diff --git a/ROADMAP.md b/ROADMAP.md index e57650e3..051a673c 100644 --- a/ROADMAP.md +++ b/ROADMAP.md @@ -127,7 +127,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap | Date | What landed | |---|---| -| 2026-10-11 | Effect › Brush Strokes: Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e (G2). Command parameters from agents and files checked before anything changes (paint, place, cuts, dashes, crop, asset ids, anchors, paths, distort; #984–#999); command dialogs keep whole numbers whole, so Create Object Mosaic takes the tiles typed (#1000); stepper arrows take Shift (×10) and Ctrl/Cmd (÷10) like the arrow keys (#991). Exports and Rasterize supersample Art Optimized edges, so shapes meeting edge to edge leave no seam (#983). Character and paragraph styles take leading, kerning, mojikumi and the other attributes left out at their defaults (#1001). Drawing, typing and pasting with no layer shown and unlocked is refused instead of adding art to a hidden or locked layer (#1002). MCP `add_text` gives type on or in a path the colour asked for (#1003). MCP `screenshot` of a connected app renders the artboard asked for (#1004). `vectorcraft-cli run` ends quietly when its reader closes early (#1005). Select › All on Active Artboard selects on the artboard made active, not always the first (#1006). Reverse Gradient keeps off-centre midpoints, mirrored (#1007). A polar grid with no radial dividers draws none (#1008). Use Precise Cursors also covers the Pen's join pointer (#1009). SVGs with one absolute and one unitless root side import at their size, unstretched (#1010). DXF US survey inches, yards and miles open at their size and name (#1011). A file placed into a document with no other links follows its first change even while the app sits idle (#1031). PDF import keeps the style a font name says when the file doesn't embed the font (#1023). Shift selects ruler guides and art together, and Delete removes both (#1022). Open filled paths are hit by their fill on every side, the rotate cursor bows around the corner it is at, the flip icons match their flips, the Color Picker previews on the selection, and Properties › Transform reaches Scale Corners and Scale Strokes & Effects (#1036). Offset Path and the other booleans finish on outlines where the sweep used to loop until memory ran out (linesweeper 0.5, #1028). Floating panel groups stack into sets that move together, collapse to their tabs and dock as extra dock columns that scroll (#1020). Ruler guides live on layers: listed in the Layers panel, shown, hidden, locked, duplicated, merged and deleted with their layer, and moved between layers (#1021). A `.ai` whose editing data uses global process colours (`Xk`/`XK`) or pattern fills keeps its sublayers: the colours come in as global swatches at their tint, the patterns as pattern swatches (#1025). A `.ai` in PostScript form opens through its layers, read from the program itself, also when it names the prolog defining its operators without including it, as Rhino and other CAD apps write it (#1027). A fill or stroke chosen while the Type tool has characters selected colours just those characters (#1063). Scaled type shows its scaled font size, leading, baseline shift and horizontal scale in the Character panel, and a size typed there is the size you get (#1034). Character panel menu › Proportional Metrics sets Japanese and Chinese full-width glyphs on the font's proportional widths in horizontal type (#966). Align, Distribute, Move, Arrange, Lock, Hide, Ungroup and other Object commands that would change nothing no longer record an undo step or mark the document changed (#1060). Spot colours defined in Lab open with their Lab values from `.ai` and PDF files, instead of as wrong RGB colours or their CMYK equivalents (#1032). Build scripts leave a generated source they wouldn't change untouched, so the next build doesn't compile most of the workspace again where file times lose their sub-second part (#1051). A fill colour recolours the gradient mesh point last clicked with the Mesh tool or Direct Selection, and a Mesh tool click on a mesh's point selects that mesh (#1052). The All Tools drawer stays two tools wide instead of filling a wide window (#1054). Text Wrap's Make, Release and Options refuse a list of object ids with a malformed or unknown id instead of skipping it (#1055). A freeform gradient line with a malformed point index is refused instead of being shortened to the indices that are valid (#1056). The Corners dialog (`ui.corners`) refuses a malformed object id or a listed anchor that isn't a corner instead of editing the selection or the other corners (#1057). New View refuses a centre that isn't exactly [x, y] and a rotation that isn't a number, instead of trimming the one and saving the other as 0° (#1058). The command sweeps try junk scale, spacing and artboard values too, which they had skipped since before those bugs were fixed (#1059). EPS and PostScript `arc` and `arcn` with huge angles no longer hang the import, and an arc whose angles are whole turns apart is empty, as the PostScript reference defines it (#1062). Align and Distribute Spacing keep the key object still also when it is inside a selected group or compound path (#1074). A `.ai` whose layers can't be read yet still opens with its artboards where they were (in a grid, say), not in a row (#1068). Layer Options (`ui.layerOptions`) refuses a malformed or unknown row id instead of skipping it or opening on the highlighted rows (#1077). Shaper scribbles given a list of object ids refuse a malformed or unknown id instead of skipping it and editing the shapes that remain (#1078). Delete Width Point (`stroke.widthPoint.remove`) refuses a list of indices with a malformed entry instead of deleting the points that remain, and no longer wraps a huge index round on the web (#1079). Preferences' checkboxes have an outline when the pointer isn't over them, in every interface brightness, as the app's other dialogs' checkboxes do (#1080). The last plain checkboxes (Properties panel snapping and Scale Strokes & Effects, Revolve, Save options, Export for Screens, Variables, plug-in forms) keep a visible box at rest in every theme too (#885). Setting or copying a width point with a malformed index is refused instead of adding a new point or wrapping a huge index round (follow-up to #1079). An Illustrator EPS opened through its layers keeps its own page size and the red outline of text stacked over a dark one, as 0.8.0 did (#1102). The macOS DMG is built so the app in it passes `codesign --verify --strict --deep`, and the release checks that it does (#1085). Swatch and graphic style libraries, Libraries panel files, presets and plug-ins dropped on the window open as File › Open opens them instead of being placed on the canvas (#1083). A key object needs another selected object outside it: a change that leaves one object selected lets the key go, and one selected object aligns to the artboard whatever Align To says (#1088). Align to Artboard aligns to the active artboard, and actions play their Align to Artboard, All on Active Artboard and Paste in Place, in Front and in Back steps on the artboard active when they play (#1105). Align refuses a call with neither direction, and Align, Distribute, Reflect and Shear refuse a direction, axis, target or bounds they don't take instead of falling back to a default (#1106). `object.setProps` deselects the objects it hides or locks, the key object included, as the Layers panel's eye and lock do (#1107). Align, Distribute and Distribute Spacing move pattern tiles with the art when General › Transform Pattern Tiles is on (#1108). Object › Lock › All Artwork Above and Object › Hide › All Artwork Above deselect the selected objects they lock or hide, the key object included (#1109). Save Swatch Library's `count` is the number of swatches the file holds: `.gpl` and `.ase` hold solid colors only, and CSS leaves freeform gradients out (#1110). In a rotated view (Rotate View), an artboard's name stays at its own top-left corner (#1095). Ctrl+Shift+L, C, R, J and F align or justify the paragraphs of the selected type, or those the Type tool's selection touches (#1111). On macOS, file dialogs are sheets on the document window, so resizing one no longer crashes the app; while one is open the menus, Quit and Close wait, and its answer goes to the document that asked (#867). Shape Builder merges regions that crossing lines cut along the lines' own edges, so a strip merged across a grid of lines is one outline with no seams left inside (#1081). Proportional Metrics also works in vertical type: upright glyphs take the font's proportional heights (`vpal`), and Line-end Punctuation Half Width takes nothing more off the punctuation it re-spaced (#1082). Plug-in whole-number parameters keep their exact value however large, and stay in the range the manifest gives (#1091). PDF and `.ai` import keeps type spaced glyph by glyph (character tightening, optical kerning) with each glyph in its place, giving each character its own tracking when the file's font is installed, and CJK punctuation closed up by its proportional width continues its line (#1101). Direct Selection: pressing an anchor of a path selected whole keeps all its anchors selected, so the drag moves them all; Alt-dragging by an anchor copies the whole path, held by that anchor, which snaps onto other anchors and onto the original the copy leaves behind; Alt pressed or released during the drag turns the copy on and off, as with the Selection tool, whose copies snap to their original too, and the undo step is named Copy or Move for what the drag did (#1104). The toolbar's Fill/Stroke proxy and Color, Gradient and None buttons grow in two columns, where the three drawing modes sit side by side (#1129). An image copied in a browser that puts its `` markup on the clipboard as text pastes as the picture, not the markup (#1089). `file.place` of an SVG with `crop: "crop"` frames and clips it by its viewBox, so art drawn on a shared canvas keeps its place and scale (#788). While a star is dragged, Ctrl/Cmd keeps its inner radius as the outer one grows and Alt keeps its shoulders straight (#812). Edit Toolbar opens the All Tools drawer beside the toolbar, dims the tools already in it, and adds, removes and moves tools by drag and drop while it is open (#1018). The Selection tool's arrow is black and Direct Selection's white in every theme, as users know them: in the dark themes they looked swapped. The font menu keeps its highlight on the same font when the list changes under it (a family's styles listed above it, fonts that finish loading, a favourite unstarred), and ends the live preview when that font leaves the list (#1116). The Windows installer has a Shortcuts page with a ticked "Create a desktop shortcut" box, and a silent install adds the shortcut unless `INSTALLDESKTOPSHORTCUT=""` is passed (#1128). Image Trace's Noise merges specks until none under its size is left beside another colour, so a higher Noise never gives more paths (#1130). `cargo clippy -D warnings` passes for the wasm32 web build (#1132). Gradient stops with opacity blend colour and opacity apart on the canvas, as Illustrator and the PDF and SVG exports do: a transparent stop's colour still tints the fade (#1142). An SVG mask whose art is all hidden imports as an empty opacity mask, so its object stays hidden as browsers draw it (#1143). Shift-click with the Artboard tool, or in the Artboards panel, selects several artboards, which then move, duplicate (Alt-drag) and delete together (#1139). A shape far beyond any page (from a malformed file) is left undrawn instead of making the renderer abort the app. Live Corners round corners where curved segments meet too, trimming each curve to what the cut leaves of it (#1144). Effect › Distort & Transform › Zig Zag's dialog has sliders for Size and Ridges per segment, and Relative / Absolute and Smooth / Corner as radio buttons (#1133). Object › Path › Offset Path opens on the offset, joins and miter limit it was last applied with (#1152). A marquee selects only the objects whose paths it touches: one drawn over a background, in Preview or Outline, no longer selects the background too (#1103). On Linux, Preferences › Performance › Linux Display Server › X11 (XWayland) opens the window through XWayland on a Wayland session, where files dropped from a file manager arrive (#1151). A selected gradient mesh shows its mesh lines and points with the Selection and Direct Selection tools too, not only with the Mesh tool (#1111). A blend's spine bends: the Anchor Point tool drags any of its segments into a curve, straight ones too, and Direct Selection reshapes its curved segments (`object.blend.spine.reshapeSegment`, #1111). Alt-click on a hidden layer's eye shows that layer as it hides the others, and on a locked layer's lock unlocks it as it locks the others: the layer clicked is the one left in view (#1158). Object › Compound Path › Release splits a path of several subpaths (an SVG `d` with several `M`s, a path drawn in one go over MCP) into one path per subpath, with its paint and stacking order, as it does a compound path (#1163). MCP `render_preview` takes an `artboard` index, so an agent can look at every page of a multi-artboard document (#1163). The MCP drawing tools say that omitted paint follows the new-art appearance (a white fill and 1 pt black stroke at first), and `export` says which formats take `outlineText` (#1148). The desktop app refuses a malformed `--automation-read-root` / `--automation-write-root` (no folder, an empty one, another option or the flag twice) before it starts, instead of dropping the root its environment variable set and leaving the control channel unconfined (#1157). | +| 2026-10-11 | Effect › Brush Strokes: Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e (G2). Command parameters from agents and files checked before anything changes (paint, place, cuts, dashes, crop, asset ids, anchors, paths, distort; #984–#999); command dialogs keep whole numbers whole, so Create Object Mosaic takes the tiles typed (#1000); stepper arrows take Shift (×10) and Ctrl/Cmd (÷10) like the arrow keys (#991). Exports and Rasterize supersample Art Optimized edges, so shapes meeting edge to edge leave no seam (#983). Character and paragraph styles take leading, kerning, mojikumi and the other attributes left out at their defaults (#1001). Drawing, typing and pasting with no layer shown and unlocked is refused instead of adding art to a hidden or locked layer (#1002). MCP `add_text` gives type on or in a path the colour asked for (#1003). MCP `screenshot` of a connected app renders the artboard asked for (#1004). `vectorcraft-cli run` ends quietly when its reader closes early (#1005). Select › All on Active Artboard selects on the artboard made active, not always the first (#1006). Reverse Gradient keeps off-centre midpoints, mirrored (#1007). A polar grid with no radial dividers draws none (#1008). Use Precise Cursors also covers the Pen's join pointer (#1009). SVGs with one absolute and one unitless root side import at their size, unstretched (#1010). DXF US survey inches, yards and miles open at their size and name (#1011). A file placed into a document with no other links follows its first change even while the app sits idle (#1031). PDF import keeps the style a font name says when the file doesn't embed the font (#1023). Shift selects ruler guides and art together, and Delete removes both (#1022). Open filled paths are hit by their fill on every side, the rotate cursor bows around the corner it is at, the flip icons match their flips, the Color Picker previews on the selection, and Properties › Transform reaches Scale Corners and Scale Strokes & Effects (#1036). Offset Path and the other booleans finish on outlines where the sweep used to loop until memory ran out (linesweeper 0.5, #1028). Floating panel groups stack into sets that move together, collapse to their tabs and dock as extra dock columns that scroll (#1020). Ruler guides live on layers: listed in the Layers panel, shown, hidden, locked, duplicated, merged and deleted with their layer, and moved between layers (#1021). A `.ai` whose editing data uses global process colours (`Xk`/`XK`) or pattern fills keeps its sublayers: the colours come in as global swatches at their tint, the patterns as pattern swatches (#1025). A `.ai` in PostScript form opens through its layers, read from the program itself, also when it names the prolog defining its operators without including it, as Rhino and other CAD apps write it (#1027). A fill or stroke chosen while the Type tool has characters selected colours just those characters (#1063). Scaled type shows its scaled font size, leading, baseline shift and horizontal scale in the Character panel, and a size typed there is the size you get (#1034). Character panel menu › Proportional Metrics sets Japanese and Chinese full-width glyphs on the font's proportional widths in horizontal type (#966). Align, Distribute, Move, Arrange, Lock, Hide, Ungroup and other Object commands that would change nothing no longer record an undo step or mark the document changed (#1060). Spot colours defined in Lab open with their Lab values from `.ai` and PDF files, instead of as wrong RGB colours or their CMYK equivalents (#1032). Build scripts leave a generated source they wouldn't change untouched, so the next build doesn't compile most of the workspace again where file times lose their sub-second part (#1051). A fill colour recolours the gradient mesh point last clicked with the Mesh tool or Direct Selection, and a Mesh tool click on a mesh's point selects that mesh (#1052). The All Tools drawer stays two tools wide instead of filling a wide window (#1054). Text Wrap's Make, Release and Options refuse a list of object ids with a malformed or unknown id instead of skipping it (#1055). A freeform gradient line with a malformed point index is refused instead of being shortened to the indices that are valid (#1056). The Corners dialog (`ui.corners`) refuses a malformed object id or a listed anchor that isn't a corner instead of editing the selection or the other corners (#1057). New View refuses a centre that isn't exactly [x, y] and a rotation that isn't a number, instead of trimming the one and saving the other as 0° (#1058). The command sweeps try junk scale, spacing and artboard values too, which they had skipped since before those bugs were fixed (#1059). EPS and PostScript `arc` and `arcn` with huge angles no longer hang the import, and an arc whose angles are whole turns apart is empty, as the PostScript reference defines it (#1062). Align and Distribute Spacing keep the key object still also when it is inside a selected group or compound path (#1074). A `.ai` whose layers can't be read yet still opens with its artboards where they were (in a grid, say), not in a row (#1068). Layer Options (`ui.layerOptions`) refuses a malformed or unknown row id instead of skipping it or opening on the highlighted rows (#1077). Shaper scribbles given a list of object ids refuse a malformed or unknown id instead of skipping it and editing the shapes that remain (#1078). Delete Width Point (`stroke.widthPoint.remove`) refuses a list of indices with a malformed entry instead of deleting the points that remain, and no longer wraps a huge index round on the web (#1079). Preferences' checkboxes have an outline when the pointer isn't over them, in every interface brightness, as the app's other dialogs' checkboxes do (#1080). The last plain checkboxes (Properties panel snapping and Scale Strokes & Effects, Revolve, Save options, Export for Screens, Variables, plug-in forms) keep a visible box at rest in every theme too (#885). Setting or copying a width point with a malformed index is refused instead of adding a new point or wrapping a huge index round (follow-up to #1079). An Illustrator EPS opened through its layers keeps its own page size and the red outline of text stacked over a dark one, as 0.8.0 did (#1102). The macOS DMG is built so the app in it passes `codesign --verify --strict --deep`, and the release checks that it does (#1085). Swatch and graphic style libraries, Libraries panel files, presets and plug-ins dropped on the window open as File › Open opens them instead of being placed on the canvas (#1083). A key object needs another selected object outside it: a change that leaves one object selected lets the key go, and one selected object aligns to the artboard whatever Align To says (#1088). Align to Artboard aligns to the active artboard, and actions play their Align to Artboard, All on Active Artboard and Paste in Place, in Front and in Back steps on the artboard active when they play (#1105). Align refuses a call with neither direction, and Align, Distribute, Reflect and Shear refuse a direction, axis, target or bounds they don't take instead of falling back to a default (#1106). `object.setProps` deselects the objects it hides or locks, the key object included, as the Layers panel's eye and lock do (#1107). Align, Distribute and Distribute Spacing move pattern tiles with the art when General › Transform Pattern Tiles is on (#1108). Object › Lock › All Artwork Above and Object › Hide › All Artwork Above deselect the selected objects they lock or hide, the key object included (#1109). Save Swatch Library's `count` is the number of swatches the file holds: `.gpl` and `.ase` hold solid colors only, and CSS leaves freeform gradients out (#1110). In a rotated view (Rotate View), an artboard's name stays at its own top-left corner (#1095). Ctrl+Shift+L, C, R, J and F align or justify the paragraphs of the selected type, or those the Type tool's selection touches (#1111). On macOS, file dialogs are sheets on the document window, so resizing one no longer crashes the app; while one is open the menus, Quit and Close wait, and its answer goes to the document that asked (#867). Shape Builder merges regions that crossing lines cut along the lines' own edges, so a strip merged across a grid of lines is one outline with no seams left inside (#1081). Proportional Metrics also works in vertical type: upright glyphs take the font's proportional heights (`vpal`), and Line-end Punctuation Half Width takes nothing more off the punctuation it re-spaced (#1082). Plug-in whole-number parameters keep their exact value however large, and stay in the range the manifest gives (#1091). PDF and `.ai` import keeps type spaced glyph by glyph (character tightening, optical kerning) with each glyph in its place, giving each character its own tracking when the file's font is installed, and CJK punctuation closed up by its proportional width continues its line (#1101). Direct Selection: pressing an anchor of a path selected whole keeps all its anchors selected, so the drag moves them all; Alt-dragging by an anchor copies the whole path, held by that anchor, which snaps onto other anchors and onto the original the copy leaves behind; Alt pressed or released during the drag turns the copy on and off, as with the Selection tool, whose copies snap to their original too, and the undo step is named Copy or Move for what the drag did (#1104). The toolbar's Fill/Stroke proxy and Color, Gradient and None buttons grow in two columns, where the three drawing modes sit side by side (#1129). An image copied in a browser that puts its `` markup on the clipboard as text pastes as the picture, not the markup (#1089). `file.place` of an SVG with `crop: "crop"` frames and clips it by its viewBox, so art drawn on a shared canvas keeps its place and scale (#788). While a star is dragged, Ctrl/Cmd keeps its inner radius as the outer one grows and Alt keeps its shoulders straight (#812). Edit Toolbar opens the All Tools drawer beside the toolbar, dims the tools already in it, and adds, removes and moves tools by drag and drop while it is open (#1018). The Selection tool's arrow is black and Direct Selection's white in every theme, as users know them: in the dark themes they looked swapped. The font menu keeps its highlight on the same font when the list changes under it (a family's styles listed above it, fonts that finish loading, a favourite unstarred), and ends the live preview when that font leaves the list (#1116). The Windows installer has a Shortcuts page with a ticked "Create a desktop shortcut" box, and a silent install adds the shortcut unless `INSTALLDESKTOPSHORTCUT=""` is passed (#1128). Image Trace's Noise merges specks until none under its size is left beside another colour, so a higher Noise never gives more paths (#1130). `cargo clippy -D warnings` passes for the wasm32 web build (#1132). Gradient stops with opacity blend colour and opacity apart on the canvas, as Illustrator and the PDF and SVG exports do: a transparent stop's colour still tints the fade (#1142). An SVG mask whose art is all hidden imports as an empty opacity mask, so its object stays hidden as browsers draw it (#1143). Shift-click with the Artboard tool, or in the Artboards panel, selects several artboards, which then move, duplicate (Alt-drag) and delete together (#1139). A shape far beyond any page (from a malformed file) is left undrawn instead of making the renderer abort the app. Live Corners round corners where curved segments meet too, trimming each curve to what the cut leaves of it (#1144). Effect › Distort & Transform › Zig Zag's dialog has sliders for Size and Ridges per segment, and Relative / Absolute and Smooth / Corner as radio buttons (#1133). Object › Path › Offset Path opens on the offset, joins and miter limit it was last applied with (#1152). A marquee selects only the objects whose paths it touches: one drawn over a background, in Preview or Outline, no longer selects the background too (#1103). On Linux, Preferences › Performance › Linux Display Server › X11 (XWayland) opens the window through XWayland on a Wayland session, where files dropped from a file manager arrive (#1151). A selected gradient mesh shows its mesh lines and points with the Selection and Direct Selection tools too, not only with the Mesh tool (#1111). A blend's spine bends: the Anchor Point tool drags any of its segments into a curve, straight ones too, and Direct Selection reshapes its curved segments (`object.blend.spine.reshapeSegment`, #1111). Alt-click on a hidden layer's eye shows that layer as it hides the others, and on a locked layer's lock unlocks it as it locks the others: the layer clicked is the one left in view (#1158). Object › Compound Path › Release splits a path of several subpaths (an SVG `d` with several `M`s, a path drawn in one go over MCP) into one path per subpath, with its paint and stacking order, as it does a compound path (#1163). MCP `render_preview` takes an `artboard` index, so an agent can look at every page of a multi-artboard document (#1163). The MCP drawing tools say that omitted paint follows the new-art appearance (a white fill and 1 pt black stroke at first), and `export` says which formats take `outlineText` (#1148). The desktop app refuses a malformed `--automation-read-root` / `--automation-write-root` (no folder, an empty one, another option or the flag twice) before it starts, instead of dropping the root its environment variable set and leaving the control channel unconfined (#1157). PDF export warns, once per object, when the 64 million pixel cap renders its raster effects below the document's raster effects resolution, with the requested and the achieved ppi (#1147). | | 2026-10-10 | Initial live Revolve (Effect › 3D and Materials, #846, #605), in its own `three-d` crate. Progress docs re-measured and restructured to the craftrules standard (this page, `docs/target-app-parity.md`, `gaps.md`, `ui-parity.md`, the format, hardware, localization, effects and type checklists). Same day: v0.8.0; Effect › Distort, Pixelate and Texture filters (13); German interface; Variables (data merge); Graph Type value axes and tick marks; restart when the first frame never reaches the screen (#964) | | 2026-10-09 | Radial Blur, Smart Blur, Unsharp Mask (gap 2 begins); 340 commits, the busiest day | | 2026-10-08 | v0.5.0–v0.7.0; community contributions: Pen and shape-tool modifiers, Layers, Artboards, Japanese composition, Hebrew/Arabic type, interface languages, saved selections | diff --git a/crates/engine/src/cmd/rasterfx.rs b/crates/engine/src/cmd/rasterfx.rs index f2cc7bcc..3339502b 100644 --- a/crates/engine/src/cmd/rasterfx.rs +++ b/crates/engine/src/cmd/rasterfx.rs @@ -26,6 +26,9 @@ use vectorcraft_render::{AntiAlias, RenderOptions}; use super::*; +mod report; +use report::FlattenReport; + pub fn specs() -> Vec { vec![cmd!( "document.rasterEffectsSettings", @@ -409,9 +412,9 @@ fn needs(n: &Node, which: Which) -> bool { } /// The art of `n`'s opacity mask with its raster effects as images. -fn walk_mask(out: &mut Document, n: &mut Node, which: Which) { +fn walk_mask(out: &mut Document, n: &mut Node, report: &mut FlattenReport) { if let Some(m) = n.mask.as_mut() - && let Some(art) = walk(out, &m.art, which) + && let Some(art) = walk(out, &m.art, report) { m.art = Arc::new(art); } @@ -420,15 +423,23 @@ fn walk_mask(out: &mut Document, n: &mut Node, which: Which) { /// `n` with its raster effects (and its members' and its opacity mask's) as images, `None` when it /// has none. An object whose effects all paint below it keeps its vector art over an image of /// them; one whose effects change it (blur, feather, inner glow) becomes the image. -fn walk(out: &mut Document, n: &Node, which: Which) -> Option { +fn walk(out: &mut Document, n: &Node, report: &mut FlattenReport) -> Option { + let checkpoint = report.checkpoint(); + let result = walk_inner(out, n, report); + report.attribute_since(checkpoint, n); + result +} + +fn walk_inner(out: &mut Document, n: &Node, report: &mut FlattenReport) -> Option { + let which = report.which; if !needs(n, which) { return None; } if !imaged(n, which) { let mut m = n.clone(); - walk_mask(out, &mut m, which); + walk_mask(out, &mut m, report); if is_container(&m) - && let Some(ch) = walk_all(out, n.children()?, which) + && let Some(ch) = walk_all(out, n.children()?, report) && let Some(slot) = m.children_mut() { *slot = ch; @@ -436,33 +447,41 @@ fn walk(out: &mut Document, n: &Node, which: Which) -> Option { return Some(m); } if let Some(g) = placed_symbol(out, n) { - return Some(walk(out, &g, which).unwrap_or(g)); + return Some(walk(out, &g, report).unwrap_or(g)); } let below = below_only(n); if !below && let Some(g) = split_items(out, n) { - return Some(walk(out, &g, which).unwrap_or(g)); + return Some(walk(out, &g, report).unwrap_or(g)); } // An image that can't be made leaves the object as it is (the writer reports its effects). let mut v = n.clone(); strip_raster(&mut v, false); let mut m = if below { let images = below_images(out, n)?; - let mut m = walk(out, &v, which).unwrap_or(v); + for image in &images { + report.record(n, image); + } + let mut m = walk(out, &v, report).unwrap_or(v); // Each goes in first: the last one put is the lowest. for image in images.into_iter().rev() { put_below(out, &mut m, image); } m } else { - replace_with_image(v, raster_image(out, n, false, false)?) + let image = raster_image(out, n, false, false)?; + report.record(n, &image); + replace_with_image(v, image) }; - walk_mask(out, &mut m, which); + walk_mask(out, &mut m, report); Some(m) } /// `nodes` with their raster effects as images, `None` when none has any. -fn walk_all(out: &mut Document, nodes: &[Arc], which: Which) -> Option>> { - nodes.iter().any(|n| needs(n, which)).then(|| nodes.iter().map(|n| walk(out, n, which).map(Arc::new).unwrap_or_else(|| n.clone())).collect()) +fn walk_all(out: &mut Document, nodes: &[Arc], report: &mut FlattenReport) -> Option>> { + nodes + .iter() + .any(|n| needs(n, report.which)) + .then(|| nodes.iter().map(|n| walk(out, n, report).map(Arc::new).unwrap_or_else(|| n.clone())).collect()) } /// A copy of `doc` with raster effects turned into images at the document's raster effects @@ -470,17 +489,18 @@ fn walk_all(out: &mut Document, nodes: &[Arc], which: Which) -> Option Option { - flatten(doc, Which::All) + flatten(doc, &mut FlattenReport::new(Which::All, doc)) } /// A copy of `doc` in which the objects with Photoshop-style raster effects (Radial Blur, Unsharp /// Mask…) are images as [`flatten_raster_effects`] makes them (SVG export: its filters draw the /// other raster effects live), or `None` when there are none. pub fn flatten_pixel_effects(doc: &Document) -> Option { - flatten(doc, Which::Pixel) + flatten(doc, &mut FlattenReport::new(Which::Pixel, doc)) } -fn flatten(doc: &Document, which: Which) -> Option { +fn flatten(doc: &Document, report: &mut FlattenReport) -> Option { + let which = report.which; let any = |nodes: &[Arc]| nodes.iter().any(|n| needs(n, which)); if !any(&doc.layers) && !doc.symbols.iter().any(|s| needs(&s.art, which)) && !doc.patterns.iter().any(|p| any(&p.art)) { return None; @@ -489,18 +509,18 @@ fn flatten(doc: &Document, which: Which) -> Option { let baked = effects::bake_document(doc); let src = baked.as_ref().unwrap_or(doc); let mut out = src.clone(); - if let Some(layers) = walk_all(&mut out, &src.layers, which) { + if let Some(layers) = walk_all(&mut out, &src.layers, report) { out.layers = layers; } for i in 0..out.symbols.len() { - if let Some(art) = out.symbols.get(i).map(|s| s.art.clone()).and_then(|a| walk(&mut out, &a, which)) + if let Some(art) = out.symbols.get(i).map(|s| s.art.clone()).and_then(|a| walk(&mut out, &a, report)) && let Some(s) = out.symbols.get_mut(i) { s.art = Arc::new(art); } } for i in 0..out.patterns.len() { - if let Some(art) = out.patterns.get(i).map(|p| p.art.clone()).and_then(|a| walk_all(&mut out, &a, which)) + if let Some(art) = out.patterns.get(i).map(|p| p.art.clone()).and_then(|a| walk_all(&mut out, &a, report)) && let Some(p) = out.patterns.get_mut(i) { p.art = art; @@ -520,10 +540,11 @@ pub fn export_pdf_with_report( doc: &Document, opts: &vectorcraft_pdf::PdfOptions, ) -> std::result::Result { - match flatten_raster_effects(doc) { - Some(d) => vectorcraft_pdf::export_with_report(&d, opts), - None => vectorcraft_pdf::export_with_report(doc, opts), - } + let mut report = FlattenReport::new(Which::All, doc); + let flat = flatten(doc, &mut report); + let mut exported = vectorcraft_pdf::export_with_report(flat.as_ref().unwrap_or(doc), opts)?; + exported.warnings.extend(report.warnings()); + Ok(exported) } #[cfg(test)] diff --git a/crates/engine/src/cmd/rasterfx/report.rs b/crates/engine/src/cmd/rasterfx/report.rs new file mode 100644 index 00000000..e04fcd9d --- /dev/null +++ b/crates/engine/src/cmd/rasterfx/report.rs @@ -0,0 +1,129 @@ +//! The PDF export warnings for raster effects whose images the 64 million pixel cap rendered below +//! the document's raster effects resolution, one per object of the document. + +use vectorcraft_doc::{Document, Node, NodeId, NodeKind}; + +use super::Which; + +pub(super) struct FlattenReport { + pub which: Which, + requested_ppi: f64, + reductions: Vec, + /// Ids from here on are the flattening's own (split appearance items, groups under shadows). + first_new_id: u64, +} + +struct Reduction { + id: NodeId, + name: Option, + achieved_ppi: f64, +} + +impl FlattenReport { + pub fn new(which: Which, doc: &Document) -> Self { + Self { which, requested_ppi: super::effects_scale(doc) * 72.0, reductions: vec![], first_new_id: doc.peek_next_id() } + } + + /// Note `image` (made for the raster effects of `original`) when the cap lowered its resolution. + pub fn record(&mut self, original: &Node, image: &Node) { + if let NodeKind::Image(image) = &image.kind { + let [pixel_size, ..] = image.xf.as_coeffs(); + let achieved_ppi = 72.0 / pixel_size; + if achieved_ppi + 1e-6 < self.requested_ppi { + self.reductions.push(Reduction { id: original.id, name: original.name.clone(), achieved_ppi }); + } + } + } + + pub fn checkpoint(&self) -> usize { + self.reductions.len() + } + + /// Give the reductions recorded since `checkpoint` on pieces the flattening made to `original`, + /// a document object (the innermost one, as the walk returns from it). + pub fn attribute_since(&mut self, checkpoint: usize, original: &Node) { + let first_new_id = self.first_new_id; + if original.id.0 >= first_new_id { + return; + } + for reduction in self.reductions.iter_mut().skip(checkpoint) { + if reduction.id.0 >= first_new_id { + reduction.id = original.id; + reduction.name.clone_from(&original.name); + } + } + } + + pub fn warnings(self) -> Vec { + let mut lowest: Vec = vec![]; + for reduction in self.reductions { + if let Some(existing) = lowest.iter_mut().find(|r| r.id == reduction.id) { + existing.achieved_ppi = existing.achieved_ppi.min(reduction.achieved_ppi); + } else { + lowest.push(reduction); + } + } + lowest + .into_iter() + .map(|r| { + let name = r.name.map(|name| format!(" ({name})")).unwrap_or_default(); + format!( + "raster effects on object {}{name}: requested {:.1} ppi, achieved {:.1} ppi due to the 64 million pixel cap", + r.id.0, self.requested_ppi, r.achieved_ppi + ) + }) + .collect() + } +} + +#[cfg(test)] +mod tests { + use super::*; + use vectorcraft_doc::ImageObject; + use vectorcraft_geom::Affine; + + fn image(ppi: f64) -> Node { + Node::new( + NodeId(999), + NodeKind::Image(ImageObject { + key: "effect".into(), + width: 8000, + height: 8000, + xf: Affine::scale(72.0 / ppi), + link: None, + placement: Default::default(), + }), + ) + } + + #[test] + fn lowest_resolution_is_reported_when_multiple_images_belong_to_one_object() { + let mut doc = Document::new(100.0, 100.0); + doc.raster_effects_ppi = 2400.0; + let original = &doc.layers[0]; + let mut report = FlattenReport::new(Which::All, &doc); + + for ppi in [1800.0, 1200.0, 1500.0] { + report.record(original, &image(ppi)); + } + + let warnings = report.warnings(); + assert_eq!(warnings.len(), 1); + assert!(warnings[0].contains("achieved 1200.0 ppi"), "{:?}", warnings); + } + + #[test] + fn parent_identity_is_reported_when_generated_pieces_are_attributed() { + let doc = Document::new(100.0, 100.0); + let original = &doc.layers[0]; + let generated = Node::group(NodeId(998), vec![]); + let mut report = FlattenReport::new(Which::All, &doc); + + report.record(&generated, &image(36.0)); + report.attribute_since(0, original); + + let warnings = report.warnings(); + assert_eq!(warnings.len(), 1); + assert!(warnings[0].contains(&format!("object {}", original.id.0)), "{:?}", warnings); + } +} diff --git a/crates/engine/src/tests_pdfraster.rs b/crates/engine/src/tests_pdfraster.rs index 7f497df8..2eb3787a 100644 --- a/crates/engine/src/tests_pdfraster.rs +++ b/crates/engine/src/tests_pdfraster.rs @@ -182,3 +182,42 @@ fn shadows_and_glows_keep_their_blend_modes() { flat.layers[0].children().unwrap()[0].children().unwrap().iter().filter(|c| matches!(c.kind, NodeKind::Image(_))).map(|c| c.blend).collect(); assert_eq!(modes, [vectorcraft_color::BlendMode::Multiply, vectorcraft_color::BlendMode::Screen]); } + +#[test] +fn pdf_resolution_cap_warns_once_for_original_object_when_appearance_items_split() { + let mut d = Document::new(300.0, 300.0); + d.raster_effects_ppi = 2400.0; + d.raster_effects.anti_alias = false; + let mut n = Node::path( + d.alloc_id(), + shapes::rectangle(Rect::new(20.0, 20.0, 270.0, 270.0)), + Appearance::basic(Paint::solid(Color::BLACK), Paint::solid(Color::BLACK), 20.0), + ); + let id = n.id; + n.name = Some("Large original".into()); + for item in &mut n.appearance.items { + item.effects_mut().push(Effect { params: json!({"radius": 0.0}), ..blur() }); + } + add(&mut d, n); + + let r = crate::cmd::rasterfx::export_pdf_with_report(&d, &Default::default()).unwrap(); + + assert!(String::from_utf8_lossy(&r.bytes).contains("/Subtype/Image")); + assert_eq!(r.warnings.len(), 1, "{:?}", r.warnings); + let warning = &r.warnings[0]; + assert!(warning.contains(&format!("object {}", id.0)) && warning.contains("Large original"), "{warning}"); + assert!(warning.contains("requested 2400.0 ppi") && warning.contains("achieved 1268.7 ppi"), "{warning}"); +} + +#[test] +fn pdf_resolution_cap_stays_quiet_when_small_effect_meets_requested_ppi() { + let mut d = Document::new(50.0, 50.0); + d.raster_effects_ppi = 300.0; + let n = with(rect(&mut d, Rect::new(10.0, 10.0, 30.0, 30.0), Color::BLACK), blur()); + add(&mut d, n); + + let r = crate::cmd::rasterfx::export_pdf_with_report(&d, &Default::default()).unwrap(); + + assert!(String::from_utf8_lossy(&r.bytes).contains("/Subtype/Image")); + assert!(r.warnings.is_empty(), "{:?}", r.warnings); +} diff --git a/docs/effects-parity.md b/docs/effects-parity.md index 02dcb267..562e37c7 100644 --- a/docs/effects-parity.md +++ b/docs/effects-parity.md @@ -1,6 +1,6 @@ # Effects parity -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (Zig Zag's dialog with sliders and radio buttons, #1133; earlier: Brush Strokes landed) · **Target:** Adobe Illustrator 2026 (30.x) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (PDF raster-effect resolution-cap warnings; Zig Zag's dialog with sliders and radio buttons, #1133; earlier: Brush Strokes landed) · **Target:** Adobe Illustrator 2026 (30.x) Every entry of Illustrator's Effect menu, by its public feature name, against VectorCraft's effects catalogue (`effect_catalog()` in `crates/effects/src/lib.rs`) and the Effect menu built from it @@ -30,7 +30,9 @@ Part of [target-app-parity.md](target-app-parity.md); open work is in [gaps.md]( | SVG Filters | Apply SVG Filter… and the filter list | 0/1 | the whole submenu (SVG filters on import round-trip already) | | Warp | Arc, Arc Lower, Arc Upper, Arch, Bulge, Shell Lower, Shell Upper, Flag, Wave, Fish, Rise, Fisheye, Inflate, Squeeze, Twist | 15/15 | warp point editing in envelopes | -Document Raster Effects Settings exists. +Document Raster Effects Settings exists. When the 64 million pixel cap on an effect image lowers +its resolution, PDF export warns once per object with the requested and the lowest achieved ppi +(`crates/engine/src/tests_pdfraster.rs`). ## Photoshop effects @@ -72,6 +74,7 @@ rendering, Turntable, 3D export) is 45–75 h, still the largest single gap. | Date | Change | Summary | |---|---|---| +| 2026-10-11 | minor | PDF cap warnings identify original objects after appearance splitting and report the lowest achieved ppi; cap/rendering and scores unchanged | | 2026-10-11 | minor | Zig Zag's dialog: Size and Ridges per segment sliders, Points as Smooth / Corner radio buttons (#1133) | | 2026-10-11 | minor | Brush Strokes landed (8 filters): 28/57 Photoshop effects | | 2026-10-10 | minor | Initial Revolve landed (#846) | diff --git a/docs/roadmap.md b/docs/roadmap.md index 63cd485e..effe5b57 100644 --- a/docs/roadmap.md +++ b/docs/roadmap.md @@ -1,6 +1,6 @@ # Roadmap: milestones and what's next -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (G11 and Current focus: #893 fixed, #937 open; M7: accurate character controls after object/group scaling, #1034) · **Target:** Adobe Illustrator 2026 (30.x) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (M9: PDF raster-effect cap warnings; G11: #893 fixed, #937 open; M7: accurate character controls after scaling, #1034; estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x) Forward-looking plan. Where VectorCraft stands is in [`ROADMAP.md`](../ROADMAP.md) and [target-app-parity.md](target-app-parity.md); the ranked work list is [gaps.md](gaps.md). Hours are Opus 5.5 @@ -56,7 +56,7 @@ Checked 2026-10-10 from the code, tests and open issues; no workflow fails, so V | M6 | Path operations (Pathfinder, Shape Builder, offset…) | ✅ mostly done (Boolean precision on almost-horizontal edges fixed and the property tests made deterministic; Shape Builder gap detection, large-offset bug open) | 3–6 | | M7 | Type (point/area/path, editing, styles, OpenType, threading, glyphs) | 🟡 Document-point character controls after object/group scaling (#1034; optional font-size preservation remains separate), Character/Paragraph Styles, per-paragraph paragraph attributes, Area Type Options (with Width/Height, Auto Size and Shrink Text to Fit; overflow reported to agents and vertical Align), type areas resized by their handles and reshaped with Direct Selection, threaded text, Fit Headline, Glyphs, OpenType panel, Find Font, installed system fonts in every font menu (fonts registered with Windows outside its font folders, the XDG and Flatpak host font folders on Linux, and fonts installed while the app runs, listed when it comes back to the front; searchable; the Character and Properties menus show each family's sample of the selected text, preview it live under the pointer or ↑/↓, filter by script and kind, list a family's styles, and star favourites; the Glyphs panel and Find Font's Replace With use the same menu without the live preview) and found by name on open/import, variable fonts' named instances as styles, CJK names in the UI, input methods (marked text in place, candidate window at the caret; Japanese IME), Text Wrap (offset, invert, both sides of an object; follows edits), Type on a Path effects and Options with draggable start/centre/end brackets (slide, flip), tab stops + Tabs panel (Above Text floats it over the selected text, its ruler at the canvas zoom so stops line up with the columns, #729), inline symbols in text (beyond parity), Hebrew/Arabic bidirectional text, Paragraph Direction, Every-line/Single-line Composer per object (ragged text too) done; tab leaders, spell check, vertical type pending | 45–60 | | M8 | Transform & distort (Puppet Warp, Liquify tools, Envelopes, Blends, Perspective Grid) | ✅ done (M8.1–M8.20 on 2026-10-06, fidelity pass): Liquify Tool Options with one shared brush, pen pressure, hold-to-apply, a safe scope and incremental strokes; tool options that last; Puppet Warp rotation, multi-select, Control bar and a rest-shape session that follows Undo; Width tool on compound paths; Envelope dialogs with preview, Reset with Warp/Mesh, full Envelope Options, type/images/symbols/appearance/gradients/patterns distorted on canvas and in every export, warps that keep their frame, Edit Contents, mesh handles and Control bar; Blend Options, anchor-targeted Blend tool, editable spine, keys picked on the canvas, faithful interpolation and knockout; Perspective Grid with Define Grid, presets, lock/snap/rulers, widgets, the 1–4 plane switch, movable planes, Perspective Selection scale/copy/perpendicular/Transform Again, and type and symbols truly projected with Edit Text. Left: Anti-Alias and Preserve Shape output, warp-envelope point editing, brush interpolation in blends, Free Transform/Scale/Reflect along a rotated box | 2–4 | -| M9 | Live effects (+ 3D & Materials) | 🟡 2D effects done incl. Effect → Pathfinder, Color Adjustments and Document Raster Effects Settings; initial Revolve only; SVG Filters, remaining raster effects and 3D pending | 81–130 | +| M9 | Live effects (+ 3D & Materials) | 🟡 2D effects done incl. Effect → Pathfinder, Color Adjustments and Document Raster Effects Settings; PDF export warns when the pixel cap lowers raster-effect resolution; initial Revolve only; SVG Filters, remaining raster effects and 3D pending | 81–130 | | M10 | Brushes, symbols, patterns, Repeat | 🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG ``/PDF export) and live Repeat (radial/grid/mirror) done; brushes/symbols in progress | 23–37 | | M11 | Artboards & views (artboard panel/tool with Move Artwork for X/Y fields and Artboard Options, Trim View, middle-button pan, print tiling and the status bar's artboard navigator done; multiple windows, presentation polish) | 🟡 | 15–25 | | M12 | Advanced color & art (CMYK/ICC, separations, Gradient Mesh, Live Paint, Image Trace, Graphs) | 🟡 Gradient Mesh, Live Paint, Image Trace (13 presets, 18 ms/1k² image; the Flat Logo mode places edges to a fraction of a pixel, restores sharp corners, snaps lines and circles, and refuses gradients), Recolor Artwork, colour management (ICC, soft proofing, separations preview), Graphs (all 9 tools, Graph Data/Type, group-selected series colours persist through regenerate/save/open) done; graph Design/Column/Marker designs pending | 6–10 | @@ -79,6 +79,7 @@ After placed documents (File › Place of a `.vectorcraft` file, linked), M4.14 | Date | Change | Summary | |---|---|---| +| 2026-10-11 | minor | M9: PDF raster-effect resolution-cap warnings verified with real capped/uncapped exports; scores and hours unchanged | | 2026-10-11 | minor | #893 (Shape Builder seams on grids of lines) fixed; G11 keeps #937 and its 8–15 h | | 2026-10-10 | minor | M7: document-point character sizes, leading and baseline shift, and resettable horizontal stretching after object/group scaling (#1034). Optional group font-size preservation remains separate; scores/hours unchanged. | | 2026-10-10 | minor | M9 row from main: initial Revolve | diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index a5eb5e36..1ca00b9c 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -1,6 +1,6 @@ # Parity with Adobe Illustrator -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026) The authoritative parity assessment. [`ROADMAP.md`](../ROADMAP.md) summarizes it; [`gaps.md`](gaps.md) is the work list made from it. Deep areas have their own checklists: [UI and interaction](ui-parity.md), @@ -455,11 +455,13 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - **Performance:** 20k shapes + 1k texts render in 27 ms per full-retina frame (7.8 ms zoomed), 7× faster than the first version. The UI thread never blocks. The web build is 7.1 MB gzipped. - **Graphics processor:** the canvas is rasterized on the CPU and the GPU only composites it, so any GPU that can show the window will do. Preferences › Performance › Graphics Processor (`gpuPreference`) is Automatic by default: the power-saving GPU on Windows and macOS (the integrated one on hybrid-graphics laptops, where presenting from the discrete GPU made the window flicker, #306), and the GPU the desktop runs on under Linux, where KWin on an NVIDIA GPU refused frames from a Ryzen's integrated GPU and 0.5.0 crashed at startup (#502). Power Saving and High Performance pick a kind of GPU; `WGPU_POWER_PREF`, `WGPU_ADAPTER_NAME` and `WGPU_BACKEND` override them. The app picks among the adapters that can present to the window (native backends before OpenGL, hardware before software, and on Windows a GPU's DX12 adapter before its Vulkan one: Intel's Vulkan driver made the whole window flicker black, #545), and if the window fails on one while starting up it starts again without it instead of crashing; Help › About, `ui.inspect` and the log name the adapter in use. When the browser drops the page's WebGPU device or WebGL context, the web build writes recovery copies, starts again on new graphics with the same app and uploads its textures again; if it can't, it removes the stale canvas and says to reload, which offers the copies back. The desktop app writes the copies and says to restart (#369). On Windows and Linux the tools' cursors are OS cursors (bitmaps rasterized once per display scale), which the system moves itself: painted into the window, they trailed the pointer by the frames waiting to be shown, and the window now queues one frame instead of two (#444). macOS and the web still paint them (macOS sizes cursor bitmaps in points, eframe has no bitmap cursors on the web). Pens and touch drive the tools as the mouse does, and a tap pressed and lifted within one frame clicks where it tapped (#491); pen pressure reaches the Liquify tools' Use Pressure Pen on Windows, while winit 0.30 reports none on macOS or Linux and egui none on the web. On Linux, see `docs/development.md` for pens under Wayland. - **Tests and robustness:** ~2,840 automated tests: model-based property tests, a junk-parameter sweep over every command, import fuzzing (SVG, PDF, libraries), golden renders, and MCP end-to-end tests over stdio. Shipped code never panics (workspace lints and a rollback safety net; see `docs/development.md`). +- **Raster-effect resolution in PDF:** when the 64 million pixel cap on an effect image renders an object's raster effects below the document's raster effects resolution, PDF export warns once per object with the requested and the lowest achieved ppi (`crates/engine/src/tests_pdfraster.rs`). ## Revision history | Date | Change | Summary | |---|---|---| +| 2026-10-11 | minor | PDF raster-effect cap reductions are reported per original object with requested/achieved ppi; scores and hours unchanged | | 2026-10-11 | minor | Platforms: Preferences › Performance › Linux Display Server opens the window through XWayland, where file drops work (#1151); score unchanged (estimated) | | 2026-10-11 | minor | Drawing tools: Live Corners on corners between curved sides (#1144) leaves the missing list; score and hours unchanged at this rounding (estimated) | | 2026-10-11 | minor | Type advanced: Proportional Metrics in vertical type (`vpal`, #966) leaves the missing list; score and hours unchanged at this rounding (estimated) |