M16: keep grapheme clusters intact in vertical watermarks

This commit is contained in:
midasdf 2026-10-09 09:02:24 +09:00
parent 32cedb3153
commit 93b900f8d7
5 changed files with 114 additions and 26 deletions

1
Cargo.lock generated
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@ -2899,6 +2899,7 @@ dependencies = [
"serde",
"serde_json",
"thiserror 2.0.21",
"unicode-segmentation",
"web-time",
]

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@ -32,6 +32,7 @@ log = { workspace = true }
ab_glyph = { workspace = true }
# Apply the font’s vertical substitutions and origins to Japanese watermarks.
harfrust = { version = "0.12", default-features = false, features = ["std"] }
unicode-segmentation = "1.13"
lightcraft-segment = { workspace = true, optional = true }
[features]

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@ -258,33 +258,41 @@ fn watermark_fonts(craft: &'static [crate::fonts::CraftFont]) -> Vec<ab_glyph::F
.collect()
}
/// The font's vertical form, positioned from its vertical origin within the watermark cell.
/// Shape a whole grapheme in one cell. CJK uses vertical origins and forms; Latin stays upright.
/// Unlike Unicode presentation-form characters, GSUB works with BIZ UD fonts too.
fn vertical_watermark_glyph(
fn watermark_cell_glyphs(
font: &ab_glyph::FontRef<'_>,
data: &harfrust::ShaperData,
ch: char,
text: &str,
vertical: bool,
px: f32,
left: f32,
top: f32,
) -> Option<ab_glyph::Glyph> {
) -> Option<Vec<ab_glyph::Glyph>> {
use ab_glyph::{Font, ScaleFont};
let face = harfrust::FontRef::new(font.font_data()).ok()?;
let mut buf = harfrust::UnicodeBuffer::new();
buf.add(ch, 0);
buf.set_direction(harfrust::Direction::TopToBottom);
buf.push_str(text);
buf.set_direction(if vertical { harfrust::Direction::TopToBottom } else { harfrust::Direction::LeftToRight });
buf.guess_segment_properties();
let shaped = data.shaper(&face).build().shape(buf, harfrust::ShapeOptions::new());
if shaped.glyph_infos().len() != 1 {
if shaped.glyph_infos().is_empty() {
return None;
}
let gid = u16::try_from(shaped.glyph_infos().first()?.glyph_id).ok().filter(|g| *g != 0)?;
let pos = shaped.glyph_positions().first()?;
let sf = font.as_scaled(px);
let (sx, sy) = (sf.h_scale_factor(), sf.v_scale_factor());
let height = -(pos.y_advance as f32) * sy;
let pen = ab_glyph::point(left + px / 2.0 + pos.x_offset as f32 * sx, top + (px - height) / 2.0 - pos.y_offset as f32 * sy);
Some(ab_glyph::GlyphId(gid).with_scale_and_position(px, pen))
let advance_x = shaped.glyph_positions().iter().map(|p| p.x_advance as f32 * sx).sum::<f32>();
let advance_y = shaped.glyph_positions().iter().map(|p| -(p.y_advance as f32) * sy).sum::<f32>();
let (mut x, mut y) = if vertical { (left + px / 2.0, top + (px - advance_y) / 2.0) } else { (left + (px - advance_x) / 2.0, top + sf.ascent()) };
let mut glyphs = Vec::new();
for (info, pos) in shaped.glyph_infos().iter().zip(shaped.glyph_positions()) {
let gid = u16::try_from(info.glyph_id).ok().filter(|g| *g != 0)?;
let pen = ab_glyph::point(x + pos.x_offset as f32 * sx, y - pos.y_offset as f32 * sy);
glyphs.push(ab_glyph::GlyphId(gid).with_scale_and_position(px, pen));
x += pos.x_advance as f32 * sx;
y -= pos.y_advance as f32 * sy;
}
Some(glyphs)
}
/// Draw `wm` onto `img` (straight alpha blending of the encoded values).
@ -355,8 +363,13 @@ fn watermark_coverage(
let mut prev = None;
let columns = text.split('\n').count();
let mut column = 0usize;
for original in text.chars() {
if original == '\n' {
use unicode_segmentation::UnicodeSegmentation;
// Horizontal watermarks retain scalar layout and kerning; only vertical cells use graphemes.
let cells: Box<dyn Iterator<Item = &str>> =
if wm.vertical { Box::new(text.graphemes(true)) } else { Box::new(text.char_indices().filter_map(|(i, c)| text.get(i..i + c.len_utf8()))) };
for cell in cells {
let Some(original) = cell.chars().next() else { continue };
if cell == "\n" || (wm.vertical && cell == "\r\n") {
if wm.vertical {
column = column.saturating_add(1);
tw = tw.max(y);
@ -369,17 +382,20 @@ fn watermark_coverage(
prev = None;
continue;
}
if wm.vertical
&& matches!(original as u32, 0x3000..=0x30FF | 0x3400..=0x9FFF | 0xFF01..=0xFF60)
&& let Some(face) = fonts.iter().position(|font| font.glyph_id(original).0 != 0)
&& let (Some(font), Some(Some(data))) = (fonts.get(face), vertical_data.get(face))
{
let cjk = matches!(original as u32, 0x3000..=0x30FF | 0x3400..=0x9FFF | 0xFF01..=0xFF60);
if wm.vertical && (cjk || cell.chars().count() > 1) {
let left = columns.saturating_sub(column.saturating_add(1)) as f32 * px;
if let Some(glyph) = vertical_watermark_glyph(font, data, original, px, left, y)
&& (glyph.id != font.glyph_id(original)
|| !matches!(original, '、' | '。' | 'ー' | '(' | ')' | '「' | '」' | '『' | '』' | '【' | '】'))
{
glyphs.push((face, glyph, None));
let shaped = fonts.iter().zip(&vertical_data).enumerate().find_map(|(face, (font, data))| {
let data = data.as_ref()?;
let cluster = watermark_cell_glyphs(font, data, cell, cjk, px, left, y)?;
let substituted = cluster.len() != 1 || cluster.first().is_some_and(|g| g.id != font.glyph_id(original));
if cjk && !substituted && matches!(original, '、' | '。' | 'ー' | '(' | ')' | '「' | '」' | '『' | '』' | '【' | '】') {
return None;
}
Some((face, cluster))
});
if let Some((face, cluster)) = shaped {
glyphs.extend(cluster.into_iter().map(|g| (face, g, None)));
y += px;
continue;
}
@ -1706,7 +1722,7 @@ mod tests {
assert_eq!(font.glyph_id('︒').0, 0);
let data = harfrust::ShaperData::new(&harfrust::FontRef::new(entry.bytes).unwrap());
for ch in ['、', '。'] {
let glyph = vertical_watermark_glyph(&font, &data, ch, 100.0, 0.0, 0.0).unwrap();
let glyph = watermark_cell_glyphs(&font, &data, &ch.to_string(), true, 100.0, 0.0, 0.0).unwrap().remove(0);
assert_ne!(glyph.id, font.glyph_id(ch), "the font's vertical alternate for {ch}");
let rect = font.outline_glyph(glyph).unwrap().px_bounds();
assert!(rect.min.x > 50.0 && rect.max.y < 50.0, "{ch} in the upper right: {rect:?}");
@ -1736,6 +1752,56 @@ mod tests {
}
}
#[test]
fn vertical_watermarks_keep_combining_marks_in_one_cell() {
let coverage = |text: &str, craft| {
let wm = Watermark {
text: text.into(),
vertical: true,
size: 0.1,
anchor: Anchor::Center,
inset: 0.0,
shadow: false,
opacity: 1.0,
..Default::default()
};
let mut pixels = vec![0.0f32; 400 * 300];
watermark_coverage(400, 300, &wm, craft, |x, y, k, _| pixels[y * 400 + x] = k);
assert!(pixels.iter().any(|&k| k > 0.0));
pixels
};
let compare = |a: &str, b: &str, craft| {
let (a_pixels, b_pixels) = (coverage(a, craft), coverage(b, craft));
let difference = a_pixels.iter().zip(&b_pixels).position(|(a, b)| a != b);
assert!(difference.is_none(), "{a:?} vs {b:?}: first differing pixel {difference:?}");
};
for (composed, decomposed) in [("éA", "e\u{301}A"), ("Å\nA", "A\u{30a}\nA"), ("A\nB", "A\r\nB"), ("日A", "日\u{e0100}A")] {
compare(composed, decomposed, &[]);
}
if crate::fonts::CRAFT_FONTS.iter().any(|f| f.family == "BIZ UDMincho") {
for (composed, decomposed) in [("が日", "か\u{3099}日"), ("ぱ\n日", "は\u{309a}\n日")] {
compare(composed, decomposed, crate::fonts::CRAFT_FONTS);
}
} else {
eprintln!("skipped Japanese comparisons: built without BIZ UDMincho from craft-fonts");
}
}
#[test]
fn upright_watermark_cell_retains_multiple_glyphs() {
use ab_glyph::{Font, ScaleFont};
let font = ab_glyph::FontRef::try_from_slice(WATERMARK_FONT).unwrap();
let data = harfrust::ShaperData::new(&harfrust::FontRef::new(WATERMARK_FONT).unwrap());
// There is no precomposed A with a combining long solidus overlay.
let glyphs = watermark_cell_glyphs(&font, &data, "A\u{338}", false, 30.0, 0.0, 0.0).unwrap();
assert_eq!(glyphs.len(), 2, "retain the base and the separately positioned combining glyph");
let baseline = font.as_scaled(30.0).ascent();
for glyph in glyphs {
assert!((glyph.position.y - baseline).abs() < 1.0, "no extra vertical cell for the mark");
assert!(font.outline_glyph(glyph).is_some(), "both glyphs have ink");
}
}
#[test]
fn japanese_watermarks_support_vertical_columns() {
use ab_glyph::Font;

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@ -445,7 +445,7 @@ under the UI command that wraps it (a no-op error); the UI command now wins.
| LR-EXP-HDR | HDR output | P2 | ⬜ | | |
| LR-EXP-SHARPEN | Output sharpening | P1 | ✅ | `cmd:app.export` (`sharpen`, `sharpenAmount`) | |
| LR-EXP-METADATA | Metadata policy | P1 | ✅ | `cmd:app.export` (`metadata`, `removeLocation`) | |
| LR-EXP-WATERMARK | Watermark | P1 | ✅ | `cmd:app.export` (`watermark`: text, or `{text, vertical, size, opacity, anchor, inset, color, shadow, image, imageWidth}`), `crates/engine/src/export.rs` (`Watermark`, `WATERMARK_PARAMS`) | text (`size` = height as a fraction of the short edge, 0.005..0.5, default 0.035; `color` sRGB `[r,g,b]`; `shadow`; Japanese vertical glyph forms and origins, tested by `biz_ud_vertical_watermarks_place_punctuation_at_the_top_right`) or a graphic with transparency (`image` path, `imageWidth` = fraction of the photo's width, 0.01..1, converted to the output colour space); `anchor`, `inset` (fraction of the short edge, 0..0.4), `opacity` 0..1. Unknown keys and out-of-range values are errors (issue #183) |
| LR-EXP-WATERMARK | Watermark | P1 | ✅ | `cmd:app.export` (`watermark`: text, or `{text, vertical, size, opacity, anchor, inset, color, shadow, image, imageWidth}`), `crates/engine/src/export.rs` (`Watermark`, `WATERMARK_PARAMS`) | text (`size` = height as a fraction of the short edge, 0.005..0.5, default 0.035; `color` sRGB `[r,g,b]`; `shadow`; Japanese vertical glyph forms and origins, tested by `biz_ud_vertical_watermarks_place_punctuation_at_the_top_right`; extended grapheme cells keep decomposed dakuten/handakuten and Latin accents together, tested by `vertical_watermarks_keep_combining_marks_in_one_cell` and `upright_watermark_cell_retains_multiple_glyphs` (see `docs/vertical-watermarks.md`)) or a graphic with transparency (`image` path, `imageWidth` = fraction of the photo's width, 0.01..1, converted to the output colour space); `anchor`, `inset` (fraction of the short edge, 0..0.4), `opacity` 0..1. Unknown keys and out-of-range values are errors (issue #183) |
| LR-EXP-NAMING | File naming | P1 | ✅ | `cmd:app.export` (`naming`, `startNumber`), `crates/engine/src/rename.rs` (`expand_tokens`) | one template language for export, Rename Photos and import renaming: `{name}`, `{num}` (number at the end of the name), `{seq}` / `{seq:N}`, `{date}` / `{date:%Y-%m-%d}`, `{folder}`, `{camera}`, `{lens}`, `{iso}`, `{rating}`, `{title}`, `{creator}`, `{ext}`; free-form template rather than a list of named schemes |
| LR-EXP-LOCATION | Destination folder | P0 | ✅ | `cmd:app.export` (`dir`, `subfolder`, `conflict`: unique / overwrite / skip), `cmd:export.checkTarget`, `crates/ui-egui/src/panels/dialogs.rs` (Choose… folder picker), `crates/engine/src/originals.rs`, `crates/catalog/src/safe_file.rs` | folder picker on the desktop; existing files get `-2`, `-3`… by default; the policy covers a file and its sidecars together; a catalogued original (or its sidecar) is never written over, whatever the policy or an exact `path` (export, `ui.render`, MCP `render_photo`, merge `previewPath`, `lightcraft-cli render`); files are written to a temp file and renamed into place (issue #93; not synced file by file — exports can be made again, issue #134) |
| LR-EXP-PREVIOUS | Export with previous settings | P0 | ✅ | `cmd:app.exportPrevious`, `cmd:dialog.export` | last options persist in prefs.json; dialog prefilled; no named export presets yet |

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@ -0,0 +1,20 @@
# Vertical text watermarks
Set `watermark.vertical` to `true` in export options, or choose Vertical in the export dialog. Text runs down each column; a newline starts the next column to its left. The size, nine anchors, inset, opacity, colour and shadow use the same controls as horizontal watermarks. Existing presets without `vertical` remain horizontal.
## Character cells
A vertical cell contains one extended grapheme cluster, not one Unicode scalar. For example, `が` and `か` followed by U+3099 COMBINING KATAKANA-HIRAGANA VOICED SOUND MARK occupy the same space and produce the same image with the Japanese fonts from craft-fonts. The source string is not normalized or rewritten. CRLF and LF each start one new column.
The renderer shapes the complete cluster, retaining all resulting glyphs and their offsets, even when a base and its combining mark remain separate glyphs. It tries the existing watermark faces in order and rejects a shaped cluster containing a missing glyph. Without a suitable font, the existing fallback draws the first character's missing-glyph box in one cell rather than allocating cells to its marks or variation selectors.
Japanese cells use the font's vertical substitutions and origins. Latin text remains upright, as in the existing watermark renderer; clusters with Latin combining marks are shaped horizontally within their cell. This is not a general mixed-script paragraph composer. It does not add rotated Latin runs, tate-chu-yoko, ruby, kinsoku, automatic column wrapping or mojikumi spacing.
## References and scope
- [Unicode UAX #29, §3 Grapheme Cluster Boundaries](https://www.unicode.org/reports/tr29/#Grapheme_Cluster_Boundaries) specifically identifies vertical-text segmentation as a use for grapheme clusters and states that boundaries must not split combining sequences. This is the basis for the cell fix.
- [OpenType `vert`](https://learn.microsoft.com/en-us/typography/opentype/spec/features_uz#tag-vert) describes upright vertical forms and their script sensitivity. The renderer uses harfrust's top-to-bottom shaping for Japanese cells, retaining the previously implemented font-origin placement.
- [W3C Requirements for Japanese Text Layout](https://www.w3.org/TR/jlreq/) describes Japanese paragraph composition, including punctuation spacing and prohibited line boundaries. Those rules are relevant to a future paragraph composer; this fix does not claim full JLReq conformance.
- [Lightroom Classic's public watermark workflow](https://helpx.adobe.com/lightroom-classic/help/using-watermark-editor.html) documents text/graphic watermarks, opacity, size, inset and nine anchors. It does not document Japanese vertical composition. LightCraft's vertical cells are an extension, not a claim to match an undocumented Lightroom vertical-text mode.
Regression coverage in `crates/engine/src/export.rs` compares actual coverage pixels for composed and decomposed Japanese and Latin text, checks multi-glyph mark placement, and retains the existing punctuation and right-to-left-column tests. Japanese font-specific comparisons run with `CRAFT_FONTS_DIR`; Latin and missing-font comparisons run without it.