Engine (crates/engine/src/segment/):
- One worker thread owns the model and the encoded photo; the session
sends jobs (with the render job for the model input) and gets results
over channels, never locking what the model holds. In the app
(Segmenter::background) clicks, descriptions, prepares and detail
passes return at once and Session::segment_poll applies results (one
undo step per settled selection, pending clicks shown on the photo);
the CLI/MCP wait for them. Newer requests for the same selection
supersede queued ones.
- Every job runs under catch_unwind: a candle panic becomes an error and
the model is reloaded next time; busy counters are reset by drop
guards; a dead worker is restarted. The model unloads after 10 min idle.
- segment.model.status / .download {acknowledged: true} / .cancel: the
download runs on its own thread; status via atomics (try_lock only).
Without the model every AI request fails at once with "The SAM 3 model
is not installed…"; renders/exports never need it; `seg` params make
AI masks from stored segmentations without it.
- Hostile documents: at most 4 detail patches per component (capped on
deserialize and in the renderer), at most 64 Object clicks.
UI: Object / Describe without the model open "Download the SAM 3
Model?" (size, folder, SAM License link; Not Now / Download, progress,
cancel, Try Again with the reason, Continue once installed); progress in
the Masking panel when the dialog is closed. Reverted the PR's unrelated
default change (mask overlay off + hover-red) to main's behaviour.
tools/install-sam3.*: --fail so error pages never land in files, 416
restarts instead of looping, the weights are verified before they are
moved into place (a bad file is deleted, never resumed from).
Docs: docs/ai-masks.md (in-app download, mirrors, SAM License summary,
no weights in the repo), NOTICE, parity LR-MASK-OBJECTS, What's New,
ROADMAP.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A built-in Sony ILCE-7M4 colour profile (assets/camera-profiles/ILCE-7M4.json, compact JSON, 39 KB), fitted by lightcraft-cli calibrate to the contributor's own 597 raw photos against their in-camera JPEGs; aggregate colour statistics only, MIT OR Apache-2.0. Compiled in via camera_profiles::BUNDLED; a local profile replaces it.
Co-authored-by: Harald Hoyer <harald@hoyer.xyz>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflicts with issue #150 (NEF colour from the camera JPEG): the per-file
look, its hue/saturation/value table and chroma curve, and camera
profiles now apply to every `file_local_look` format (ARW, NEF, NRW);
`calibrate` also collects NEF/NRW. Render cache version 11 (main 9,
branch 10).
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
One photo can show too little of a colour for its own fit: a lime shirt
covering a few dozen proxy pixels next to foliage at the same hue stayed
yellow (hue 68 deg vs the JPEG's 82 deg).
- `lightcraft-cli calibrate [--max N] [--out DIR] FOLDERS...` pools the
colour pairs of many ARWs per model (each against its embedded JPEG,
192 px proxies, <= 4000 pairs per photo) and fits one matrix from
white-balanced camera RGB plus a hue/saturation/value table.
- Profiles live in $LIGHTCRAFT_CAMERA_PROFILES or
<config>/camera-profiles/<model>.json; validated on load, damaged files
ignored with a warning, part of the render cache keys.
- Photos of a profiled model take its colour and fit only their own tone
and chroma curves; the acceptance gates still apply.
- The table fit buckets samples by hue and runs nodes in parallel; the
app's config_dir moves to the engine.
Profile from 300 Feb-Aug ILCE-7M4 photos (2 min); 29 held-out September
photos: mean dE vs camera JPEG 3.54 -> 3.10, saturated 6.41 -> 5.20;
the shirt's hue 68 -> 82 deg (JPEG 81.5).
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Port of PR #198 onto the language table:
- Traditional Chinese (Taiwan) catalogs as a table entry: code zh-hant, name
繁體中文（台灣）, script Hant; zh-TW / zh-HK / zh-Hant tags reach it; command
app.language.traditionalChinese
- display-only helpers: builtin_label (stock preset/profile names), history_label
(generated history steps, user preset names verbatim), source_label (library
headings, album names verbatim), date_group_label / display_time
- menu, dialog and panel strings (profiles, presets, curves, crop, versions,
history, grid, date sidebar, About links) go through the catalogs
- a language command and ui.set apply the language at once; a native-menu test
checks that every language switch rebuilds the menu titles
Adapted while porting (Claude):
- date headings and capture times are localised for every language from its
*-formats.json date patterns, not only for zh-TW; ja and zh-hans gain the date
patterns, weekday names and "Unknown Date", and zh-hans the new menu messages
(ja's come from the PR)
- plain catalogs may cover different messages (English fallback); the test
reports the gaps instead of failing. The test requiring every engine command
label to be translated is dropped
- preset groups stay grouped by name: a user preset in a stock-named group is
not split into a separate group (the group header is translated when it holds
stock presets); the PR's split was a side effect of labelling
- no Traditional Chinese face in craft-fonts yet: Hant prefers the Simplified
Chinese face (which carries the Traditional characters) over the Japanese ones
- zh-hant translations for the messages main added since the PR branched
Co-authored-by: Codex <noreply@openai.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- UI_COMMANDS still listed app.language.english/japanese next to the new
LANGUAGE_COMMANDS table, so Edit > Language showed English and 日本語 twice
- LANGUAGE_COMMANDS is `pub const`, the form xtask parity scans for; a test
reads the real menus.rs and checks every language id is found once
- the Simplified Chinese command is app.language.simplifiedChinese, in line
with the other camelCase command ids (the settings code stays zh-hans)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Restore main's compile-checked formatting, generalised to N catalogs: build.rs
writes one tr_format! arm per English message that matches on the active
language and calls format! with that language's translation (English is the
fallback arm). The runtime substitution dropped format specs ({:.1}, {:+},
{:.0}%), e.g. the smart-preview size and the merge progress percentage.
- formats catalogs use main's convention again ({0}/{1} for reordering, {:.0}
to consume an unused plural suffix); zh-hans converted, with the size and
percentage placeholders fixed by hand
- build.rs: auto-discovers locales/*-formats.json, validates the code
(^[a-z]+(-[a-z]+)*$), fails when the catalogs' keys differ, and reruns
when the locales directory changes
- zh-hans: translate the strings main added since the PR branched
- test: precision, sign and reordered positional values survive in every
language
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A sunny ILCE-7M4 waterfall shot rendered yellow: sunlit rock came out
cream, +4 b* in the brightest fifth of the picture. Camera JPEGs make
shadows up to 1.4x more colourful and bleach highlights to 0.1-0.3x
(a per-channel tone curve), which a luminance-only curve can't do.
- CameraTone gains an 8-node chroma-by-display-luminance curve, fitted
per file (bright pixels included) and kept only when it lowers the
held-out error; applied after the tone map on CPU and GPU, keeping
luminance. Old smart-preview headers load with an identity curve.
- The hue/saturation table gets an sRGB-encoded value axis: dark yellows
had to turn toward orange while bright yellow-greens turned toward
green. It is applied after the baseline exposure, as it is fitted.
- Matrix-only and matrix+table looks are completed (tone, chroma) and
compared in gamma-encoded values; acceptance gates stay linear.
29 local ARWs vs their camera JPEGs: mean dE 4.23 -> 3.54, every file
closer, saturated areas 7.65 -> 6.41. Render cache v10.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
A global 3x3 matrix can't follow the camera's hue-dependent rendering:
on an ILCE-7M4 photo of a lime shirt among grey rocks the best matrix
rendered the shirt olive (16 deg hue error), since the few saturated
pixels carry little weight and a matrix fitted to them breaks the rest.
After the matrix, fit a 72x5 hue/saturation table (DNG ProfileHueSatMap
layout, linear ProPhoto) to the residual hue shifts and saturation
ratios: kernel-weighted per node, shrunk to identity where samples are
sparse, identity at saturation 0. It preserves luminance (the tone curve
owns it) and is kept only when it lowers the held-out error.
28 local ILCE-7M4 ARWs: mean dE vs camera JPEG 4.74 -> 4.27, none worse
overall; the shirt's hue error drops to 6-8 deg. Render cache v9.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
The localization layer was hardcoded to English and Japanese: an enum with two
variants, an `is_japanese()` gate compiled into the format macro, and one
catalog pair. Adding a language meant editing the menus, the settings row, the
checkmark logic, the format macro and the font stack — each in a different place.
A language is now one entry in `i18n::language_table!`: BCP-47 code, endonym,
ISO 15924 script and catalog. The Language menu, the settings row, the shortcut
sheet and the control channel are all built from that table, and `build.rs`
picks up `locales/<code>-formats.json` by name, so a further language is a table
entry plus two catalogs (docs/localization.md).
Simplified Chinese (`zh-hans`) ships as the second translation: `zh-hans.json`
(1019 entries, key-set and placeholder-identical to `ja.json`) and
`zh-hans-formats.json` (102 entries). Its glyphs come from craft-fonts' Noto
Sans CJK SC, whose `Hans` faces the UI now installs *before* the Japanese ones
for a Chinese reader, so shared Han characters keep the language's forms
(`fonts::cjk_fallback`); the export watermark accepts every CJK face.
`tr_format!` keeps its compile-time check. It formats the English source at the
call site — a runtime template cannot be handed to `format!` — and names those
values so a translation can place them by name (`{n}`) or position (`{_1}`).
Every translation is still checked by `format!`, so a translation with an
unknown placeholder fails the build. The Japanese catalog was rewritten from the
old `{:.0}` plural-discard trick to that by-name form; behaviour is unchanged.
Also: settings persist the BCP-47 code (never the Rust variant name),
`LIGHTCRAFT_LANGUAGE` accepts system-style tags (`zh_CN`, `ja_JP.UTF-8`),
`xtask parity` reads the second command table, and the glyph tests cover every
catalog character plus the interface symbols (`▸`/`▾` turned out to have no
glyph in any installed font and are gone from the Chinese text).
Chinese and Japanese both need `CRAFT_FONTS_DIR` as before; the web build still
embeds only the Japanese face (Noto Sans CJK SC alone would push the wasm past
Cloudflare's 25 MiB per-file cap), documented in docs/localization-zh-hans.md.
Co-Authored-By: DeepSeek V3.2 <noreply@deepseek.com>
photo.reload had no menu path, so the documented way to refresh CR3s imported
before their metadata was read (Photo > Reload from Disk) did not exist in the
app. It is now in the Photo menu and the photo context menu, and besides
size/preview-only it fills camera fields the catalog lacks (camera, lens,
exposure, GPS, capture time) from a fresh probe, never overwriting a set value.
CR3 files imported as preview-only with the 1620x1080 PRVW JPEG and no metadata
(no camera, capture time, exposure, lens or GPS): nothing read the container.
- crates/meta/src/cr3.rs: bounded ISO base media box parser for CR3 (Canon uuid
box with CMT1-4 and THMB, tracks with their sample entries, CMP1 coding header
and sample location, XMP uuid box). Every size/offset checked; depth and box
count bounded.
- Metadata: CMT1 (IFD0), CMT2 (Exif) and CMT4 (GPS) merged into one TIFF Exif
block, so CR3 reads like any TIFF-based raw; XMP from its uuid box.
- Preview: the full-size JPEG track (6960x4640 on an EOS R6 Mark III) before
PRVW/THMB; imports report the full image size.
- Tests: synthetic CR3 (boxes, tracks, merged Exif), truncation/corruption sweep,
JPEG track preferred over PRVW with fallback.
Raw (CRX) data is still not decoded; CR3 stays preview-only.
Photos in Recently Deleted could not be restored from the app: photo.restore and
photo.deletePermanently existed only as engine commands, and adding the same file
again just said "1 duplicate skipped" (the duplicate check counts deleted photos),
with the side panel that lists Recently Deleted collapsed by default.
- Restore and Delete Permanently in the Photo menu and the photo context menu,
in place of Delete, when the selection is in Recently Deleted.
- The filmstrip gets the photo context menu (it had none).
- An import that only finds files the library already has selects those photos:
in Recently Deleted (side panel opened, how to restore or delete permanently and
import afresh) or in All Photos. Mixed imports note how many are in Recently
Deleted. The message stays 6 s.
- Import review badges say "In Recently Deleted"; badges are translated.
- Japanese strings, parity rows, what's new; headless regression test.
LightCraft has no colour matrix for Nikon cameras. Because of this, NEF
files showed colours that were too gray and too green.
- Colour: LightCraft now calculates a colour matrix and a tone curve from
the JPEG preview in each NEF file. Sony ARW files use the same
procedure and the same quality checks. White balance is relative to
the as-shot look, as for ARW files.
- One function, camera_preview::file_local_look, selects the formats for
the fit and for the relative white balance. Photo::relative_wb in the
catalog uses the same formats.
- Black level: Nikon stores the black level (maker note 0x003d) in
14-bit units, also in 12-bit files. The decoder read it as a 12-bit
value. Because of this, 12-bit files from the D750, D780, D850, D7500
and Z 50 were too dark. Now the decoder divides the value by 4 for
12-bit files.
- The corpus gets the D7500 12-bit and 14-bit lossless samples. A test
compares their levels. The render cache version increases to 9.
Results on 13 NEF files that LightCraft can decode: LightCraft accepted
the fit for all 13 files. The mean colour difference from the camera
JPEG (CIE76 dE) decreased from 13-46 to 2.9-7.8. One file with mixed
light improved by a small quantity only (12.7 to 12.0).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Hovering a box shows handles at its corners and edge midpoints; dragging one
previews the new box live and commits once on release, as one undo step, through
the new `photo.setRegion {id?, index, rect}`: catalog-only like removal, never
rewriting the sidecar, with the rectangle validated (finite numbers only,
clamped to the photo, at least 0.5 % each way) and a test with a real sidecar.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
View > Face Boxes (and a toolbar button in the loupe) hides or shows the boxes.
Hovering a box shows a × in its corner; clicking it runs the new undoable
`photo.removeRegion {id?, index}`, a catalog-only edit. The XMP sidecar is
never rewritten for it, even with auto-write on (a `skip_auto_write` flag
consumed when the command ends), because the sidecar writer builds a fresh
packet that does not carry the regions: reading the metadata from the file
brings a removed region back. A test with a real sidecar proves the file stays
byte for byte, that ordinary edits still auto-write, and that undo restores it.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The view listed everyone in the library, so with another filter active (a
date, a keyword…) picking a person could end in an empty grid. The list now
covers the photos matching every filter except `person` itself, counts are
within them, and the filter chips show above the cards (removable, Clear all).
`Catalog::people_in(&Filter)`; the cache is keyed on the catalog revision and
the filter.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A dedicated view mode (View > People, and a toolbar button) shows a card per
person named on faces: a close-up of their largest face, the name and how many
photos they are in. A click shows that person's photos in the grid. Only the
cards on screen render their face. The sidebar section is gone (it would get
crowded).
`Catalog::people()` now returns `Person { name, count, photo, face }`, the
photo and face being the person's largest. `Session::face_job` renders a
square close-up through the engine (the photo's own look, crop replaced, the
smallest source level that keeps it sharp, cached like variant thumbnails); it
clamps hostile rectangles, with a test for corners, oversized, degenerate and
non-finite faces.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Read-only and names-only: the left panel gets a People section built from the
named Face regions read from XMP, with photo counts (once per photo, case
insensitive, pets and unnamed faces left out). A click filters the grid via a
new `person` field on `library.filter`, also reachable as a `person:` search
token and shown as a filter chip. The list is cached on the catalog revision.
No face detection, identity or writing regions back yet. Parity rows for the
People list, filter and view are 🟡 with that scope noted.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
AI masks from Meta's SAM 3, run in LightCraft itself: a new
`lightcraft-segment` crate ports the Hugging Face transformers
implementation (Apache-2.0) to candle, on the GPU through Metal on macOS
(CPU elsewhere), with no C/C++ and no `unsafe`.
- Object: click to include, ⌥-click to leave a part out (SAM 3's
interactive prompt encoder + two-way mask decoder).
- Describe: a text prompt selects every instance ("sky", "the red car";
"car, road" merges several) via the CLIP text encoder and DETR detector.
- Both as new masks and as Add / Subtract / Intersect components; + / −
buttons under the selected mask combine selections.
- The segmentation is stored with the mask (288² quantized logits, ~10-30
KB), so renders, exports and the web build never need the model.
- A zoomed-in detail pass (background, ~5 s on an M4 Pro) re-segments the
area around a selection from a sharper source: 5-10x finer edges on
small objects.
- Per-selection Edge slider (hard ↔ soft); hovering a mask in the list
shows it in red (the always-on overlay is now off by default, O toggles).
- The engine feature `sam` (on in the desktop app) gates the model; the
image is encoded once per photo in the background, clicks take ~35 ms.
- Weights are not bundled (SAM License): tools/install-sam3.sh / .ps1
download and verify facebook/sam3; docs/ai-masks.md.
- Clearer errors (missing file, missing model) and a stderr logger in the
app (LIGHTCRAFT_LOG=info).
candle is pinned at 0.9.2: later releases make candle-core depend on
tokenizers with the Oniguruma C library. Every stage is checked against
the Python reference (tests/reference.rs, tools/sam3_reference.py): on
Metal the backbone matches to 7e-5 relative error, masks to ~5e-5.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01C8BkS7JDqa1EMcjW6spDGA
Sony bodies from before ~2017 (RX100–RX100M5, RX10, NEX, SLT, ILCE-6000,
A7/A7II/A7RII, ...) write no plain 0x7313/0x7310/0x74c7 tags in the raw IFD,
so the decoder used unit WB multipliers (strong green cast, e.g. the CC0
DSC-RX100M3 sample), black 512 (800 on 1-inch sensors), and kept padding
columns at the right edge.
- White balance: WB_RGBLevels from the maker note's enciphered Tag2010
block (layouts per ExifTool's Tag2010a..i tables; byte substitution
p^3 mod 249 checked black-box on 15 CC0 files: SonyISO matches Exif ISO,
ILCE-7M3 levels match its plain 0x7313).
- Black level: recovered from the encrypted SR2SubIFD by known-plaintext
analysis (constant key in every file; RX100M6/ILCE-7M3 plain 0x7310 as
plaintext; 8 keystream bytes at offset 2510, plausibility-checked).
- Crop: DNG DefaultCrop or the maker note's FullImageSize.
- "12-bit uncompressed" ARWs hold 14-bit-scale data: black/white follow it.
- Render cache version bumped; corpus manifest + corpus test, unit tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Japanese fonts (BIZ UDPGothic Regular/Bold for the UI, BIZ UDMincho for text
watermarks; #110, #114) now come from storytold/craft-fonts instead of assets/fonts/.
- crates/engine/build.rs: the craft-fonts recipe. With CRAFT_FONTS_DIR set it embeds
the manifest's fonts as lightcraft_engine::CRAFT_FONTS (wasm32: BIZ UDPGothic Regular
only, for the web size budget); unset, CRAFT_FONTS is empty. Local files only, no
network; craft-fonts is not in any Cargo.toml.
- UI: theme::font_definitions adds the Japanese faces after Inter and egui's defaults
in every family (BIZ UDPGothic first, Bold first for semibold). About box lists the
embedded families.
- Watermarks: Inter, then the craft-fonts Japanese faces (Mincho first).
- Removed BIZUDPGothic-Regular/Bold.ttf, BIZUDMincho-Regular.ttf and their OFL files,
and their ATTRIBUTION rows; added an attribution row for craft-fonts as an optional
build input; NOTICE updated.
- Tests: Japanese glyph tests use CRAFT_FONTS and skip without it; new tests for
Japanese in the UI with craft-fonts and for the UI and watermarks without it.
- CI: the FreeBSD job builds/tests with craft-fonts. Releases check out craft-fonts at
a pinned commit, build with CRAFT_FONTS_DIR + CRAFT_FONTS_REQUIRED=1, and ship the
fonts' OFL licences (plus NOTICE) in every package.
- Docs: AGENTS.md, CLAUDE.md, README, docs/web.md, docs/localization-ja.md, ROADMAP,
parity.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Lightroom-converted DNGs carry their camera profile's ProfileHueSatMapData1/2
and ProfileLookTableData (and sometimes ProfileToneCurve). We used only the
colour matrices, so such DNGs rendered flat and muted.
- raw: new `profile` module reads the tags (DNG spec ch. 6: value-major,
hue-middle, saturation-minor tables, wrap-around hue, tri-linear lookups,
sRGB value encoding) from the raw IFD or IFD 0; malformed tags are ignored.
- engine: the raw loader applies the hue/sat map (interpolated by the same
illuminant weight as the matrices) before BaselineExposure and the look
table after it, in linear ProPhoto; a ProfileToneCurve becomes the source's
camera tone. Without one the standard base tone is kept.
- dngwrite keeps the look with the data (conversions, smart previews, merges).
- Render cache version 7.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
wgpu loads the driver of every backend in an instance's set while it
enumerates adapters. The compute device (crates/gpu) hard-coded
Backends::PRIMARY (Vulkan + DX12 + Metal) and ignored WGPU_BACKEND, and
was created from LightcraftApp::new on a background thread at launch, so
a crashing Vulkan driver (Intel UHD 630, igvk64.dll) killed the process
before the window appeared; the window (egui-wgpu) also listed Vulkan.
- lightcraft_gpu::backend: DX12 only on Windows (Metal on macOS, as before
on Linux) for both the compute device and the window;
LIGHTCRAFT_GPU_BACKEND=dx12|vulkan|metal|gl|auto|off, else WGPU_BACKEND;
backends missing from the build fall back to the default.
- The device is created only when GPU rendering is enabled, after the
first frame; the preference is applied before the window opens.
- Crash sentinel: gpu-init.marker in the settings folder around device
creation; if left behind, the next launch starts with GPU rendering off
and a notice saying how to turn it back on.
- Tests: backend parsing/selection, sentinel, window defaults, headless
snapshot with LIGHTCRAFT_GPU=0 / LIGHTCRAFT_GPU_BACKEND=off.
- Docs: gpu-pipeline.md (backends, env vars, troubleshooting), whats-new,
parity LR-BEHAV-GPU.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- safe_file: write policy documented (durable for what can't be recreated, atomic-only for
recreatable outputs); new write_atomic_nosync (temp + rename, temp removed on failure, no
file/folder sync); per-thread sync counter for tests.
- export::write_file (exports, renders, screenshots, merge previews, CLI/MCP) uses the
non-syncing writer; new write_file_durable keeps the sync for Edit a Copy (the TIFF becomes a
library photo). Catalog, sidecars, settings, DNG conversion/merges and smart previews stay
durable; the #93 original-overwrite guard is untouched.
- Import > Copy verifies the synced copy against the probe's content hash (SipHash-1-3/128 of the
whole file) instead of re-reading the source; byte compare when there is no hash. A file changed
since Review Import is now refused instead of imported with stale details. Move keeps its
byte-for-byte check before deleting sources.
- check_write_target: skip building the library-wide guard when nothing is at the target.
- write_new_unique keeps its read-back (DNGs replace raws; cheap next to encoding).
- Tests: no sync on the export path, durable writers still sync, Copy caught by the probe hash
(corrupt copy, stale hash, changed source); ignored timing test write_policy_timing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Keep main's data-safety work (ui.json recovery and atomic writes, library-problem
window, off-thread file checks, import Cancel) and wrap its new strings: import
cancel/progress messages, the library-problem window and banner, and the new
Back Up / Restore Library menu items now have Japanese translations.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 0.055 cap rejected half of the public Sony samples tried (ILCE-6400,
ILCE-6700, ILCE-7M4) although their fits were 1.5-3x closer to the
camera JPEG than the fallback and visibly better (mean dE vs the embedded
preview 19-26 -> 5-10). Unrelated previews stay rejected (synthetic test
lands at 0.115).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Resolve SourceRef::load_source against #104's offline fallback: a File
source keeps the decoder's SourceInfo; a smart-preview fallback has none.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Remove scripts/package-japanese-macos.py, the japanese-local feature and its
config/library/startup overrides, the settings.language migration, and the
local-build notes in the docs. Upstream library and config defaults (incl.
library::default_dir, which already honours LIGHTCRAFT_LIBRARY) are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Re-applies fix/issue-104-ui-fs on top of the data-safety fixes (integrate/safety):
- availability cache: originals and smart previews are checked on a worker thread; the UI
answers from the cache (grid, Info panel, photo menu, Missing Photos view)
- import split into ImportJob::prepare (worker) + commit_prepared, with Cancel; Copy keeps
#96's verified copies
- Find Missing Photos: find_candidates (snapshot, no I/O) + plan_find_missing (all file I/O,
on a worker, never the session) with #105's matching rules unchanged (name+size+hash;
renamed by size+hash; single name+size; ambiguous look-alikes skipped and reported; files
already in use excluded). The plan is applied with library.findMissing {found, missing,
ambiguous}, re-checked against the catalog then: photos relinked meanwhile are left alone,
files now in use are not taken. library.findMissing {folder} still runs synchronously.
- Build / Discard Smart Previews with background: true runs on a worker with progress and
Stop, keeping #106's atomic writes, is_valid checks and `repaired` count (also in
library.previewProgress); the render worker's smart-preview fallback uses is_valid
- Rename preview planned on a worker (plan_rename_photos) on the same planning core as
Session::plan_rename_with (MoveFs, case-only respelling by file identity, #95)
- Local folder listing via fs_cached; tests_offline (slow injected probe, frames < 300 ms)
Tests: worker-planned Find Missing equals the synchronous command for a renamed + ambiguous
library; a plan is re-checked when applied; background smart previews repair a damaged proxy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas
Harald Hoyer
sakamoto824
goujicheng
Maurice Rogers
Trey Reynolds
Daniel Voshart
Guinther Kovalski