; script-host threads are compiled out of the
+  web build (no dead code warnings).
+
 ## Update: M13.5 UI completion & fidelity
 
 **Extended Viewer** (Settings ▸ 3D, the viewer's Extended Viewer button, `view.extendedViewer`):