LR-PROF-CAMERACOLOR: Panasonic RW2 file-local camera look
RW2 / RWL / RAW join ARW and NEF: the starting look (matrix, hue/saturation table, tone and chroma curves) is fitted to the file's own embedded JPEG behind the same gates, with white balance relative to the as-shot look. Panasonic previews always show the whole active area while the default crop is the in-camera aspect ratio, so when the preview matches the active area instead of the crop, the reference is cropped to the default crop before fitting (corpus_rw2_with_an_in_camera_crop_gets_a_camera_look). On 174 CC0 samples with a preview 140 fits are accepted (93 of the 114 bodies with a preview), median ΔE against the camera JPEG 5.0 with matching lightness; most of the others are compacts and kit zooms whose camera JPEG is distortion-corrected (tag 0x0119 isn't used yet). `lightcraft-cli calibrate` keeps collecting ARW and NEF only. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
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@ -301,7 +301,7 @@ LightCraft is young and moving fast. **Where we honestly stand** (details in the
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| Masking: brush, linear, radial, luminance/colour range, add/subtract/intersect | ✅ (AI subject/sky use classical heuristics for now) |
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| Crop, straighten tool + auto straighten, flip, rotate, aspect ratios, overlays | ✅ |
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| Profiles (Color, Neutral, Vivid, Landscape, Portrait, Monochrome: our own looks), presets, versions, history, copy/paste/sync settings | ✅ |
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| Camera colour: DNG files use their own matrices | ✅ · our own calibration for other raws ⬜ (top priority; neutral fallback today) |
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| Camera colour: DNG files use their own matrices | ✅ · our own calibration for other raws ⬜ (top priority; ARW, NEF and RW2 start from a look fitted to their own JPEG, other raws from a neutral fallback) |
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| Native macOS menu bar (generated from the command registry), control channel + every widget addressable, headless UI snapshots | ✅ |
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| RAW: DNG, CR2, ARW, NEF (uncompressed + lossless/lossy compressed), Fujifilm RAF (uncompressed, Bayer + X-Trans), Panasonic RW2 / Leica RWL / Panasonic RAW (every raw format, DMC-LX1 to DC-S1RM2), Pentax PEF, Olympus ORF (uncompressed); embedded previews for every format incl. CR3 | ✅ · CR3, compressed RAF/ORF decode ⬜ |
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| Detail: sharpening, luminance + colour noise reduction | ✅ · AI Denoise, Super Resolution ⬜ |
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14
ROADMAP.md
14
ROADMAP.md
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@ -24,7 +24,7 @@ duplicate Local entries #22, black GPU exports on an Intel iGPU #78).
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|---|---:|---|---|
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| **Feature checklist** | 79% | P0 core and P1 nearly complete: import (Add / Copy / Move, templates, devices), library, grid/loupe/compare/survey, every Edit slider, curves, colour grading, masking tools, crop/Upright, heal/clone, presets/profiles, versions/history, sync, export, menus, shortcuts | P1: lens-profile database, content-aware fill (patch synthesis), video playback/trim |
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| **RAW coverage** (formats people shoot) | ~55% | DNG (all kinds), CR2, ARW, NEF (uncompressed + Huffman lossless/lossy), uncompressed RAF/ORF, RW2 / RWL / Panasonic RAW (every raw format, checked on 178 files from 118 Panasonic and Leica bodies), PEF; every container's embedded preview (incl. CR3) | **CR3** (every Canon since ~2018), compressed RAF/ORF, Nikon lossy-after-split, Canon sRAW, HEIC/AVIF. NEFs labelled compressed but stored uncompressed (Z 6 packed 14-bit, D850 12-bit uncompressed). Per-model verification is thin (~55 corpus files vs >1,000 models) |
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| **Colour & image quality** | ~55–65% | Pipeline is complete and fast; GPU path CPU-exact within 1/255 | **No measured camera calibration database**: ARW and NEF have a guarded per-file embedded-JPEG colour estimate (docs/camera-preview-colour.md); other non-DNG raws and rejected estimates use a neutral matrix. Colour fidelity remains incomplete. No lens-profile database. No measured fidelity against Lightroom (tone, highlights, texture/clarity, NR, sharpening are tuned by eye) |
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| **Colour & image quality** | ~55–65% | Pipeline is complete and fast; GPU path CPU-exact within 1/255 | **No measured camera calibration database**: ARW, NEF and RW2 have a guarded per-file embedded-JPEG colour estimate (docs/camera-preview-colour.md); other non-DNG raws and rejected estimates use a neutral matrix. Colour fidelity remains incomplete. No lens-profile database. No measured fidelity against Lightroom (tone, highlights, texture/clarity, NR, sharpening are tuned by eye) |
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| **AI & computational** | ~15–20% | Assisted culling (focus, bursts), auto tone, HDR/panorama merge; subject/sky/background masks as classical heuristics | Real segmentation masks (subject, sky, people, objects, landscape, depth), AI denoise, super resolution, lens blur, generative remove, faces/people, natural-language search. **Blocked on a model strategy** (licensable weights or our own training; pure-Rust inference is feasible) |
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| **Workflow & library** | ~85% (single machine) | Robust catalog (journal + snapshots, background compaction, crash-tested), 85k-photo libraries stay responsive, Local browsing with automatic cleanup, XMP interop, keywords, smart albums, Move import | Opening an 85k library takes 1.7–4.7 s; no cloud sync (out of scope), no tablet companion (#74, roadmap), shared albums, publish services, tethering |
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| **Classic modules** | ~30% | Geotagging from GPX track logs, soft proofing (partial), slideshow (basic) | **Map view, Book, Print, Slideshow module, Web, publish services**: ~40 tracker rows ⬜ |
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@ -36,7 +36,7 @@ duplicate Local entries #22, black GPU exports on an Intel iGPU #78).
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| User | Readiness | What blocks them |
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|---|---:|---|
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| JPEG / DNG shooter, single machine | ~85% | Fidelity polish, AI masks |
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| Nikon / Sony / Panasonic / older-Canon raw shooter | ~65% | Camera colour fidelity and coverage (ARW and NEF preview estimates are only a starting point); Panasonic compacts and kit zooms also miss their embedded distortion correction |
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| Nikon / Sony / Panasonic / older-Canon raw shooter | ~65% | Camera colour fidelity and coverage (ARW, NEF and RW2 preview estimates are only a starting point); Panasonic compacts and kit zooms also miss their embedded distortion correction |
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| Canon CR3 / Fujifilm / Olympus shooter | ~35% | Their raws open as embedded previews only (CR3: the full-size JPEG with full metadata) |
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| Lightroom Classic power user | ~45% | Print, Book, Map, publish, tethering |
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| Relies on AI (masks, denoise) | ~25% | Object / Describe masks via optional SAM 3 (download not yet hosted); no AI denoise |
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@ -46,8 +46,8 @@ duplicate Local entries #22, black GPU exports on an Intel iGPU #78).
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Priorities, in order. Each points at tracker rows in [`docs/parity.md`](docs/parity.md) → *Top gaps*.
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1. **Camera colour calibration of our own** (LR-PROF-CAMERACOLOR, P0): fit each camera to its own embedded JPEG, use
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matrices the files carry themselves, then chart shots. Sony ARW and Nikon NEF have the file-local fit (matrix + tone
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curve from their own JPEG); generalise it to the other makes' raws (RW2, PEF, ORF…), then validate fidelity.
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matrices the files carry themselves, then chart shots. Sony ARW, Nikon NEF and Panasonic RW2 have the file-local fit
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(matrix + tone curve from their own JPEG); generalise it to the other makes' raws (PEF, ORF…), then validate fidelity.
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2. **Raw formats, clean-room** (LR-IMP-FORMATS, P0): **CR3** first, then compressed RAF / ORF, NEF
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lossy-after-split, sRAW. Decided 2026-10-05: write our own decoders from prose descriptions (never decoder source,
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no LGPL dependency); compressed NEF (#86) is the template.
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@ -84,7 +84,7 @@ hardening (#78), copyright metadata (#51), GPX geotagging (#60), import tag help
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| M8 | Heal / Remove | content-aware remove (PatchMatch), heal, clone, brush spots, visualize spots, red/pet eye | 6–10 | 🚧 (heal, clone, auto source, visualize spots, red/pet eye ✅; PatchMatch remove ⬜) |
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| M9 | Presets, profiles, versions, sync | preset browser + amount, create/import presets, profile browser, versions, history, copy/paste/sync settings | 5–8 | ✅ |
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| M10 | Export & share | export dialog (JPEG/PNG/TIFF/DNG/AVIF/JXL/original), sizing, sharpening, metadata, watermark, naming, batch jobs, XMP sidecars, HDR export | 6–10 | 🚧 (all formats incl. DNG/original, sizing, presets, background jobs ✅; JXL encode, HDR export ⬜) |
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| M11 | RAW II | CR3, RAF (X-Trans), ORF, RW2, PEF, SRW, 3FR, IIQ + long tail; camera calibration DB; HEIC/AVIF/JXL import | 20–35 | 🚧 (RAF uncompressed, RW2 (every raw format), PEF, ORF uncompressed ✅; **camera colour calibration** 🚧 (guarded ARW and NEF preview fitting; measured database still missing), CR3, compressed ORF/RAF ⬜) |
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| M11 | RAW II | CR3, RAF (X-Trans), ORF, RW2, PEF, SRW, 3FR, IIQ + long tail; camera calibration DB; HEIC/AVIF/JXL import | 20–35 | 🚧 (RAF uncompressed, RW2 (every raw format), PEF, ORF uncompressed ✅; **camera colour calibration** 🚧 (guarded ARW, NEF and RW2 preview fitting; measured database still missing), CR3, compressed ORF/RAF ⬜) |
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| M12 | AI & smart features | subject/sky/background/people/object masks, semantic search, faces/People (permissively licensed models, pure-Rust inference) | 20–40 | ⬜ |
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| M13 | Merge | HDR merge (deghost), panorama (projections, boundary warp, fill edges), HDR panorama | 10–15 | ✅ |
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| M14 | Video | import/playback/trim via FilmCraft crates, global edits + presets on video, video export | 6–10 | ⬜ |
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@ -178,7 +178,7 @@ Not decoded yet — preview only (no permissively licensed description; black-bo
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alignment or reset predictors at the split row). The other Nikon Huffman variants are decoded (`crates/raw/src/vendor/nefc.rs` documents the analysis).
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- **Olympus compressed ORF**, **Fujifilm compressed RAF**, **Canon CR3/CRX** (M11.1), **Canon sRAW/mRAW**, lossy DNG.
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**Camera colour matrices:** ARW files can use guarded, separate chromaticity and tone estimates from their own embedded JPEG (see `docs/camera-preview-colour.md`); this is a per-file camera-look estimate with relative WB, not measured calibration or absolute-Kelvin WB. Other non-DNG raws and rejected fits use the documented neutral fallback (camera RGB ≈ linear sRGB, flagged
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**Camera colour matrices:** ARW, NEF and RW2 files can use guarded, separate chromaticity and tone estimates from their own embedded JPEG (see `docs/camera-preview-colour.md`); this is a per-file camera-look estimate with relative WB, not measured calibration or absolute-Kelvin WB. Other non-DNG raws and rejected fits use the documented neutral fallback (camera RGB ≈ linear sRGB, flagged
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`matrix_is_fallback`) with the file's as-shot white-balance multipliers. Clean sources to evaluate next: manufacturer
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matrices stored in the files themselves (Olympus ImageProcessing `ColorMatrix`, Pentax equivalents; Panasonic RW2 files carry none) and our
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own chart-based calibration (M11.4). Adobe matrices are never used.
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@ -194,7 +194,7 @@ own chart-based calibration (M11.4). Adobe matrices are never used.
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tracker rows for camera colour, camera coverage and render fidelity.
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- 2026-10-07: Panasonic RW2 / Leica RWL / Panasonic RAW decode in every raw format (compressed 4/6/8, packed 2/5/7,
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16-bit words), black levels, in-camera aspect crops and mapped-out defects established on 178 CC0 files from 118
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bodies.
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bodies; RW2 gets the file-local camera look (accepted on 140 of 174 files with a preview).
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## Chinese and Japanese interfaces, and text watermarks
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@ -336,11 +336,12 @@ impl Photo {
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pub fn develops_raw(&self) -> bool {
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self.kind == MediaKind::Raw && self.preview_only.is_none()
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}
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/// The current ARW and NEF readers have vendor WB multipliers but no measured camera
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/// The current ARW, NEF and RW2 readers have vendor WB multipliers but no measured camera
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/// illuminant. Use adjustments relative to the camera's as-shot look, as for rendered
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/// photographs (the engine's `camera_preview::file_local_look` covers the same formats).
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/// photographs (the engine's `camera_preview::file_local_look` covers the same formats; RWL and
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/// RAW are Leica's and the oldest Panasonic bodies' names for RW2 files).
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pub fn relative_wb(&self) -> bool {
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self.develops_raw() && ["ARW", "NEF", "NRW"].iter().any(|f| self.format.eq_ignore_ascii_case(f))
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self.develops_raw() && ["ARW", "NEF", "NRW", "RW2", "RWL", "RAW"].iter().any(|f| self.format.eq_ignore_ascii_case(f))
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}
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/// The develop settings import gave this photo: [`Photo::camera_defaults`], or the user's
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/// default preset applied on top of them ([`Photo::import_look`]).
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@ -430,7 +431,15 @@ mod edited_tests {
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#[test]
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fn sony_and_nikon_raws_use_relative_white_balance() {
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for (name, format, relative) in [("a.arw", "ARW", true), ("a.nef", "NEF", true), ("a.nrw", "nrw", true), ("a.dng", "DNG", false)] {
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for (name, format, relative) in [
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("a.arw", "ARW", true),
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("a.nef", "NEF", true),
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("a.nrw", "nrw", true),
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("a.rw2", "RW2", true),
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("a.rwl", "RWL", true),
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("a.raw", "RAW", true),
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("a.dng", "DNG", false),
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] {
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let mut p = Photo::new(PhotoId(1), Source::Demo { scene: 0 }, name, format, 10, 10, "2026-10-01T00:00:00");
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p.kind = MediaKind::Raw;
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p.as_shot_wb = Some((5200.0, 4.0));
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@ -1,5 +1,5 @@
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//! Estimate the starting look of a raw without a camera colour matrix (Sony ARW, Nikon NEF) from its
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//! own JPEG. Colour and luminance are fitted separately; the JPEG supplies correspondences only,
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//! Estimate the starting look of a raw without a camera colour matrix (Sony ARW, Nikon NEF, Panasonic
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//! RW2) from its own JPEG. Colour and luminance are fitted separately; the JPEG supplies correspondences only,
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//! never output pixels or a replacement for RAW editing.
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//! A global matrix can't follow the camera's hue-dependent rendering (the best matrix rendered a
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//! lime shirt olive that the camera kept lime): a hue/saturation table fitted to the residuals
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@ -31,7 +31,7 @@ pub(crate) const PROFILE_PROXY: usize = 192;
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/// as-shot look (`docs/camera-preview-colour.md`). The catalog's `Photo::relative_wb` matches the
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/// same formats by file extension.
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pub(crate) fn file_local_look(format: RawFormat) -> bool {
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matches!(format, RawFormat::Arw | RawFormat::Nef | RawFormat::Nrw)
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matches!(format, RawFormat::Arw | RawFormat::Nef | RawFormat::Nrw | RawFormat::Rw2)
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}
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pub(crate) fn fit_preview(raw: &RawImage, bytes: &[u8], transform: &CameraTransform) -> Option<CameraLook> {
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@ -63,14 +63,24 @@ fn proxies(raw: &RawImage, bytes: &[u8], transform: &CameraTransform, size: usiz
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let jpeg = lightcraft_raw::embedded_preview(bytes)?;
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let edge = (2 * size).max(384) as u32;
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let decoded = lightcraft_codecs::decode(&jpeg, lightcraft_codecs::DecodeOptions { max_size: Some((edge, edge)), max_pixels: 64_000_000 }).ok()?;
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let reference = decoded.to_working();
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let crop = raw.crop.clipped(raw.active_area.width, raw.active_area.height);
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let mut reference = decoded.to_working();
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let (a, crop) = (raw.active_area, raw.crop.clipped(raw.active_area.width, raw.active_area.height));
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if crop.width == 0 || crop.height == 0 || reference.width == 0 || reference.height == 0 {
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return None;
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}
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let aspect = crop.width as f64 / crop.height as f64;
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if (reference.width as f64 / reference.height as f64 / aspect - 1.0).abs() > 0.02 {
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return None;
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let matches = |w: usize, h: usize, rw: usize, rh: usize| (rw as f64 / rh as f64 / (w as f64 / h as f64) - 1.0).abs() <= 0.02;
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if !matches(crop.width, crop.height, reference.width, reference.height) {
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// Panasonic previews show the whole active area while the default crop is the in-camera aspect ratio
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if !matches(a.width, a.height, reference.width, reference.height) {
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return None;
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}
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let (sx, sy) = (reference.width as f64 / a.width as f64, reference.height as f64 / a.height as f64);
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let (x, y) = ((crop.x as f64 * sx).round() as usize, (crop.y as f64 * sy).round() as usize);
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let (w, h) = ((crop.width as f64 * sx).round() as usize, (crop.height as f64 * sy).round() as usize);
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if w < 16 || h < 16 || x + w > reference.width || y + h > reference.height {
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return None;
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}
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reference = reference.into_crop(x, y, w, h);
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}
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// Fixed, bounded proxy: the selected look cannot depend on thumbnail/export resolution.
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let k = (crop.width.max(crop.height).div_ceil(edge as usize).max(2)).div_ceil(2) * 2;
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@ -731,8 +741,8 @@ mod tests {
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}
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#[test]
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fn sony_and_nikon_raws_get_a_file_local_look() {
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assert!([RawFormat::Arw, RawFormat::Nef, RawFormat::Nrw].into_iter().all(file_local_look));
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fn sony_nikon_and_panasonic_raws_get_a_file_local_look() {
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assert!([RawFormat::Arw, RawFormat::Nef, RawFormat::Nrw, RawFormat::Rw2].into_iter().all(file_local_look));
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assert!(![RawFormat::Dng, RawFormat::Cr2, RawFormat::Raf].into_iter().any(file_local_look));
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}
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assert!(info.relative_wb && info.as_shot_temp == 6500.0 && info.as_shot_tint == 0.0);
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}
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/// A public DC-FZ1000 II RW2 shot at 4:3 on its 3:2 sensor (skipped without the corpus): the default crop is 4:3
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/// while the embedded JPEG shows the whole sensor; the look is still fitted, against the matching part of it.
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#[test]
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fn corpus_rw2_with_an_in_camera_crop_gets_a_camera_look() {
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let path = std::env::var_os("LIGHTCRAFT_CORPUS")
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.map(std::path::PathBuf::from)
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.unwrap_or_else(|| std::path::Path::new(env!("CARGO_MANIFEST_DIR")).join("../../corpus"))
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.join("raw/rw2-panasonic-fz1000m2-4x3.rw2");
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let Ok(bytes) = std::fs::read(&path) else {
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eprintln!("skip: {} absent", path.display());
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return;
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};
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let (img, info) = crate::files::load_bytes(&bytes, 400).unwrap();
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assert_eq!((img.width, img.height), (400, 300), "framed in the in-camera aspect ratio");
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assert!(info.camera_tone.is_some(), "no camera look fitted");
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assert!(info.relative_wb && info.as_shot_temp == 6500.0 && info.as_shot_tint == 0.0);
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}
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#[test]
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fn rejects_monochrome_invalid_and_unrelated_previews() {
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let mut sensor = Rgb32f::new(32, 32);
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@ -1,4 +1,4 @@
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# Sony ARW and Nikon NEF starting look
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# Sony ARW, Nikon NEF and Panasonic RW2 starting look
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ARW and NEF decoding supply a Bayer mosaic and camera white-balance multipliers, but currently no measured camera colour matrix. Treating camera RGB as linear sRGB produces a dark, muted default rendering. The loader now estimates a file-local starting look from that file's embedded camera JPEG, only when a usable camera matrix is absent. All output pixels still come from the RAW mosaic; there is no JPEG replacement or uniform saturation boost.
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@ -40,6 +40,12 @@ Measuring this found a decoder bug: 12-bit NEFs store maker note `0x003d` BlackL
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On one sample, Exposure +1 EV, Saturation +100, Contrast +50, warm/cool WB, tint, highlights and shadows all changed the output. The same matrix and curve were selected for 400-pixel and full-resolution renders. Headless UI checks wait until the loupe reports `source: render` and no jobs remain; the camera JPEG stand-in does not count as verification.
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### Panasonic RW2
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The same fit, gates and relative WB apply to Panasonic RW2, Leica RWL and the older Panasonic RAW files (all decode as `RawFormat::Rw2`; white balance from tags `0x0024`–`0x0026`). Their embedded JPEG (`JpgFromRaw`, 1920 px wide) always shows the whole active area, while the default crop is the aspect ratio set in the camera (4:3 on the 3:2 sensors, 1:1, 16:9, 2.71 on the S1R II…); when the preview matches the active area rather than the crop, the reference is cropped to the default crop before fitting.
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Public CC0 samples from raw.pixls.us (178 files from 118 Panasonic and Leica bodies; the four from 2005–2007 carry no preview), rendered at 1200 px and compared with each file's embedded JPEG (mean CIE76 ΔE at 200 px): 140 of 174 fits accepted, from 93 of the 114 bodies with a preview, median ΔE 5.0 (1.2–21.3) with matching mean lightness (median |ΔL*| 0.4); 124 of them use a hue/saturation table. (Fitted with the matrix and tone curve alone, 137 were accepted at median ΔE 6.1; every one of those is as close or closer with the table and chroma curve, by 0.75 on average.) On the 14 corpus files with a preview the neutral fallback scored ΔE 9.6–27 and rendered up to 16 L* too dark; 13 fits were accepted, ΔE 2.8–8.9, lightness within 2 L*. Of the 34 files left on the neutral fallback, 21 fail the gates, almost all compacts and kit zooms (TZ/ZS, FZ2500, D-Lux, V-Lux, GF2, GX80 with its 12–32 mm): their camera JPEG is distortion-corrected, the pixel pairs no longer line up and the held-out RMS stays above 0.10 (GX80: 0.138 → 0.107); two S1 II shots just miss it (0.103, 0.107). The other 13 never reach the gates, mostly nearly colourless scenes (grey walls, concrete: under 5% coloured pixels) or dark ones (a night sky, a near-black frame). Panasonic's embedded distortion data (tag `0x0119`) is not used yet, and `lightcraft-cli calibrate` doesn't collect RW2 files: the misaligned pairs of distortion-corrected JPEGs would distort a pooled profile.
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This is a per-file camera-look estimate, **not measured spectral calibration or Lightroom parity**. Camera local tone, picture styles, noise reduction and lens warps cannot all be reproduced by a global matrix/curve; same-aspect crops may evade the aspect check. Skin, mixed-light scenes and saturated highlights can still differ from a supplied JPEG. Broader Sony and Nikon model/lighting coverage, chart-based calibration, absolute WB and other manufacturers remain unverified. Rejected fits and other RAW formats retain their existing behaviour.
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## Camera profiles (pooled per model)
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@ -59,7 +59,7 @@ Ordered by user impact, then tier, then effort. The checklist above counts featu
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that decide whether a photographer can switch (see the honest assessment in [ROADMAP.md](../ROADMAP.md#where-we-stand)).
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Take the first one nobody is working on.
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1. **LR-PROF-CAMERACOLOR** (P0): our own camera colour calibration. Sony ARW and Nikon NEF now get a guarded file-local fit to their own embedded JPEG (colour matrix + hue/saturation/value table + tone and chroma curves, relative WB; per-model profiles pooled from many photos via `lightcraft-cli calibrate`; ARW: 7 of 10 public samples accepted, mean ΔE vs the camera JPEG 17–26 → 3–10; NEF: 13 of 13 decodable samples from 6 bodies accepted, ΔE 13–46 → 3–8, one mixed-light scene 13 → 12); measured calibration and fidelity remain missing. Other non-DNG raws and rejected fits still use a neutral matrix. Expand validated preview fitting and use matrices the files carry themselves; never Adobe data.
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1. **LR-PROF-CAMERACOLOR** (P0): our own camera colour calibration. Sony ARW, Nikon NEF and Panasonic RW2 now get a guarded file-local fit to their own embedded JPEG (colour matrix + hue/saturation/value table + tone and chroma curves, relative WB; per-model profiles pooled from many photos via `lightcraft-cli calibrate` for ARW and NEF; ARW: 7 of 10 public samples accepted, mean ΔE vs the camera JPEG 17–26 → 3–10; NEF: 13 of 13 decodable samples from 6 bodies accepted, ΔE 13–46 → 3–8, one mixed-light scene 13 → 12; RW2: 140 of 174 public samples accepted, from 93 of the 114 bodies with a preview, median ΔE 5.0); measured calibration and fidelity remain missing. Other non-DNG raws and rejected fits still use a neutral matrix. Expand validated preview fitting and use matrices the files carry themselves; never Adobe data.
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2. **LR-IMP-FORMATS** (P0): **CR3** first (every Canon body since ~2018), then compressed RAF / ORF, Nikon
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"lossy after split" NEF, Canon sRAW; HEIC/AVIF decode. Clean-room, from prose descriptions only (see
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`crates/raw/src/vendor/nefc.rs` for how compressed NEF was done). Until decoded, such photos are `preview_only`.
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@ -276,7 +276,7 @@ under the UI command that wraps it (a no-op error); the UI command now wins.
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| LR-PROF-ADOBE | Standard raw looks (own equivalents) | P0 | ✅ | `crates/engine/src/presets.rs` (`PROFILES`), `crates/pipeline/src/profiles.rs` | six own looks: Color, Neutral, Vivid, Landscape, Portrait, Monochrome |
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| LR-PROF-ADAPTIVE | Adaptive profiles | P2 | ⬜ | | |
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| LR-PROF-CAMERA | Camera-matching looks | P2 | ⬜ | | |
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| LR-PROF-CAMERACOLOR | Camera colour calibration (own) | P0 | 🟡 | `crates/raw/src/color.rs`, `crates/raw/src/profile.rs`, `crates/engine/src/camera_preview.rs` | DNG files use the colour matrices and the camera-profile look they carry (`ProfileHueSatMap`, `ProfileLookTable`, `ProfileToneCurve`, read from the file at run time per DNG spec ch. 6 — Lightroom-converted DNGs rendered flat and muted without them, issue #138); Sony ARW and Nikon NEF get a guarded file-local fit to their own embedded JPEG — chromaticity matrix + hue/saturation/value table + tone and chroma curves, relative WB — or, with a local per-model profile pooled from many photos (`lightcraft-cli calibrate`, `crates/engine/src/camera_profiles.rs`), the profile's colour and only their own tone/chroma curves (on 29 held-out ILCE-7M4 photos mean ΔE vs the camera JPEG 3.54 → 3.10), kept with smart previews (see docs/camera-preview-colour.md); ARW: on 10 public raw.pixls.us samples from 8 bodies 7 fits were accepted, mean ΔE vs the camera JPEG 17–26 → 3–10; NEF: 13 of 13 decodable samples (D750, D780, D850, D7500, Z 50 and local D7500 shots) accepted, ΔE 13–46 → 3–8 (issue #150); this is not measured camera calibration; other raws and rejected fits use a neutral fallback (camera RGB ≈ linear sRGB, `matrix_is_fallback`) with as-shot white balance, so colours are muted and not accurate. Needs our own per-camera calibration: matrices the files carry themselves (e.g. Olympus `ColorMatrix`), fitting each camera to its own embedded JPEG, then chart shots. Adobe matrices / DCPs are never used. Biggest image-quality gap today |
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| LR-PROF-CAMERACOLOR | Camera colour calibration (own) | P0 | 🟡 | `crates/raw/src/color.rs`, `crates/raw/src/profile.rs`, `crates/engine/src/camera_preview.rs` | DNG files use the colour matrices and the camera-profile look they carry (`ProfileHueSatMap`, `ProfileLookTable`, `ProfileToneCurve`, read from the file at run time per DNG spec ch. 6 — Lightroom-converted DNGs rendered flat and muted without them, issue #138); Sony ARW, Nikon NEF and Panasonic RW2 get a guarded file-local fit to their own embedded JPEG — chromaticity matrix + hue/saturation/value table + tone and chroma curves, relative WB — or, with a local per-model profile pooled from many photos (`lightcraft-cli calibrate`, ARW and NEF so far, `crates/engine/src/camera_profiles.rs`), the profile's colour and only their own tone/chroma curves (on 29 held-out ILCE-7M4 photos mean ΔE vs the camera JPEG 3.54 → 3.10), kept with smart previews (see docs/camera-preview-colour.md); ARW: on 10 public raw.pixls.us samples from 8 bodies 7 fits were accepted, mean ΔE vs the camera JPEG 17–26 → 3–10; NEF: 13 of 13 decodable samples (D750, D780, D850, D7500, Z 50 and local D7500 shots) accepted, ΔE 13–46 → 3–8 (issue #150); RW2 / RWL: 140 of 174 public samples accepted, from 93 of the 114 bodies with a preview, median ΔE 5.0 with matching lightness (13 of the 14 corpus files with a preview: ΔE 9.6–27 → 2.8–8.9; most rejections are compacts and kit zooms whose camera JPEG is distortion-corrected); this is not measured camera calibration; other raws and rejected fits use a neutral fallback (camera RGB ≈ linear sRGB, `matrix_is_fallback`) with as-shot white balance, so colours are muted and not accurate. Needs our own per-camera calibration: matrices the files carry themselves (e.g. Olympus `ColorMatrix`), fitting each camera to its own embedded JPEG, then chart shots. Adobe matrices / DCPs are never used. Biggest image-quality gap today |
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||||
| LR-PROF-CREATIVE | Creative profiles (own) | P2 | ✅ | `cmd:develop.profile`, `crates/pipeline/src/profiles.rs` | 16 own looks in Film / Cinematic / Muted / B&W (tone + point-curve fades, colour grading, mixer / B&W mix); scale with `ctl:profile.amount`; sliders untouched |
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| LR-PROF-LEGACY | Legacy profiles | P2 | ⬜ | | |
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||||
| LR-PROF-NONRAW | Profiles for non-raw files | P0 | ✅ | `cmd:develop.profile` | same looks apply to JPEG/TIFF |
|
||||
|
|
|
|||
|
|
@ -155,9 +155,10 @@
|
|||
Nikon splits into two differently compressed halves still use the preview for now.)
|
||||
- Panasonic and Leica raws (RW2, RWL and the older RAW files, DMC-LX1 to DC-S1R II) develop from the raw data in
|
||||
every format the cameras write. Most bodies opened as preview only before: GH1–GH5, the G, GX, GF, GM, FZ, LX and
|
||||
TZ/ZS series, Leica D-Lux, V-Lux and C-Lux, and the GH6, GH7, G9 II, S5 II and S9 generation. They open framed in
|
||||
the aspect ratio set in the camera, with mapped-out sensor defects filled in. `.rwl` and `.raw` files are imported
|
||||
too. Photos already imported as "preview only" switch over on Reload.
|
||||
TZ/ZS series, Leica D-Lux, V-Lux and C-Lux, and the GH6, GH7, G9 II, S5 II and S9 generation. They start from a
|
||||
colour and tone look fitted to the camera's own JPEG, as Nikon and Sony raws do, framed in the aspect ratio set in
|
||||
the camera; mapped-out sensor defects are filled in. `.rwl` and `.raw` files are imported too. Photos already
|
||||
imported as "preview only" switch over on Reload.
|
||||
- Sony ARWs from before about 2017 (RX100, RX100 II–V, RX10, NEX, SLT, ILCE-6000, A7 / A7 II / A7R II and their
|
||||
siblings) no longer open bright green (issue #148): their as-shot white balance and black level are read from the
|
||||
file (Sony stores them only in scrambled maker-note data on these bodies), the few columns of padding at the right
|
||||
|
|
|
|||
Loading…
Reference in New Issue