When catalog.lock can't be locked (a file system without locks, such as
some network shares), the library opens unprotected, as documented, but
the promised warning went only to the log. It is now the first of the
library's warnings: library.info lists it under settingsWarnings, the
app shows it once in its notices, and lightcraft-cli run / mcp print the
library's warnings on stderr (stdout stays results / protocol only). A
normally locked library shows none.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
The pipeline honoured a section's eye only where it applies Effects,
Optics, Geometry and Calibration, so turning the eye off on Light, Color
or Detail changed nothing. DevelopSettings::effective() resets the
switched-off sections to their defaults (Light with the tone curve; Color
with white balance, mixers, grading and point colour; Detail), and both the
CPU and GPU renderers render those. Borrowed, so free, when every section
is on.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
- #265's German coverage test failed whenever any catalog key, command or
control label, or line of What's New lacked German, so every feature PR
would have had to ship German. It reports those gaps for every language
now (display_label_gaps_are_reported), as the project's other gap test
does; docs/localization.md says how release-note lines are matched and
that an English copy in a formats catalog marks an untranslated message.
- Russian: docs/localization-ru.md, the language lists in
docs/localization.md and docs/parity.md, ru tag tests.
- What's new: German and Russian UI. Removes a status sentence #265 put
in parity.md's Top gaps list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
rfd turns each extension into a *.ext glob that GTK and the desktop portal
match case-sensitively, so DSC_1234.NEF was hidden. One helper
(dialog_filter) gives every dialog filter the lower, UPPER and bracket
forms on Linux; the Add Photos filter uses import::EXTENSIONS.
Click the value next to a slider's name to edit it: the old value starts
selected, Return or clicking away applies the typed number on the
control's steps and range as one undo step (like a keyboard nudge), and
Esc or text that isn't a number keeps the old value. A decimal comma,
a leading + and a % or K unit are accepted. The keys typed go to the
field, not to the shortcuts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Maker note tag 0x4001 is UNDEFINED bytes (ColorData versions -3 and -4) on
PowerShot and EOS M bodies. It was read as one number per byte, so no plausible
as-shot levels were found and the white balance was 1, 1, 1 (green cast, a* about
-13 on neutrals). Byte and undefined data is now paired into 16-bit words in the
maker note's byte order before the existing probe (word 71). No per-model table.
RENDER_CACHE_VERSION 11 -> 12.
Maker note 0x0096 of the D780, D6, Z 5, Z 6, Z 7 and Z 7_2 starts 0x44 0x40
and holds 257 points, but its first interval rises by 2^bits / 1024 where the
0x44 0x20 tables rise by 2^bits / 256: the curve is the identity in the dark
part and covers 2^bits / 4 codes, not 2^bits. The decoder spaced the points
2^bits / 256 codes apart for both, so these files decoded to a fraction of
their values, far below the black level.
parse_table now takes the span from the version (0x20: all codes, 0x40: a
quarter). Other versions decode to identical samples. A known-answer test
built from hand-coded table bytes and bit strings fails without the change.
Bumps RENDER_CACHE_VERSION to 12.
The review dialog was a fixed-size window whose thumbnail grid was capped at 330 points (about 6 x 2.5 thumbnails). It now opens at 960 x 720, can be resized by its edges and corners, and the grid takes whatever height the options and buttons leave. The dialog has a window id of its own so its size does not carry over to the other dialogs.
#258 left the Tint row at 🟡 and docs/tint-direction.md as a review note.
The sign now matches the slider's track, the DNG specification and
Lightroom XMP, so the row is back to ✅; the doc says what happens to
saved custom tints (they shift the other way; nothing is rewritten) and
What's new tells users.
Co-Authored-By: Hanmo <letsgo@88.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Files whose photo is in the trash stay unchecked until Restore them or Import as
new is chosen; the toast and undo label say what was restored.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The crop overlay now reports pointer positions to crop.drag instead of
computing rectangles itself. The Crop panel gets a visible Lock toggle, a
custom W × H entry, a dropdown chevron and a button label that names the
active ratio ("Original", a preset, or 1.37 : 1) instead of pixel sizes.
LR-CROP-RECT / LR-CROP-ASPECT parity rows updated.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A name that does not fit is cut with an ellipsis before the photo count (the
full name on hover) instead of running past it; scrolling the sidebar sideways
or widening it shows more. A row asks for room for at most 140 pt of its name,
so depth, not one long name, makes the sidebar scroll. Selection and hover
bars end at the panel's edge when the content is wider.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- ui: counts stay at the visible edge when the sidebar scrolls sideways
(with the row's colour behind them where a long name runs under); the
smart-album dialog's live count includes the album's folder
- catalog: a folder path is used as given (a name with a space at its edge is
not its neighbour: Remove acted on the wrong folder); a plain POSIX path
is checked against the folder without building a key (about half the cost
on a big library, with a test that it agrees with the careful check)
- engine: editing a smart album's rules keeps the folder the editor cannot
show; a shown folder that loses its last photo gives way to All Photos;
library.state and view.json name the folder only while it is shown; a blank
folder filter is no filter
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Every level indents one step more than its parent however deep it goes (the
five-level indent cap is gone). The whole sidebar scrolls in both directions:
rows report how wide they need to be, the widest one of the last frame sets
the content width (at least the panel's), and a bar appears only when it
overflows. Folder names are no longer cut in the tree; Create Album stays at
the visible edge.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- engine: a smart album made from a folder view keeps the folder; only a
folder that shows exactly its own photos can be the source (not the
startup disk, not a folder above disks, not one with no photos); a
folder source and a folder filter never coexist; a folder source with no
folder shows nothing; a saved view whose folder is gone opens on All
Photos; removing a folder above a disk needs `disk: true` even with one
disk mounted; library.folders documents volume/selectable
- ui: deep chains stop indenting after five levels, the grid title gives
way to the photo count (full name on hover), disclosure triangles have
spoken names, the remove dialog says what is included and has a disk
title; test temp folders are cleaned up on failure
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- catalog: a row is exactly one folder (no folding of single-child levels);
the UI starts a folder that holds nothing and leads to one folder open
- engine: a library folder is a source (LibrarySource::LibraryFolder with
Session::library_folder, like Local's browse): library.source
{kind: libraryFolder, path}, kept with the library's view, shown by
library.state, followed through folder.rename / folder.move and undo,
dropped back to All Photos when its folder is removed
- ui: clicking a folder replaces whatever the grid showed (Picks, Recently
Deleted, a Local folder…) instead of narrowing it with a filter chip; the
grid is titled after the folder
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Another way to explore the library next to By Date and Keywords: a tree of
the folders that hold imported photos, with counts (subfolders included),
under the disk or network share each is on. Local stays the way to browse
any folder on disk.
- catalog: Catalog::folder_tree and Filter::library_folder. Each disk is a
volume row (drive letter, Windows share, /Volumes/<share>, /media, /mnt,
gvfs, /net…), found from the stored paths alone, so an offline share costs
nothing. Levels that hold nothing and lead to one folder fold into one row;
depth is bounded. The tree and the filter read paths through one splitter
(separators, `.`, `..`, verbatim UNC prefix, repeated separators), and a
row that would cover other disks' photos is not choosable
- engine: library.folders, library.removeFolder (to Recently Deleted, one
undo step, no file touched; a whole disk or a folder spanning several
needs `disk: true`, the startup disk never), libraryFolder in
library.filter, chip; a chosen folder follows folder.rename / folder.move
and their undo
- ui: collapsible Folders section; the chosen folder's row is always opened
into view; right-click (row or triangle) Rename, Move, Show in Finder,
Remove from Library…; disk rows Remove Disk from Library…; both ask first
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Bilevel scans, CCITT fax images and 2- or 4-bit gray TIFFs were rejected with
"sample buffer too short". The `tiff` crate returns such samples packed, most
significant bits first, eight, four or two to a byte with each row padded to a
whole byte; the converter expects one byte per sample. They are now spread out
one per byte and scaled to 0–255 (255, 85 and 17 times the sample: exact) before
conversion. 3-, 5-, 6- and 7-bit samples, and planar images with more than one
sample narrower than a byte, are refused with an "unsupported" error.
The new test builds 1-bit (both photometric conventions, a width that leaves row
padding, set padding bits), 2-bit and 4-bit strips in code, plus a truncated
strip that must fail cleanly; it fails without the fix with the old error. A
600×400 bilevel image, uncompressed and CCITT G4, now decodes to the same pixels
PIL reads from it.
The module documentation no longer claims palette support: the `tiff` crate
refuses RGBPalette images on every read path, so the palette branch here has
never been reached. The parity row lists palette TIFF as missing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Keep macOS plain-key ratings, labels and flags with egui, adapting the
native menu ownership correction from PR #261 (4e012a5, Gardy).
Add Shift+6-9 and contextual grid Shift+P, recognize shifted digit
punctuation, and document the verified Lightroom Classic mapping.
Cover batch changes and undo, exactly-once advance, Compare targets,
text and crop context, physical number keys and native menu ownership.
Verified native demo/control screenshots and all seven cargo xtask ci gates.
Co-authored-by: Gardy <armandpro50@gmail.com>
The filmstrip painted selection chrome only for the active photo, so after
Select All or a ⌘/Shift-click multi-selection the other selected photos
looked unselected, although the selection itself was right.
Paint it as the grid does: every selected photo gets the selected cell
fill; the active one keeps its white frame and the others get the grid's
grey one.
Test: tests_scroll::filmstrip_shows_every_selected_photo samples a cell's
background in the headless render after Select All, after selecting one
photo, and after a toggle (what a ⌘-click runs); before the fix a selected
photo that was not the active one was painted like an unselected one.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`ExportOptions::from_json` reads what it recognises and defaults the rest, so
`longEdgee=400` exported at 3000 px, `longEdge=banana` at full size, and a
`watermark` of `5` or `{"text":"x","bogus":1}` passed with `ok:true`, while
`size: 3` was silently clamped to 0.5 of the short edge (#181, #183).
`from_json` stays lenient for stored prefs and dialog prefill. New
`ExportOptions::validate(cmd, params)` / `from_params(params)` check every key
against the option and target lists (unknown ones name the nearest known key),
every value's kind and range, and a `watermark` object's keys, kinds and ranges
(`size` 0.005..0.5 and `inset` 0..0.4 of the short edge, `imageWidth` 0.01..1 of
the width, `opacity` 0..1, `color` [r,g,b]), returning
`invalid parameters for \`app.export\`: …` like the other commands. The three
places that run an export use it — the desktop `app.export`, the headless
backend behind `lightcraft-cli run` and the MCP `export` tool, and
`lightcraft-cli render --opt` — and `export.savePreset` validates a preset's
params when it is saved. Built-in presets, the Export dialog's `to_json`,
Export with Previous and `render --opt` all pass unchanged.
The `app.export` param string (`lightcraft-cli commands`, `engine.commands`),
the MCP `export` tool schema and docs/parity.md LR-EXP-WATERMARK now list the
watermark keys, their units and ranges.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Claude
radialmonster
MarekSpodBiedry
peiyan0
Nathaniel Ledford
sebastian pfluegelmeier
midasdf
Hanmo
issuenate
wstock