- color: RgbSpace::to_xyz/from_xyz and bradford() no longer expect a
matrix inverse. Degenerate (collinear) primaries, which readers reject
before building a space from a file, leave the primaries unscaled /
give the identity; the constant Bradford and OKLab matrices fall back
to the identity, which can't happen (round trips are tested).
- pipeline geometry: sample() matches (mode, warp) instead of
expect("warp"); a warp plan without a warp (sample_plan never makes
one) samples through the equivalent affine.
- color, geom, raster, develop, scenes, preview and pipeline now #![deny]
unwrap/expect/panic/unimplemented/todo/unreachable; clippy.toml as in
the steering PR.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Soft proofing (S in the loupe; S in grids stays Expand/Collapse Stack):
- pipeline Proof {space, destWarning, displayWarning}: gamut-map into the
proof space, show it in the output space; red/blue gamut warnings
(neutral clipping excluded). CPU only; the GPU path declines proofs.
- RenderJob::with_proof; paper-white surround and Proof Preview label;
Soft Proofing strip under the histogram (profile, warnings, Create
Proof Copy = a named virtual copy). view.softProof for control/MCP.
- photo.virtualCopy takes an optional name.
Mask components: MaskComponent.name; mask.component {component, action:
invert|duplicate|delete|rename|op}; right-click / … menu per component,
double-click rename, Intersect button.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Mask.refine (0–100, mask.refine; Masking panel ▸ Refine Edges): after a mask's components are
combined, a guided filter steered by the photo's luminance (window up to ~4 % of the long
edge) snaps soft mask edges to the photo's edges. Rendered on the CPU (the GPU path has no
kernel for it yet).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Local corrections stored as crs: structures (MaskGroupBasedCorrections and the older
gradient / circular gradient / paint containers) become our masks: linear and radial
gradients, brushes (dab runs → strokes), Subject / Sky, luminance and depth ranges, with
add / subtract / intersect and invert, and all local sliders. lightcraft-meta's XmpData gains
`values`, a structured view of every property (arrays of structs survive); .lrtemplate Lua
tables convert into the same shape.
Applying a preset adds its masks to the photo's own (once; Amount scales them); sidecar masks
replace them and radial masks are fitted to the photo's aspect. Unsupported components
(colour range, other AI selections) are reported as "Mask: <kind>".
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
pipeline::redeye: inside the user's ellipse the pupil is found on the source image (a fixed
grid in normalized coordinates, so previews and exports agree): weighted centroid and area of
red-dominant pixels (or, for pet eyes, of the brightest ones). Pupil Size scales the detected
disc; rendering in scene-linear light after white balance neutralizes the red where it is red
(iris and catchlights stay) and darkens it. CPU (lin stage) and GPU kernel redeye_k with an
equivalence test (both the GPU and the CPU scene-linear paths). Indexed controls
redEye.<i>.pupilSize/darken, redeye.add/delete commands, the Red Eye panel (selected eye's
sliders, delete) and the loupe tool (drag an ellipse, click to select).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Up to 8 OkLCh samples (pointColor.pick samples the colour after the mixer on a proxy render);
per sample hue/saturation/luminance shift, variance (compress/expand the spread around the
sample) and an overall + per-axis range with soft edges, applied after the colour mixer in
ColorOps and its WGSL twin (equivalence case). Indexed control specs
(pointColor.<i>.hueShift …) so develop.set/controls/MCP address each sample. Visualize range
is a render overlay (RenderRequest::overlay) drawn after either renderer: the sample's own
edit is left out and colours outside the range turn grey. Point Color flyout in the Color
section with swatches, eyedropper, sliders, visualize and delete.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
curve.refineSaturation (0..100, default 100 = the curve's own saturation): after the tone
curves, the chroma around luma is rescaled so saturation moves from the curve's towards the
pre-curve value, keeping the curve's tone. CPU (finish::refine_saturation) and GPU twin,
equivalence case, slider under the curve editor, crs:CurveRefineSaturation import.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
White-preserving primaries matrix (OkLCh hue rotation / chroma scale of each Rec.2020
primary) plus a luminance-preserving green/magenta shadows tint, applied in scene-linear
light before the tone map. CPU (colorops::calibrate) and GPU (finish.wgsl) with an
equivalence case; seven control specs (calibration.*), a settings group, crs: import
(ShadowTint, Red/Green/BlueHue/Saturation) and a Calibration section at the bottom of the
Edit panel.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- pipeline::upright: own gradient-based line-segment detector (level-line region growing seeded from the
strongest gradients, weighted principal-axis fit, elongation test); vanishing points by RANSAC over
segment pairs + least-squares refinement (smallest eigenvector of Σ w·l·lᵀ)
- corrections as a virtual camera rotation K·R·K⁻¹ (vertical VP → y axis; Full also horizontal VP → x axis
with focal length from VP orthogonality when plausible); Level = rotation; Auto = Full/Vertical when
moderate, else Level; all re-centred
- Guided: guides stored in normalized lens-corrected coordinates; 2+ vertical/horizontal guides define the
vanishing points, a single guide levels
- the analysis runs on the lens-corrected image at 1024 px and the result is stored in
geometry.upright_transform (identical preview/export); settings naming a mode without a transform
(XMP, CLI) are resolved at render time
- commands geometry.upright {mode} (Update = run again) and geometry.guides {guides, add}
- UI: Upright mode buttons, Update, Draw/Clear Guides in the crop panel; on-canvas guide drawing that
follows the warp
- tests: segment detector on known lines; Vertical/Auto/Full fix converging verticals; Level fixes a tilted
horizon; Full fixes both families; guided from two guides; analysis resolution independence; lazy vs
stored transform; engine commands
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- pipeline::optics::Warp: one inverse map (lens-corrected → source) inside the single geometry resample:
manual radial distortion, embedded DNG WarpRectilinear (per plane), per-channel lateral CA scale,
radial vignetting gain (manual + embedded FixVignetteRadial); all in normalized radii
- automatic lateral CA estimate: radial edge profiles matched sub-pixel per plane, robust LSQ fit of
displacement = α·r (cached per source)
- defringe: purple/green hue ranges (OkLab hue) desaturated next to high-contrast edges, width relative
to the image long edge
- "Enable Lens Corrections" applies only lens data embedded in DNGs (opcodes are no longer baked at decode;
stored on the photo record, on by default at import when present). No LCP data anywhere.
- new controls: optics.caRed/caBlue, defringe hue ranges; Optics panel: Manual sub-section, Defringe flyout
- tests: barrel grid straightened, CA removal (auto + manual), embedded corrections toggle/scale, preview vs
export resolution independence, CA estimator accuracy, orientation of embedded lens data
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas