crates/text/build.rs asked cargo to watch both craft-fonts manifests
whether or not they existed. Cargo takes a watched path that doesn't
exist as changed, so figcraft-text and every crate above it were rebuilt
on every build: with no craft-fonts checkout, and also with a checkout
of craft-fonts' main branch, which has no fonts/latin-manifest.txt.
Watch a manifest only when it exists, and its folder while it is
missing, so a manifest added later is still noticed. With no checkout
at all there is nothing to watch; the build warning and the README now
say how to pick one up after a first build.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Measured against documents re-saved by other software. A line's height is rounded to whole
pixels (halves up) with the baseline keeping its fraction inside it; a glyph's advance and its
kerning are each rounded to 1/1024 em before scaling; a line's width and wrapping leave out the
letter spacing after its last visible glyph. Rule tests on built-in fonts, a local-only check over
such documents, and three behaviour expectations updated to the new rules.
Headless runs (`figcraft-cli export`, `render`, `convert`, `run`, and the headless MCP server) never indexed the installed fonts, so a text layer in an installed family (Segoe UI, Inter installed per user, ...) was measured and drawn with a fallback face, while the desktop app used the real one. Auto layout sizes from MCP agents therefore differed from what users see in the app.
- `figcraft_text::scan_system_fonts_on_demand()`: the font database indexes the system fonts the first time it is used (first text layout, font lookup or font listing). `figcraft-cli` turns it on at startup for every subcommand, so a run that touches no text never pays for the scan. The desktop app keeps its background scan.
- `scan_system_fonts()` now runs once per process (a `OnceLock`): racing callers wait for the one directory walk instead of each walking the folders.
- Opt-out for reproducible renders: `--no-system-fonts` on any subcommand, or `FIGCRAFT_NO_SYSTEM_FONTS=1` (honoured by the desktop app too). Text then uses only the built-in fonts, as before.
- The scan is cheaper: it reads each file's headers, table directories and `name` tables instead of whole files (about 460 MB on this Windows machine), and takes file metadata from the directory listing instead of a lookup per file. This also speeds up the desktop app's background scan.
- Browser/wasm build unchanged (the scan is a no-op there).
- Docs: `docs/cli.md` (new Fonts section) and `docs/mcp.md` (Fonts under the backends table); CLI usage text mentions the flag.
- **Japanese (`ja`) and Korean (`ko`) draft catalogs** (`crates/ui-egui/locales/ja.toml`, `ko.toml`): every UI string (1,351 keys), command label (519) and menu wording (29), machine-drafted from our English (Japanese: concise, no desu/masu endings, full-width punctuation where Japanese UI text uses it; Korean: no hamnida endings, instructions in -seyo). Placeholders identical to English, `|context` keys translated per context, plural entries give only `other`. Marked `status = "draft - needs native review"` and registered as drafts (not in `COMPLETE`), like fr/de/pt-BR.
- **Plurals:** `plural_one` returns false for ja and ko (always "other").
- **Language picker and detection:** Preferences > Language lists the two languages by their own names; System picks `ja*` / `ko*` from the OS language list; `pref.language` doc lists `ja|ko` (engine spec and docs/mcp.md).
- **CJK UI fonts** (`crates/ui-egui/src/cjk.rs`): egui's fonts and Inter have no CJK glyphs. After the existing system font scan, the desktop app works out which CJK scripts (kana, Hangul, Han) the UI shows: the UI language's, the language picker's while Preferences is open, typed/IME text, and the open file's names and comments (re-read when the tab's revision changes, not mid-drag, and never again once all three scripts have a face). For each needed script it appends one face to egui's fallback list, the UI language's script first: Windows Yu Gothic UI / Meiryo / Malgun Gothic / Microsoft YaHei, macOS Hiragino Sans / Apple SD Gothic Neo / PingFang SC, Linux/BSD Noto Sans CJK, Source Han Sans, Nanum, WenQuanYi; the craft-fonts build's embedded BIZ UDPGothic is tried first (free). Han without kana outside a Japanese/Korean UI reads as Chinese (Chinese faces first). English users load no CJK face. No font files are added to the repo.
- **Read once, share the bytes:** new `FontDb::find_one` reads only the one face a fallback needs instead of every file of the family (Yu Gothic UI is 4 files of ~14 MB); `theme::font_data` hands egui the font database's shared bytes instead of copying them (also used for the existing Hebrew/Arabic fallbacks). The scan's existing 64 MB per-file cap applies. Any failure degrades to the previous behaviour (tofu at worst), never a panic.
- **Web:** no system fonts there. `crates/text/build.rs` now embeds craft-fonts' Noto Sans CJK into the wasm build when `FIGCRAFT_EMBED_CJK` is set (it covers kana, Hangul and Han; +16 MB) and reruns when that variable changes. Without it, `cjk::can_show` keeps ja/ko out of the picker and out of System detection, so Japanese and Korean browser users keep the English UI instead of boxes. Nothing is fetched from the network.
- **Docs:** localization-parity (rows, CJK UI fonts section, totals, revision), translating (catalog list, CJK conventions, fonts, plural note), target-app-parity, ROADMAP, gaps (gap 5), roadmap (focus 4), mcp.md. Localization 30% -> 35% (graded low: unreviewed drafts), 40-65 h -> 32-55 h; ready for real work ~52% -> ~53% (52.9 -> 53.1 by the dimension table); full parity ~284-554 h -> ~276-544 h; beta ~162-292 h -> ~155-280 h.
The tail of the text area, from the public documentation of the target app's text settings, with a table-driven behaviour suite (each case derived in one line; "silent" cases pin today's behaviour).
- **Lists per paragraph** (`TextData::paragraphs`, one `ParaList {list, indent}` per paragraph; empty when the layer has one list style at level 0, so old files load and save unchanged). The list buttons, Shift+Cmd+8 / Shift+Cmd+7, `text.listStyle` and Type settings act on the paragraphs the selection touches while editing (the whole layer otherwise). The per-paragraph list follows edits: a new paragraph copies the one it split from, joined paragraphs keep the first one's.
- **Nesting** up to 8 levels: Tab nests a list item, Shift+Tab moves it out; Enter on an empty item and Backspace at an item's start move it a level out, then out of the list. Typing `- `, `* ` or `1. ` at the start of a plain paragraph starts a list. Numbers count per level (1. a. i., then round again), bullets go • ◦ ▪; a plain paragraph, a shallower item or the other list kind starts the count again. Each level indents by one marker gutter; a nested bullet a font lacks comes from a fallback font.
- **List spacing** (space between two items of a list, in place of paragraph spacing), **hanging lists** (the outer gutter outside the box, item text lined up with plain paragraphs) and **hanging punctuation** (opening quotes and brackets outside the start edge of left-aligned and justified lines, closing punctuation outside the end edge of right-aligned and justified ones; hung punctuation takes no room when lines wrap).
- **Decoration look** per character (`TextStyle::decoration_look`, boxed, None by default): style (solid, dotted, wavy), thickness and underline offset (auto, px or % of the font size), skip ink (underlines break around descenders) and colour (its own style index in the layout, so canvas, PNG and PDF paint it without renderer changes). Decorations are drawn from `Decoration::path()` (bar, dots or wave) on the canvas, in PNG, PDF and outlined SVG.
- `node.set` keys: `listStyle` and `indentation` (range-aware with start/end), `listSpacing`, `hangingPunctuation`, `hangingList`, `textDecorationStyle`, `textDecorationThickness`, `textDecorationOffset`, `textDecorationSkipInk`, `textDecorationColor`; documented in `KEYS` and docs/mcp.md. `text.edit.key` documents Tab.
- Inspect: `listStyle`, or `lineTypes` and `lineIndentations` per paragraph; `listSpacing`, `hangingPunctuation`, `hangingList`, the decoration keys. CSS: `text-decoration-style`, `-thickness`, `-color`, `text-underline-offset`, `text-decoration-skip-ink: none` (browsers skip ink by default). Dev Mode rows: decoration style, list spacing.
- REST import: `lineTypes` with `lineIndentations` per paragraph (they collapsed to one list style for the layer before), `listSpacing`, `hangingPunctuation`, `hangingList`, the decoration style, thickness, offset, skip ink and colour; instance override names for them.
- Type settings ▸ Basics: decoration style, thickness and offset fields (with Auto), Skip ink, decoration colour; List spacing; Hanging punctuation and Hanging list checkboxes; the list control acts on the edited paragraphs. New strings in en/es.
- Components carry the new text fields in the characters and text-style override groups; scaling scales list spacing and px decoration lengths.
- `TextData::path` is boxed (`Option<Box<TextPath>>`) to keep `NodeKind` under clippy's enum size limit after the new fields.
## What
**A text behaviour suite written from the public documentation, and fixes for every divergence it found.** Each documented rule (Auto / % / px line height and how the leading is split, letter spacing in % and px, paragraph spacing and indent, auto width / auto height / fixed / truncate with max lines, vertical trim, decorations from the font's metrics) is a table-driven case with the numbers the rule implies and a one-line derivation, read from the face actually used so it holds on any machine with a font. CJK line breaking follows UAX #14 and the CJK line-start / line-end rules; caret steps follow UAX #29 grapheme clusters. Where the documentation is silent the case says so and pins today's behaviour.
**Fixes (6 of the 13 text cases fail on the old layout; the break and caret rules are new functions)**
- **CJK line breaking**: lines break between ideographs, kana and Hangul and before or after a Latin word next to them (before: no break before an ideograph that follows Latin, none after `。`, full-width forms, CJK punctuation or Extension B ideographs), never inside a Latin word, with kinsoku: closing brackets and quotes, `、。，．！？`, small kana, the prolonged sound mark and iteration marks never start a line (the character before moves down with them), opening brackets never end one. The ideographic space hangs at the line's end like a space. One small break-class table in `crates/text/src/breaks.rs`, no new crate.
- **Fallback fonts no longer move the baseline**: a style's ascent, descent, line height and cap height come from its own font, not the fallback face that drew some of its characters, so a line with CJK or emoji keeps the height and baseline of a Latin line (with a fixed line height the mixed line's baseline used to shift by the CJK face's taller metrics; with Auto the line grew). Decorations likewise use the style's font and size, so an underline runs at one height and weight through mixed scripts (and isn't thinned by synthesised small caps).
- **Paragraph indent applies to left-aligned text only** (documented); right-to-left paragraphs keep it when right-aligned (their start). The Type settings field is disabled with a hint otherwise.
- **Carets by grapheme cluster**: Left / Right, Delete and Backspace step over a whole emoji ZWJ sequence, flag, skin-tone sequence or letter with combining marks (they moved one code point at a time, leaving the caret inside an emoji and deleting half of it). A cluster is also shaped with one font, so a joiner or variation selector no longer splits an emoji sequence across faces.
- **Words by script**: double-click and word moves (Alt on macOS, Ctrl on Windows and Linux) take one script's run in text without spaces (`日本語` | `の` | `テキスト`), Hangul words end at spaces, and a Latin word keeps its combining marks (before: a whole CJK sentence was one word, and `cafe` + combining acute split at the accent).
**Missing documented setting, added**
- **Vertical trim** (cap height to baseline): `leadingTrim: none | capHeight` (`CAP_HEIGHT` from REST JSON) through `node.set`, a Standard / cap-height segmented control in Type settings, `inspect_document` and Dev Mode properties, CSS `text-box: trim-both cap alphabetic` in generated code. The box runs from the first line's cap height to the last baseline (auto height shrinks, auto layout parents follow); truncation counts the trimmed bottom; exports reach past the box so descenders below the last baseline aren't clipped. Canvas, PNG, SVG and PDF all draw from the same layout.
New strings go through `tr(...)` with `en.toml` / `es.toml` entries; the new segmented control reuses the Type settings one (accessible toggle names). Each edit is one undo step. `unicode-segmentation` (already in `Cargo.lock` through egui and winit) became a direct dependency of `figcraft-text`.
## Verified
- **Desktop app** over the control channel (own target dir, separate `APPDATA`, stopped by PID): a 200 px auto-height box of Japanese wraps with no line starting with `、。」` and `「` never ending a line (`…テスト` / `を折り返す、テスト` / `です。「括弧」は行` / `末に来ません。漢` / `字とかなとカタカ` / `ナ。`, the last `ナ` carried down with `。`); a Latin / CJK / Latin paragraph at 36 px line height is 108 px with evenly spaced baselines; the same text with vertical trim is 89.45 px (cap height 17.45 + 2 × 36), its box running from the cap height to the last baseline, and the Type settings control turns it off (108 px) and undo brings it back in one step; one Right arrow from after `a` in `a👨👩👧b` lands after the whole family emoji and Shift+Right then selects `b`; a double click selects the katakana run テキスト.
- **MCP**: `figcraft-cli mcp` (headless) built the same three texts; `inspect_document` reports 108 px for the 36 px paragraph and 89.42 px with `leadingTrim: capHeight` for the trimmed one (cap height of the headless font), the PNG export wraps the Japanese by the same rules and keeps the trimmed text's descenders, and `inspect.code` emits `text-box: trim-both cap alphabetic`.
- **Web**: `cargo xtask wasm` passes (part of the gate).
- **Performance**: text layout of a 2,250-char Latin and a 2,000-char Japanese paragraph wrapped at 300 px (release, median of 7 × 30 runs) before and after on the same machine: Latin 0.70 → 0.42–0.50 ms, Japanese 0.46 → 0.37–0.47 ms (within noise or faster: line metrics are now computed once per style change instead of per glyph). All-ASCII text skips grapheme segmentation.
- `cargo +1.99.0 xtask ci` passes (fmt, clippy, tests, layers, assets, wasm), after merging #131 and #132.
## Tests
- `text` (`behaviour_tests`, 13 tests): line height Auto / % / px; leading split above and below every line (positive and negative); letter spacing % / px / negative; paragraph spacing and indent by alignment; resizing and truncation with max lines; vertical trim (heights, first baseline, glyph spacing kept, truncation); decorations from the font's metrics through mixed scripts; fallback fonts keep line height and baseline (Auto, px, %); 22 break-opportunity cases; CJK wrapping with kinsoku, Latin words in CJK and Korean; the ideographic space hanging; grapheme steps over ZWJ families, flags, combining marks, skin tones and emoji presentation; one face per cluster. Font-dependent cases skip on a machine without fonts.
- `engine` (`text_behaviour_tests`, 5): arrows, Shift+arrows, Delete and Backspace by cluster; double-click and word moves by script (and through `keymap::text_motion` for Ctrl and Alt); IME composition with CJK wrapping and growing the box before commit; vertical trim through `node.set` (box size, PNG ink at the top, export bounds below the box, SVG and PDF, CSS, inspect, undo, junk refused, REST spelling); paragraph indent only on left-aligned text.
- `format` REST import test covers `leadingTrim: CAP_HEIGHT`.
## Not in this PR
- Documented but not modelled yet: list spacing, hanging quotes and hanging lists, underline style / thickness / offset / skip ink.
- Documentation silent, behaviour pinned: Korean wraps by syllable (no word mode); Han compounds next to each other are one word (no dictionary segmentation); letter spacing is added after the last character too; a fallback font's taller glyphs may overflow the line rather than grow it.
- `.fig` import doesn't read vertical trim yet (the field wasn't checked against real files).
- Spell check (on hold, #113).
- Progress docs: target-app-parity area 10 85%/64% → 87%/68%, 7–13 h → 5–10 h with the suite listed under text editing depth; feature breadth and ready for real work unchanged at this rounding; full parity ~323–621 h → ~321–618 h (target-app-parity, ROADMAP); ui-parity text row.
Text layers can follow a path (start offset, flip, alignment; edited in place; canvas, PNG, SVG, PDF; SVG textPath imports as real text on a path). A new pattern paint tiles a source layer in grid or hex rows with scale, spacing and alignment, live as the source changes (SVG pattern, PDF vector tiling pattern).
- Frame and section name labels follow a rotated frame's top edge as shown (turned with it,
cut to the edge's length; a mirrored frame's label stays upright, a frame turned past 90
degrees takes its label along). Component icons, section pills, eyes and status badges turn too.
- The canvas publishes each label's area to the engine (ToolState::labels): with the Move and
Scale tools, hovering a label highlights its frame and pressing it selects and drags the frame
(one undo step); labels of locked, hidden, deleted or other pages' frames do nothing.
- Right-to-left paragraphs mirror lists and indents: bullets and numbers (".1") on the right,
wrapped lines hanging from the right, the paragraph indent on the right; trailing spaces of a
right-to-left line hang outside it instead of pushing its text out of a right-aligned box.
Canvas, PNG, PDF and SVG all draw the shared layout.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Right-to-left and mixed-direction names in the panels: layers, pages,
Assets, tab titles, the file header and canvas frame titles show in
visual order (Unicode bidi, joined Arabic letters, mirrored brackets),
elided at their end (the left end of a right-to-left name). egui shapes
each font run itself, so shown names are laid out a cluster at a time.
Rename fields keep egui's editing and draw the shown text over it: the
caret, selection, clicks, drags and arrow keys follow what's on screen.
System fonts are added for scripts the built-in UI fonts lack.
The Typography section's text style browser: list and grid views with
each style in its own font, search, folders, this file's and enabled
libraries' styles, apply, detach, edit the typography, create from the
selected chars, hover to preview on the canvas, and "Mixed" when the
chars use several styles. Text styles now link chars (style_id on text
styles), so a range can take a style; editing what a style sets
unlinks the chars edited; files from before link on open.
Live text previews (text.preview / text.endPreview): a hovered text
style, font style or named instance and a dragged axis slider show on
the canvas without an undo step; release commits one step, Escape
cancels. ui.input sends raw window input over the control channel.
Visual QA: list markers keep the paragraph's font, renames start with
the name selected and centred, Max lines shows while truncating.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
On lines with right-to-left runs, Left and Right now move the caret one
position left or right on screen (TextLayout::visual_step) instead of one
char in logical order, so the caret no longer jumps backwards inside
Arabic or Hebrew. At a line's edge it continues to the neighbouring line
in reading order. Plain left-to-right lines are unchanged.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Large documents stay interactive: the canvas re-renders only what a pan uncovers or an edit
touches, the layers panel lays out only the rows in view, and per-frame work no longer walks the
whole page.
- Benchmark: `cargo xtask bench [SIZES]` builds synthetic pages (`figcraft_engine::synthetic`:
screens with an auto layout header, a card group, button instances and shapes/text) at
1k/10k/50k layers and prints engine/render timings (`figcraft-cli perf --layers 1000,10000`) and
headless whole-UI frame timings (an ignored ui-egui test).
- Retained canvas rendering (`figcraft_render::Retained`, used by the render worker): views snap
to whole device pixels, so a pan shifts the previous image in place and renders only the
uncovered strips; an edit renders only where changed layers were and are
(`Document::changed_ids` diffs the two versions skipping shared structure; ancestors that paint
from their children's pixels - booleans, effects, masks - count whole; background blur reach
and noise are allowed for). Zoom, page, options, font or page-level changes, or large changes,
render the whole view as before. `ui.inspect` reports `canvas.renderWork`.
- The texture image is converted on the render thread, not the UI thread.
- Layers panel: only visible rows are laid out (stable ids while scrolling); rows are cached per
document version, page, expanded set and filter.
- Frame labels and layout grids of off-screen top-level frames are skipped; the Prototype tab's
connection sources are cached per document version.
- Text: the layout cache keys by a cheap fingerprint confirmed by `TextData` equality (no Debug
formatting per lookup, 32k entries) and hands out shared layouts; a layout generation marks
renders stale when fonts arrive. Overflowing text is culled by its glyphs, so it no longer
vanishes while its box is off screen.
Before -> after (release, Windows, 1440x900 view, ms; 10k / 50k layers):
- move one layer, re-render @100%: 7.65 / 6.49 -> 0.18 / 0.81
- move one layer, re-render zoomed out: 11.95 / 24.10 -> 0.16 / 0.77
- pan 40 px @100%: 7.53 / 6.82 -> 0.69 / 0.81
- pan 40 px zoomed out: 12.07 / 24.30 -> 1.62 / 4.17
- full render @100% / zoomed to fit: 7.78 / 44.22 -> 6.56 / 38.83 (10k @100%, 50k fit)
- UI frame, every screen expanded in layers: 6.16 / 39.07 -> 0.24 / 0.57
- UI frame, scrolling that panel: 6.11 / 40.18 -> 0.43 / 0.40
- UI frame, layers filtered by name: 1.03 / 6.92 -> 0.17 / 0.36
- UI frame, Prototype tab: 0.89 / 6.45 -> 0.18 / 0.80
- UI frame, idle: 0.31 / 1.43 -> 0.11 / 0.39
Unchanged and within budget: single-layer edits through the engine ~0.01 ms, normalize after a
one-node edit < 0.01 ms, hit test 26 / 93 us. Left: save/load at 50k (~0.7 s each), zoomed-out
renders at 50k (~40 ms).
Tests: retained renders match full renders after pans, moves, recolours, hide/remove/add, undo,
masks, overflowing text, edits under a background blur and an inner-shadow/noise layer, a drop-
shadowed group, and a blur panned in from the view's edge; zoom/page/options/page background
render full; junk views don't panic. Layer-row and prototype-source caches follow edits, undo,
page switches, expansion and the filter. `changed_ids`, the text cache, and the perf CLI.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Text runs get bidi embedding levels from the Unicode bidi algorithm
(unicode-bidi, MIT/Apache-2.0). Right-to-left runs are shaped right to
left, kept in logical order for line breaking and placed in visual order
per line (rule L2, trailing spaces at the paragraph level). Glyphs and
lines know their direction, so the caret, clicks and selection
highlights follow right-to-left runs. Text without right-to-left
characters skips the analysis.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Inline IME composition: egui Preedit events become a composition held in the text edit
session (`TextEdit.preedit`), shown inline at the caret with an underline and the IME cursor,
reflowing the text; the document only gets the committed text (`text.edit.insert`). Composing
over a selection replaces it; moving the caret or ending the edit drops an uncommitted
composition. The IME candidate window follows the cursor inside the composition.
New command `text.edit.preedit {text, cursor?}`; `text.edit.selection` reports it.
- Variable fonts: faces read their fvar axes (tag, name, range, default, hidden) and named
instances. Named instances are offered as styles and resolve in `find`; a style name with no
instance implies weight/italic/slant on the axes and optical size follows the font size.
Per-run custom axis values (`TextStyle.variations`, serde default, omitted when empty) are applied
in HarfRust shaping (ShaperInstance) and skrifa outlines/advances (cached per coordinates).
PDF export outlines non-default instances instead of embedding the default one.
- Commands/props: `fontVariations` / `variationSettings` props (whole layer or start..end),
`text.setVariations {variations, replace?}` (merges; edited range while editing),
`text.fonts {family, style?, axes: true}`; `node.get` and copy/paste properties carry the axes.
Picking a named style (Bold/Italic toggles, weight steps, fontStyle/fontWeight) drops custom
wght/ital/slnt values and keeps the others.
- Type settings ▸ Variable tab for variable fonts: a slider (default tick, double-click to reset)
and a field per visible axis, "Mixed" across differing styles, live drag as one undo step,
"Reset to style". Long style/family names stay on one line with an ellipsis and a tooltip.
- Tests: variable font shaping/outlines/clamping/instances (skipped without a variable font),
serde backward compatibility, preedit lifecycle and undo, variation commands/props/undo/junk;
junk sweeps extended with variation and preedit params.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Edit-mode toolbar (Move V, Pen P, Bend hold Cmd, Paint bucket Shift+B, Lasso Q, Cut X, Done)
replaces the tools while a vector is edited.
- Pen in edit mode continues open ends, branches from any point (vector networks), adds points on
segments and closes paths into fill regions; dragging pulls out mirrored handles.
- Paint bucket fills or unfills any closed area: faces of the network (half-edge walk, nested
pieces become holes), with a hatched preview of the area under the pointer.
- Bend tool / Cmd: bend segments, pull handles out of a point, click a smooth point to sharpen it.
- Lasso and marquee point selection, segment selection (shift adds), cut at a segment or a point.
- Per-point handle mirroring (none / angle / angle and length, inferred for existing files),
Alt-drag breaks it; smooth/sharp points; join and merge selected points (Cmd+J, Shift+Cmd+J).
- Delete opens the path, Shift+Delete heals it; arrows nudge points; Cmd+A selects all points.
- Design panel shows the selected points' position, corner radius and mirroring.
- Every gesture is one undo step; edit mode ends when its layer is undone away.
- Paths that end on their start without a ClosePath (ellipse outlines) stay closed and filled.
- New commands (vector.edit.tool/pen/paint/cut/lasso/mirroring/smooth/position/nudge/connect/...)
for the CLI, control channel and MCP; docs updated.
- Clippy: simplify a few boolean expressions flagged by the current toolchain.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Jeremy Yao
bflatastic
Brandon Thomas