- file.projectManager {destination, mode: collect|consolidate, sequences?,
excludeUnused, handles, preset, includeProxies, includePreviews, dryRun, wait}.
- Collect copies every file the chosen sequences use (nested sequences and subclips
followed), optionally proxies and render previews; consolidate writes only the used
media range plus handles with a transcode preset and re-bases media time so edits,
keyframes and markers stay put. Unused clips can be excluded.
- Dry run reports original / resulting disk space and the file plan; the copy runs
as a job and writes the project last with the new paths and fingerprints.
- UI: Project Manager dialog (sequences, mode, preset, options, destination,
Calculate → sizes) with automation ids pm.*.
- Tests: collected project opens with its media moved away and renders the same
frames; consolidate trims to used range + handles and matches (>38 dB) the original.
- ROADMAP: M11 done.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- render::color_match: non-ML statistics matching — Oklab means per tonal range (smoothstep
shadow/midtone/highlight weights) plus mean chroma; "Face Detection" down-weights skin-tone
pixels (Oklab hue 20–75°) in the colour statistics and then limits the skin hue shift to 8°;
the grade is solved in Lumetri's own parameters (3 wheels, their lightness, saturation) by
damped Gauss–Newton through the real Lumetri implementation, so the result stays editable
- render::render_clip: one clip's layer at a time (the shot as Lumetri sees it)
- lumetri.applyMatch {clip?, referenceTime|Frame|Timecode, faceDetection} sets the grade in one
undo step and reports the statistics distance before/after; refuses a reference inside the
clip itself
- Lumetri panel: Color Match row (reference timecode, Face Detection, Apply Match; automation
ids lumetri.match.*)
- tests: Oklab reference values, self-match is a no-op, a known grade is recovered (residual
−86 %), skin protection holds the skin hue shift to ≤ 8° (51° without), engine and headless
UI tests
- docs: control protocol (colour commands and ids), testing; ROADMAP M8 row and log
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- crates/ui-egui/src/panels/essential_sound.rs: per-type sections (Loudness with Auto-Match,
Repair, Clarity, Creative, Ducking with Generate Keyframes, Duration note, Pan), preset dropdown
with save/delete, code-drawn type glyphs, automation ids for every control; every control runs an
essentialSound.* command and a slider drag is one undo step
- headless kittest test (essential_sound_ui.rs) with optional wgpu snapshots
- docs: architecture §5.2, control-protocol ids, testing, ROADMAP
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Program monitor overlay for graphic clips: Type tool click creates a text layer (in the
selected graphic under the playhead or a new clip) and edits it in place with a caret,
selection highlight, arrows/word/line navigation, Shift-select, Cmd+A/C/X/V, Return,
Backspace/Delete, Esc; typing is one undo step. Selection tool selects, moves and scales
layers (bounding box, handles, anchor); double-click edits text. Rectangle/Ellipse tools
drag out shapes; Pen tool places a closed path. Automation ids program.layer.*.
- Properties (when a graphic is selected) and Essential Graphics: Layers list, Align and
Transform (align / distribute), Text (source text, font family + style incl. system fonts,
size, paragraph alignment, tracking, leading, baseline shift, box width, faux bold/italic,
caps, underline, kerning/ligatures), Shape, Appearance (fill, 2 strokes, background,
shadow). Automation ids graphics.*.
- Headless UI test (egui_kittest) drives the whole flow through the control channel; with
FILMCRAFT_UI_SHOTS it renders PNGs via wgpu (works with a locked screen).
- docs/graphics.md; architecture, ROADMAP, ATTRIBUTION (code-drawn glyphs) updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Engine autosave module: Preferences (autoSave.enabled/intervalMinutes=5/maxVersions=20/
saveCurrentProject/recoveryJournal/recoveryIntervalSeconds), persisted in the per-user data
dir; prefs.get/set/reset commands.
- Background worker (filmcraft-autosave thread): the UI thread only hands over the Arc<Project>
snapshot; JSON encoding and atomic writes happen on the worker. Premiere-style auto-saves to
<project dir>/Auto-Save/<name>-YYYY-MM-DD_HH-MM-SS.fcproj (local time), only when changed,
rotated to Maximum Project Versions, optionally also saving the project.
- Recovery journal: debounced snapshot of unsaved changes in <data>/Recovery/<session>/ guarded
by an OS file lock; on launch, sessions whose lock is free and that left a snapshot are offered.
Clean quit removes the journal (or keeps it, marked cleanExit, if changes were unsaved).
- Commands: file.recover, file.discardRecovery, file.recoveryList, file.autoSaveNow,
file.autoSaveStatus, file.listAutoSaves.
- UI: Preferences ▸ Auto Save page (Edit ▸ Preferences, Cmd+,; FilmCraft ▸ Settings… on macOS),
"Recover Unsaved Changes" dialog at startup, Revert confirmation; all with automation ids.
- Desktop: --recover / --no-recover / --data-dir; local-time offset via chrono (clock).
- Verified in the app: edits, kill -9, relaunch, dialog, Recover restores the edits (unsaved, original path).
- docs/project-files.md: auto-save, recovery and measured costs (2,000 clips: 2.5 ms encode,
1.4 MB, ~30 ms atomic write+fsync, all off the UI thread). ROADMAP M11 updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
crates/codecs decodes Opus with filmcraft-opus (48 kHz output):
- Matroska/WebM A_OPUS: CodecPrivate = OpusHead. CodecDelay removes the
pre-skip exactly (header pre-skip when CodecDelay is absent); packet starts
are accumulated from TOC durations because block timestamps are only
tick-accurate. Random access decodes max(SeekPreRoll, 320 ms) first.
- MP4/MOV Opus + dOps: edit list removes pre-skip (dOps pre-skip without
one); same pre-roll on random access.
- Family-1 surround reordered from Vorbis to WAV/SMPTE channel order;
corrupt packets are concealed instead of failing.
Tests (ffmpeg/libopus fixtures, skipped when absent): WebM stereo, MKV mono
VoIP (SILK/hybrid), MKV 5.1 multistream, MP4 stereo; sample-aligned against
libopus (52-89 dB sequential, 45-89 dB after random access).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas