Share phase-aware scales across full and binned development, guard empty
and non-finite ranges, invalidate old renders, and add synthetic/property coverage.
Co-authored-by: Codex <noreply@openai.com>
(cherry picked from commit e21177600167732fd22cbbcda70210c9f3f309f6)
Reuse the engine's import extensions in MCP and CLI discovery. Add
recursive, case-insensitive discovery tests and record that DSC-F828
SRF import remains preview-only.
Co-Authored-By: Codex <noreply@openai.com>
The A7 III's raw-IFD 0x7037 tables were refused until their geometry was checked. Measured against
the camera's own JPEG of the same exposure (Lens Comp. Distortion: Auto) on 27 RAW+JPEG pairs from
one body with the FE 16-35 F4 ZA, FE 28-70 and FE 50 F1.8 (strong barrel to strong pincushion,
compressed and uncompressed, TV and monitor checkerboards): corrected board corners sit 0.06-0.44 px
(median, 6000 px frame) from the JPEG's, against 0.8-26 px uncorrected; LightCraft applies the
camera's amount of correction within 2 %; corrected rows and columns are as straight as the JPEG's.
Sony's crop and the default crop agree on this body, so the warp is centred on the image.
A unit test pins the warp from three of these tables to the camera's fitted geometry; the model
boundary tests now accept ILCE-7M3 and still refuse its neighbours. RENDER_CACHE_VERSION is bumped.
The measurement script handles screen moiré (X-corner check, duplicate corners, consensus lattice
vectors). The corpus test's two ILCE-7M3 samples now expect one warp; raw.pixls.us is not reachable
from this environment, so that test was skipped here.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_015gRtdWF1E9358FfzhzYqCS
The D90 writes 4352 x 2868 samples whose last 42 columns (from 4310) are
filler at a flat ~254, above its dark image samples (black 0). The
masked-column test only trims columns near zero, so they stayed in the
image and developed as a pink band on the right. Measured on 10 of 550
NEFs from one body: the camera's 4288 x 2848 JPEG sits at (10, 10), and
green saturates at 3840-3851 while red and blue run on to 4095, so one
white level of 3830 keeps clipped highlights white. The D90 joins the D4
in MEASURED_BODIES; other bodies are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sony ARWs of cameras without measured colour matrices were edited on the
relative scale (6500 K / 0 = as shot). Their SR2SubIFD stores the
multipliers of the camera's presets at 2500, 3200, 4500, 6000 and 8500 K;
lightcraft_raw::kelvin_presets reads the as-shot multipliers on the curve
through them and they take the spectral matrices' place in the #730
design (as-shot Kelvin and tint only; look, Bradford adaptation and the
pixel-identical legacy upgrade unchanged).
Covered: ILCA-99M2, ILCA-77M2, SLT-A33, DSC-RX10, ILCE-3500, ILCE-7S.
Kelvin-dial shots read back 3400 -> 3396, 5200 -> 5193, 4700 -> 4708,
5600 -> 5594 K; Shade 7493 K. Off-curve constants (isotherm tilt 0.74,
tint spacing 1) measured from the 14 Sony bodies with both spectral
matrices and presets.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An uncompressed Leaf Aptus 22 MOS keeps its 16-bit mosaic in IFD0
(compression 1, BlackIsZero, one sample per pixel) with no Make tag and
no CFA photometric, so `probe` returned None and the file imported as a
greyscale image of the mosaic. Leaf's data block, tag 0x8606 (LeafData
in the ExifTool EXIF tag-name documentation), now marks such an IFD0 as
a raw: OtherTiff, preview only with the reason, as the lossless-JPEG MOS
already is. A rendered RGB image that kept the block stays an image.
The Hasselblad Lunar is a Sony NEX-7 that writes an ARW under Make
HASSELBLAD; only SONY files reached the ARW reader, so it opened as its
preview. A HASSELBLAD file with Sony's raw coding (an IFD with
compression 32767 or the tone-curve tag 0x7010, which no 3FR / FFF has)
now goes there and decodes like a NEX-7: black 512, the SR2SubIFD white
balance. The Tag2010 white-balance fallback, the one table arw.rs keys
by model, takes the body from the maker note's SonyModelID (0xb001)
when the file is not Sony-branded.
Docs: the Lunar is verified in docs/raw/evidence.tsv (236 verified),
raw-parity.md, parity-checklist.md, gaps.md and whats-new.md.
RENDER_CACHE_VERSION 61 -> 62: a Lunar's thumbnails were rendered from
its preview.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The \0MRM block container: PRD sensor size, storage and Bayer cell; WBG
as-shot gains in cell order; TTW TIFF for Exif and orientation. Black 0,
white from the saturation plateau. 4 CC0 samples pinned in RAW_SAMPLES;
DiMAGE 7, 7Hi, A1, A2, A200 and Dynax / Maxxum 7D verified. Also fixes
clippy::chunks_exact_to_as_chunks in pipeline/spots.rs.
Sources: public prose description of the MRW layout (Dalibor Jelinek's
MRW notes) and own black-box analysis of the CC0 samples.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
All 38 files decode from sensor data and develop at full size (9520x6336 and
6336x9520) without error; mean CIE76 dE to the camera JPEG is 6.3-13.9 at 400 px.
The files are not committed and the evidence entry carries no path. Leica is now
14 verified / 47 unverified, the Leica bucket on a verified body 5% -> 21%; the
weighted shares (85% decode, 42% on a verified body) do not move.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The CRX 0x200 QP map opens with its first symbol as a 32-bit literal; every
later symbol is Rice coded with a limited-length escape: 23 zeros, the
terminating 1 and the symbol in 8 bits (the ITU-T T.87 layout for a 32-bit
limit and 8-bit symbols, without its minus-one offset). The old rule (an
escape after 16 zeros with a 16-bit literal) matched only the first symbol,
which is all the R8 and R7 maps need. R5 Mark II maps (QP 150-162) jump by up
to 12 where the Rice parameter is 0, giving 18- to 22-zero prefixes that
misparsed ("Canon CRX adaptive QP value -21087"): 174 of 306 sampled files
from a private R5 Mark II library opened as previews. Every QP map of its
33,665 C-RAW files now decodes to the exact end of its entropy stream; the six
oracle fixtures are unchanged. Established by black-box analysis of the
bitstream; no third-party decoder source consulted.
Adds the four CC0 R5 Mark II samples (raw.pixls.us 7881-7884) to the corpus
with pinned sensor hashes (the crop-mode framing is left to #754), bumps
RENDER_CACHE_VERSION to 43, and updates cr3.md, raw-parity (235 verified
models), coverage, gaps, the checklist rows, ROADMAP, target-app-parity and
What's New.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, model-by-model RAW coverage against Adobe's camera list (docs/raw/), and format, hardware, UI and localization parity docs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
grlessa
bflatastic
Alex Chambers
Claude
Menno
Marco Arnulfo
PiMinusMax
Andrew Frahn
Alfons Hoogervorst
ingolfteetz
Jason Baldwin
dev-null-undefined
Steffen Sauder
Brandon Thomas