Fix #1264: placed (linked) files in a .ai file's editing data come in as linked images
A .ai file with placed files opened from its PDF part (no guides, no sublayers, no hidden objects), because the editing-data reader stopped at them. - Lexer: a placed file's preview section is one token (it was skipped). - Reader: %AI5_BeginPlace ... ~ becomes a linked image with the file's path, showing the preview the data keeps of it (premultiplied ARGB, capped at MAX_PIXELS, its rows checked against the bytes there), in its place: the matrix takes the file's pixels from the canvas, where they start at the point of art space's origin. A placed file without a preview, a path or a matrix still makes the file open from its PDF part. - The open result lists one warning saying linked pictures show the low-resolution preview until their files are found (rows in the catalogs). - Engine: a link nothing is known of whose image shows a preview is read where it is found as the document opens, into the image's bounds, and isn't reported as modified. - Tests: lexer, reader (hand-written data), engine open with the link missing and found, fuzz tokens. - Docs: file-format-parity, target-app-parity, gaps, ROADMAP.
This commit is contained in:
bflatastic
parent
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commit
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File diff suppressed because one or more lines are too long
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@ -529,15 +529,19 @@ impl Resolved {
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/// The linked files of document `d`, just read from `doc_path`: those found unchanged are read
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/// again (their images had the preview), modified ones are read again when `update`, links found
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/// away from their path take the new path. Nothing here is an undo step.
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/// away from their path take the new path. A link nothing is known of whose image shows a preview
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/// (a file another app wrote kept only that) was never read: its file is read now, into the
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/// image's bounds, which isn't a change to report. Nothing here is an undo step.
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pub fn resolve(d: &mut Document, doc_path: Option<&str>, update: bool) -> Resolved {
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let mut out = Resolved::default();
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for g in groups(d, None) {
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let row = rows(std::iter::once(&g));
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let unread = g.document.is_none() && g.link.hash.is_none() && g.link.size.is_none() && previewing(d, &g.key);
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match probe(&g, folder(doc_path)) {
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(Status::Missing, _) => out.missing.extend(row),
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(Status::Modified, Some(mut f)) if update => {
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match read_for(&mut f, &g, "document.open").and_then(|read| install_read(d, &g.ids, read, false)) {
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(Status::Modified, Some(mut f)) if update || unread => {
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match read_for(&mut f, &g, "document.open").and_then(|read| install_read(d, &g.ids, read, unread)) {
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Ok(()) if unread => {}
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Ok(()) => out.updated.extend(row),
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Err(_) => out.missing.extend(row),
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}
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@ -359,3 +359,40 @@ fn a_placed_document_brings_its_links_with_the_files_pixels() {
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assert_eq!(im.link.as_ref().map(|l| l.path.as_str()), Some(pic.as_str()), "still linked");
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assert!(!doc.images[&im.key].is_proxy(), "the file's pixels, not the preview");
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}
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/// The placed (linked) files of a `.ai` file come in with the preview the file keeps of them: one
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/// not found shows it, one found is read at once into the same bounds, which isn't a change.
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#[test]
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fn links_of_an_imported_file_are_read_where_they_are_found() {
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use vectorcraft_testkit::ai;
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let dir = Folder::new("imported");
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let pic = dir.file("photo.png").replace('\\', "/");
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// A 2×1 preview (premultiplied ARGB: a blue at half opacity) of a file of 600 × 300 px placed at
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// 60 × 30 pt, which the PDF part draws there too.
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let place = format!(
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"%AI5_BeginPlace\n[0.1 0 0 -0.1 20 80] 0 0 600 300 4 4 0\n({pic})`\n%AI26_BeginPlacedObjectPreview\n2 1 8 32 17 \x7f\x10\x10\x60\x7f\x10\x10\x60\n%AI26_EndPlacedObjectPreview\n~\n%AI5_EndPlace\n"
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);
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let doc_path = dir.file("poster.ai");
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write(&doc_path, &ai::ai(ai::editing_data(200.0, 100.0, &ai::layer("Art", &place)).as_bytes(), "0.56 0.56 0.87 rg 20 50 60 30 re f"));
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let placed = |s: &Session| {
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let mut found = vec![];
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s.doc().unwrap().doc.visit_images(|n, im| found.push((n.geometric_bounds().unwrap(), im.clone())));
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let [one] = &found[..] else { panic!("one image: {found:?}") };
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one.clone()
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};
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let in_place = |b: Rect| [b.x0 - 20.0, b.y0 - 20.0, b.x1 - 80.0, b.y1 - 50.0].iter().all(|d| d.abs() < 1e-6);
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let mut s = session();
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let r = open(&mut s, &doc_path);
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assert_eq!((r["missingLinks"][0]["name"].as_str(), r["missingLinks"][0]["path"].as_str()), (Some("photo.png"), Some(pic.as_str())), "{r}");
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assert!(r["warnings"].as_array().unwrap().iter().any(|w| w.as_str().unwrap().contains("low-resolution preview")), "{r}");
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let (b, im) = placed(&s);
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assert!(in_place(b) && im.width == 2 && s.doc().unwrap().doc.images[&im.key].is_proxy(), "{b:?} {im:?}");
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write(&pic, &png(600, 300, RED));
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let r = open(&mut s, &doc_path);
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assert_eq!((&r["missingLinks"], &r["modifiedLinks"], &r["updatedLinks"]), (&json!([]), &json!([]), &json!([])), "{r}");
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let (b, im) = placed(&s);
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assert!(in_place(b) && (im.width, im.height) == (600, 300) && im.link.as_ref().is_some_and(|l| l.hash.is_some()), "{b:?} {im:?}");
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assert!(!s.doc().unwrap().doc.images[&im.key].is_proxy());
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}
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@ -2060,6 +2060,14 @@ fn arb_ai_token() -> impl Strategy<Value = String> {
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"\n%AI9_ColorModel: 2\n",
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"\n%AI5_BeginPlace\n",
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"\n%AI26_BeginPlacedObjectPreview\n",
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"\n%AI26_BeginPlacedObjectPreview\n2 1 8 32 17 abcdefgh",
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"\n%AI26_BeginPlacedObjectPreview\n4096 4096 1e9 32 17 ",
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"\n%AI26_EndPlacedObjectPreview\n",
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"[1 0 0 -1 0 0] 0 0 2 1 4 4 0 (a.png) `",
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"[1e308 0 0 1e308 0 0] 0 0 -1e308 1e308 4 4 0 (a.png) `",
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"`",
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"~",
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"\n%AI5_EndPlace\n",
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"\n%%PageTrailer\n",
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])
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.prop_map(str::to_string),
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@ -4,8 +4,8 @@
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//! readers of the printed format skip them as comments).
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//! - Any other line starting with `%` is a [`Tok::Comment`] (the section markers).
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//! - `%` later in a line starts a comment that is skipped.
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//! - The binary image data after `%%BeginData:` is one [`Tok::Data`]; the binary previews of placed
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//! files are skipped.
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//! - The binary image data after `%%BeginData:` is one [`Tok::Data`]; the binary preview of a placed
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//! file is one [`Tok::Preview`].
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use super::super::lex::{find, hex_decode};
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@ -25,6 +25,8 @@ pub(super) enum Tok<'a> {
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Comment(&'a [u8]),
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/// An image's samples: what follows `XI` in a `%%BeginData:` section.
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Data(&'a [u8]),
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/// A placed file's preview: what is between `%AI26_BeginPlacedObjectPreview` and its end.
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Preview(&'a [u8]),
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}
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#[derive(Clone, Debug, PartialEq)]
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@ -34,8 +36,10 @@ pub(super) struct Token<'a> {
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pub hidden: bool,
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}
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/// Binary sections skipped whole: (begin, end) markers.
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const SKIPPED: [(&[u8], &[u8]); 2] = [(b"%AI26_BeginPlacedObjectPreview", b"%AI26_EndPlacedObjectPreview"), (b"%%BeginDocument", b"%%EndDocument")];
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/// A placed file's preview (binary): (begin, end) markers.
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const PREVIEW: (&[u8], &[u8]) = (b"%AI26_BeginPlacedObjectPreview", b"%AI26_EndPlacedObjectPreview");
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/// A binary section skipped whole: (begin, end) markers.
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const DOCUMENT: (&[u8], &[u8]) = (b"%%BeginDocument", b"%%EndDocument");
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fn is_space(b: u8) -> bool {
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matches!(b, b' ' | b'\t' | b'\r' | b'\n' | b'\x0c' | b'\0')
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@ -160,13 +164,15 @@ impl<'a> Lexer<'a> {
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}
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/// The token a comment line stands for when it starts a section read differently: image data
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/// (`%%BeginData:` followed by `XI`) and skipped binary sections.
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/// (`%%BeginData:` followed by `XI`), a placed file's preview and skipped binary sections.
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fn special(&mut self, line: &'a [u8]) -> Option<Token<'a>> {
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if let Some((_, end)) = SKIPPED.iter().find(|(b, _)| line.starts_with(b)) {
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if let Some((_, end)) = [PREVIEW, DOCUMENT].iter().find(|(b, _)| line.starts_with(b)) {
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let from = self.pos;
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let after = find(self.rest(), end).map_or(self.src.len(), |i| self.pos + i);
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self.pos = after;
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self.line();
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return Some(Token { tok: Tok::Comment(line.get(1..).unwrap_or_default()), hidden: false });
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let tok = if *end == PREVIEW.1 { Tok::Preview(self.slice(from, after)) } else { Tok::Comment(line.get(1..).unwrap_or_default()) };
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return Some(Token { tok, hidden: false });
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}
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let n = line.strip_prefix(b"%%BeginData:")?;
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let n: usize = std::str::from_utf8(n).ok()?.split_whitespace().next()?.parse().ok()?;
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@ -324,10 +330,13 @@ mod tests {
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}
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#[test]
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fn binary_previews_are_skipped() {
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fn binary_sections_are_one_token() {
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let toks = all(b"%AI26_BeginPlacedObjectPreview\r\n2 1 (\x00\xff\r\n%AI26_EndPlacedObjectPreview\r\nN\r\n");
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assert_eq!(toks.last(), Some(&t(Tok::Word(b"N"), false)));
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assert_eq!(toks.len(), 2);
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assert_eq!(toks, vec![t(Tok::Preview(b"\r\n2 1 (\x00\xff\r\n"), false), t(Tok::Word(b"N"), false)]);
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let toks = all(b"%%BeginDocument: a.eps\n(\x00 frobnicate\n%%EndDocument\nN\n");
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assert_eq!(toks, vec![t(Tok::Comment(b"%BeginDocument: a.eps"), false), t(Tok::Word(b"N"), false)]);
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// One that doesn't end takes the rest.
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assert_eq!(all(b"%AI26_BeginPlacedObjectPreview\r1 (").len(), 1);
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}
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#[test]
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@ -15,6 +15,12 @@
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//! app wrote) the bounding box.
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//! - Images: `%AI5_BeginRaster`, the colour space `XN`, `[matrix] bounds w h bits type alpha …`
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//! and the samples after `XI`.
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//! - Placed (linked) files, as written in files users sent: `%AI5_BeginPlace`, `[matrix] llx lly urx
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//! ury … (path)` and the operator `` ` ``, the file's preview between `%AI26_BeginPlacedObjectPreview`
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//! and its end (`w h rowBytes 32 n `, then rows of premultiplied ARGB, the top one first), `~`. The
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//! box is as large as the file has pixels; the matrix takes them into art space from the canvas
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//! (y down, its centre the template box's), where they start at the point of art space's origin,
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//! the first row the top one. Each is a linked image showing the preview until its file is found.
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//! - Art with an appearance the format can't write as plain art (several fills or strokes,
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//! effects, brushes) comes first as that look, drawn (a group), then the object itself on `%_`
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//! lines and `1 (style) XW`: the drawn look is kept, named after the object.
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@ -25,8 +31,8 @@
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//! taking the pattern's space to art space (the other operands are what it is made of).
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//!
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//! Sections the reader doesn't need (brushes, symbols, styles, swatches, filters) are skipped;
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//! type, symbols, fills with a pattern it can't read, placed files, legacy type and operators it
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//! doesn't know are errors.
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//! type, symbols, fills with a pattern it can't read, placed files without a preview, legacy type
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//! and operators it doesn't know are errors.
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use std::collections::{BTreeSet, HashMap, HashSet};
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use std::rc::Rc;
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@ -38,10 +44,11 @@ use vectorcraft_color::swatch::Swatch;
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use vectorcraft_color::{BlendMode, Paint};
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use vectorcraft_doc::{
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Appearance, AppearanceItem, Artboard, ColorMode, Dash, Document, FillLayer, ImageBlob, ImageObject, Knockout, LayerColor, LineCap, LineJoin,
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Node, NodeId, NodeKind, PatternDef, StrokeLayer,
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LinkInfo, Node, NodeId, NodeKind, PatternDef, StrokeLayer,
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};
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use vectorcraft_geom::{FillRule, PathData};
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use super::super::ate::CANVAS_CENTRE;
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use super::lex::{Lexer, Tok};
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use super::obj::{self, Obj, V};
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use super::paint::{self, GradientDef, Instance, Named};
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@ -234,6 +241,22 @@ struct Raster {
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space: Option<String>,
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}
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/// A placed file's operands, from `` ` `` and its preview, until `~`.
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#[derive(Debug, Default)]
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struct Place {
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/// The canvas, where the file's pixels are → art space.
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matrix: Option<Affine>,
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/// The file's box (`llx lly urx ury`): its size is the file's, in pixels.
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bounds: Option<Rect>,
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path: String,
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/// The preview as a PNG, and its size in pixels.
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preview: Option<(Vec<u8>, u32, u32)>,
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}
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/// What the open result says of placed files: they show the preview the file keeps of them.
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const LINKED_PREVIEWS: &str =
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"linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel";
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struct Reader<'a> {
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lex: Lexer<'a>,
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stack: Vec<V>,
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@ -256,6 +279,8 @@ struct Reader<'a> {
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pending_stroke: Option<Paint>,
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spots: Vec<Named>,
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raster: Option<Raster>,
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/// The placed file being read (`%AI5_BeginPlace` … `~`).
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place: Option<Place>,
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/// The last object read is the last child of the innermost frame, and nothing started since.
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after_object: bool,
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nodes: usize,
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@ -393,6 +418,7 @@ impl<'a> Reader<'a> {
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pending_stroke: None,
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spots: Vec::new(),
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raster: None,
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place: None,
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foreign_data: None,
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after_object: false,
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nodes: 0,
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@ -436,6 +462,11 @@ impl<'a> Reader<'a> {
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}
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Tok::Comment(c) => self.comment(c)?,
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Tok::Data(d) => self.image(d)?,
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Tok::Preview(d) => {
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if let Some(p) = self.place.as_mut() {
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p.preview = preview_png(d);
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}
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}
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}
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}
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if self.frames.iter().any(|f| matches!(f.kind, Kind::Layer(_))) {
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@ -495,7 +526,12 @@ impl<'a> Reader<'a> {
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} else if line.starts_with("AI5_EndRaster") {
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self.raster = None;
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} else if line.starts_with("AI5_BeginPlace") {
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self.unreadable("placed files");
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self.place = Some(Place::default());
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} else if line.starts_with("AI5_EndPlace") {
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// One that `~` didn't end isn't read.
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if self.place.take().is_some() {
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self.unreadable("placed files");
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}
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} else if self.frames.is_empty()
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&& let Some(v) = line.strip_prefix("%HiResBoundingBox:")
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{
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@ -901,6 +937,18 @@ impl<'a> Reader<'a> {
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r.space = vals.iter().rev().find_map(V::text);
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}
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}
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// Placed files.
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"`" if self.place.is_some() => {
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let matrix = vals.iter().find_map(|v| if let V::Arr(a) = v { Some(Self::nums(a)) } else { None });
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let path = vals.iter().rev().find_map(V::text).unwrap_or_default();
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if let Some(p) = self.place.as_mut() {
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p.matrix = matrix.and_then(|m| <[f64; 6]>::try_from(m).ok()).map(Affine::new);
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p.bounds =
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Self::nums(&vals).get(..4).and_then(|b| <[f64; 4]>::try_from(b).ok()).map(|[x0, y0, x1, y1]| Rect::new(x0, y0, x1, y1));
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p.path = path;
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}
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}
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"~" if self.place.is_some() => self.end_place(hidden)?,
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// Type in the legacy format.
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"To" | "TO" | "Tp" | "TP" | "Tx" | "TX" | "Tj" | "Tk" => self.unreadable("type in the legacy format"),
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_ if IGNORED.contains(&w) => {}
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@ -1435,12 +1483,44 @@ impl<'a> Reader<'a> {
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let blob = ImageBlob::new("image/png", png);
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let key = blob.content_key();
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self.doc.images.entry(key.clone()).or_insert(blob);
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self.add_image(ImageObject { key, width: w as u32, height: h as u32, xf, link: None, placement: Default::default() }, false)
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}
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/// Add an image object with the state's transparency.
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fn add_image(&mut self, im: ImageObject, hidden: bool) -> Result<(), String> {
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let gs = self.gs.clone();
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let im = ImageObject { key, width: w as u32, height: h as u32, xf, link: None, placement: Default::default() };
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let mut node = self.new_node(NodeKind::Image(Box::new(im)), &gs);
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node.opacity = gs.opacity;
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node.blend = gs.blend;
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self.add(node, false)
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self.add(node, hidden)
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}
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/// `~`: the placed file read since `%AI5_BeginPlace` becomes a linked image in its place that
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/// shows the preview the data keeps of it, as a linked image whose file is missing does. One
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/// without a preview, a path or a matrix isn't read.
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fn end_place(&mut self, hidden: bool) -> Result<(), String> {
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let Some(Place { matrix: Some(m), bounds: Some(b), path, preview: Some((png, w, h)) }) = self.place.take().filter(|p| !p.path.is_empty())
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else {
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self.unreadable("placed files");
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return Ok(());
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};
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// The file's pixels (y down) start at the canvas point of art space's origin (the box's own
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// corner when the file doesn't say where the canvas is); the preview's are spread over them.
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let centre = self.template.map(|t| ((t[0] + t[2]) / 2.0, (t[1] + t[3]) / 2.0));
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let origin = centre.map_or(b.origin(), |(x, y)| Point::new(CANVAS_CENTRE - x, CANVAS_CENTRE + y));
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let over_file = Affine::translate(origin.to_vec2()) * Affine::scale_non_uniform(b.width() / f64::from(w), b.height() / f64::from(h));
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let xf = self.space() * m * over_file;
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if !xf.as_coeffs().iter().all(|v| v.is_finite()) || xf.determinant().abs() < 1e-12 {
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self.unreadable("placed files");
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return Ok(());
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}
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// The preview is all the document has of the file: what a missing link shows.
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let bytes = Arc::new(png);
|
||||
let blob = ImageBlob { mime: "image/png".into(), bytes: bytes.clone(), proxy: Some(bytes) };
|
||||
let key = blob.content_key();
|
||||
self.doc.images.entry(key.clone()).or_insert(blob);
|
||||
self.warn(LINKED_PREVIEWS);
|
||||
self.add_image(ImageObject { key, width: w, height: h, xf, link: Some(LinkInfo::new(path)), placement: Default::default() }, hidden)
|
||||
}
|
||||
|
||||
// ---- the document ----------------------------------------------------------------------
|
||||
|
|
@ -1636,6 +1716,38 @@ fn find_entry<'o>(o: &'o Obj, key: &str, depth: usize) -> Option<&'o Obj> {
|
|||
o.obj(key).or_else(|| o.entries.iter().flat_map(|(_, v)| v.iter()).filter_map(V::obj).find_map(|c| find_entry(c, key, depth + 1)))
|
||||
}
|
||||
|
||||
/// A placed file's preview as a PNG, with its size: `w h rowBytes 32 n ` (each number followed by
|
||||
/// a space), then `h` rows of `rowBytes` bytes, premultiplied ARGB. `None` when it isn't that, is
|
||||
/// larger than [`MAX_PIXELS`] or is cut short.
|
||||
fn preview_png(data: &[u8]) -> Option<(Vec<u8>, u32, u32)> {
|
||||
let mut rest = data.trim_ascii_start();
|
||||
let mut head = [0usize; 5];
|
||||
for v in &mut head {
|
||||
let n = rest.iter().position(|b| *b == b' ')?;
|
||||
*v = std::str::from_utf8(rest.get(..n)?).ok()?.parse().ok()?;
|
||||
rest = rest.get(n + 1..)?;
|
||||
}
|
||||
let [w, h, row, bits, _] = head;
|
||||
let (width, height) = (u32::try_from(w).ok()?, u32::try_from(h).ok()?);
|
||||
if w == 0 || h == 0 || u64::from(width) * u64::from(height) > MAX_PIXELS || bits != 32 || row < w * 4 {
|
||||
return None;
|
||||
}
|
||||
// Every row is there before anything is allocated for them.
|
||||
if rest.len() < (h - 1).checked_mul(row)?.checked_add(w * 4)? {
|
||||
return None;
|
||||
}
|
||||
let mut rgba = Vec::with_capacity(w * h * 4);
|
||||
for line in rest.chunks(row).take(h) {
|
||||
for &[a, r, g, b] in line.get(..w * 4)?.as_chunks::<4>().0 {
|
||||
let straight = |c: u8| if a == 0 { 0 } else { (u32::from(c) * 255 / u32::from(a)).min(255) as u8 };
|
||||
rgba.extend_from_slice(&[straight(r), straight(g), straight(b), a]);
|
||||
}
|
||||
}
|
||||
let mut png = vec![];
|
||||
image::RgbaImage::from_raw(width, height, rgba)?.write_to(&mut std::io::Cursor::new(&mut png), image::ImageFormat::Png).ok()?;
|
||||
Some((png, width, height))
|
||||
}
|
||||
|
||||
fn sane(r: Rect) -> bool {
|
||||
[r.x0, r.y0, r.x1, r.y1].iter().all(|v| v.is_finite() && v.abs() <= MAX_SIDE)
|
||||
}
|
||||
|
|
|
|||
|
|
@ -371,6 +371,81 @@ fn images_with_alpha_channels() {
|
|||
assert!(art(&r.doc).is_empty() && r.warnings.iter().any(|w| w.contains("cut short")));
|
||||
}
|
||||
|
||||
/// Editing data with one layer (showing or not) holding a placed file: its matrix, the file at
|
||||
/// `path` in the box 10 20 14 22, and `preview` (what its preview section holds), then `after`.
|
||||
fn placed(visible: bool, matrix: &str, path: &str, preview: Option<&[u8]>, after: &str) -> Vec<u8> {
|
||||
let text = stream(&layer("@@").replacen("1 1 1 1", if visible { "1 1 1 1" } else { "0 1 1 1" }, 1));
|
||||
let (head, tail) = text.split_once("@@").unwrap();
|
||||
let mut s = format!(
|
||||
"{head}%AI5_BeginPlace\r%%FileType: 1\r{matrix} 10 20 14 22 4 4 0\r({path})`\r%%IncludeFile:{path}\r\
|
||||
%AI17_Begin_Content_if_version_gt:24 12\r%AI28_BeginPlacedRelativePath\r()\r%AI28_EndPlacedRelativePath\r%AI17_Alternate_Content\r%AI17_End_Versioned_Content\r\
|
||||
%AI17_Begin_Content_if_version_gt:24 5\r"
|
||||
)
|
||||
.into_bytes();
|
||||
if let Some(p) = preview {
|
||||
s.extend_from_slice(b"%AI26_BeginPlacedObjectPreview\r");
|
||||
s.extend_from_slice(p);
|
||||
s.extend_from_slice(b"\r%AI26_EndPlacedObjectPreview\r");
|
||||
}
|
||||
s.extend_from_slice(format!("%AI17_End_Versioned_Content\r~\r%AI5_EndPlace\r{after}{tail}").as_bytes());
|
||||
s
|
||||
}
|
||||
|
||||
#[test]
|
||||
fn placed_files_are_linked_images_showing_their_preview() {
|
||||
// A 2×1 preview (premultiplied ARGB, a padded row) of a file of 4×2 pixels.
|
||||
let preview = [&b"2 1 12 32 17 "[..], &[255, 255, 0, 0, 128, 0, 64, 0, 9, 9, 9, 9]].concat();
|
||||
let name = "%_/ArtDictionary :\r%_(Photo) /String (AIArtName) ,\r%_;\r";
|
||||
let r = read(&placed(true, "[5 0 0 -5 0 200]", "/pics/photo.png", Some(&preview), name)).unwrap();
|
||||
let a = art(&r.doc);
|
||||
let NodeKind::Image(im) = &a[0].kind else { panic!("{:?}", a[0].kind) };
|
||||
assert_eq!((im.link.as_ref().map(|l| l.path.as_str()), im.width, im.height), (Some("/pics/photo.png"), 2, 1));
|
||||
assert_eq!(a[0].name.as_deref(), Some("Photo"));
|
||||
assert!(r.doc.images[&im.key].is_proxy(), "the preview is what a missing link shows");
|
||||
let (img, xf) = pixels(&r.doc);
|
||||
assert_eq!((img.get_pixel(0, 0).0, img.get_pixel(1, 0).0), ([255, 0, 0, 255], [0, 127, 0, 128]));
|
||||
// Without a template box the pixels start at the box's corner, the first row the top one:
|
||||
// (10, 20) is at (50, 100) in art space, the page's top.
|
||||
assert_eq!((xf * Point::ZERO, xf * Point::new(2.0, 1.0)), (Point::new(50.0, 0.0), Point::new(70.0, 10.0)));
|
||||
assert!(r.warnings.iter().any(|w| w.contains("low-resolution preview")), "{:?}", r.warnings);
|
||||
// With a template box, the pixels start at the canvas point of art space's origin (8091.5,
|
||||
// 8241.5 here), wherever the box is.
|
||||
let mut data = placed(true, "[5 0 0 -5 -40407.5 41307.5]", "a.png", Some(&preview), "");
|
||||
let at = data.windows(15).position(|w| w == b"%AI5_BeginLayer").unwrap();
|
||||
data.splice(at..at, *b"%AI3_TemplateBox: 100 50 100 50\n");
|
||||
let xf = pixels(&read(&data).unwrap().doc).1;
|
||||
assert_eq!((xf * Point::ZERO, xf * Point::new(2.0, 1.0)), (Point::new(50.0, 0.0), Point::new(70.0, 10.0)));
|
||||
// Turned a quarter: the box's rows run along x.
|
||||
let r = read(&placed(true, "[0 5 5 0 0 0]", "a.png", Some(&preview), "")).unwrap();
|
||||
let xf = pixels(&r.doc).1;
|
||||
assert_eq!((xf * Point::ZERO, xf * Point::new(2.0, 1.0)), (Point::new(100.0, 50.0), Point::new(110.0, 30.0)));
|
||||
|
||||
// Without a preview it can read (none, cut short, not 32 bits, absurd sizes), without a path or
|
||||
// a matrix, the file isn't read from its editing data.
|
||||
let cut = &preview[..preview.len() - 6];
|
||||
let huge = b"70000 70000 280000 32 17 \0\0\0\0";
|
||||
let overflow = b"1 2 18446744073709551615 32 17 \0\0\0\0\0\0\0\0";
|
||||
for (matrix, path, preview) in [
|
||||
("[5 0 0 -5 0 200]", "a.png", None),
|
||||
("[5 0 0 -5 0 200]", "a.png", Some(cut)),
|
||||
("[5 0 0 -5 0 200]", "a.png", Some(&b"2 1 2 8 17 \0\0"[..])),
|
||||
("[5 0 0 -5 0 200]", "a.png", Some(&huge[..])),
|
||||
("[5 0 0 -5 0 200]", "a.png", Some(&overflow[..])),
|
||||
("[5 0 0 -5 0 200]", "a.png", Some(&b"2 1"[..])),
|
||||
("[5 0 0 -5 0 200]", "", Some(&preview[..])),
|
||||
("[0 0 0 0 0 0]", "a.png", Some(&preview[..])),
|
||||
("[1 2 3]", "a.png", Some(&preview[..])),
|
||||
] {
|
||||
let e = read(&placed(true, matrix, path, preview, "")).unwrap_err();
|
||||
assert!(e.contains("placed files"), "{matrix} {path} {preview:?}: {e}");
|
||||
}
|
||||
// On a layer that doesn't show, such a file is left out of it.
|
||||
let r = read(&placed(false, "[5 0 0 -5 0 200]", "a.png", None, "")).unwrap();
|
||||
assert!(r.hidden_unread.contains("placed files") && art(&r.doc).is_empty());
|
||||
// `~` ends nothing else.
|
||||
assert!(read(stream(&layer("~\n")).as_bytes()).unwrap_err().contains("`~`"));
|
||||
}
|
||||
|
||||
#[test]
|
||||
fn text_objects_are_slots_named_after_their_story() {
|
||||
let words = "/AI11Text :\n0 /FreeUndo ,\n0 /FrameIndex ,\n3 /StoryIndex ,\n;\n%_/ArtDictionary :\n%_/XMLUID : (Title) ; (AI10_ArtUID) ,\n%_;\n";
|
||||
|
|
|
|||
|
|
@ -34,7 +34,7 @@ const MAX_DEPTH: usize = 64;
|
|||
/// Most values read.
|
||||
const MAX_VALUES: usize = 4_000_000;
|
||||
/// The centre of the app's canvas, in the units of its text document.
|
||||
const CANVAS_CENTRE: f64 = 8191.5;
|
||||
pub(super) const CANVAS_CENTRE: f64 = 8191.5;
|
||||
|
||||
/// A value of the text document.
|
||||
#[derive(Debug, Clone, PartialEq)]
|
||||
|
|
|
|||
|
|
@ -4128,6 +4128,7 @@ effect Regular Pravidelný
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it přechod „{name}“ není v souboru definován: zastupuje ho plná barva
|
||||
@msg an image VectorCraft can't read was left out obrázek, který VectorCraft neumí přečíst, byl vynechán
|
||||
@msg an image whose data is cut short was left out obrázek s useknutými daty byl vynechán
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel propojené obrázky se zobrazují jako náhled v nízkém rozlišení uložený v souboru, dokud se nenajdou jejich soubory: znovu je propojte v panelu Propojení
|
||||
@msg its editing data doesn't say where its art is z jeho dat pro úpravy není zřejmé, kde je kresba
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) tento soubor byl uložen bez kompatibility s PDF a jeho data pro úpravy nelze přečíst ({why})
|
||||
@msg No fonts are missing in this document V tomto dokumentu nechybí žádná písma
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3843,6 +3843,7 @@ theme Appearance Erscheinungsbild
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it der Verlauf „{name}“ ist in der Datei nicht definiert: Eine einfache Farbe steht an seiner Stelle
|
||||
@msg an image VectorCraft can't read was left out ein Bild, das VectorCraft nicht lesen kann, wurde ausgelassen
|
||||
@msg an image whose data is cut short was left out ein Bild mit abgeschnittenen Daten wurde ausgelassen
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel verknüpfte Bilder zeigen die in der Datei gespeicherte Vorschau in niedriger Auflösung, bis ihre Dateien gefunden werden: Verknüpfen Sie sie im Bedienfeld „Verknüpfungen“ neu
|
||||
@msg its editing data doesn't say where its art is seine Bearbeitungsdaten geben nicht an, wo seine Grafik liegt
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) diese Datei wurde ohne PDF-Kompatibilität gespeichert, und ihre Bearbeitungsdaten können nicht gelesen werden ({why})
|
||||
@msg No fonts are missing in this document In diesem Dokument fehlen keine Schriften
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3943,6 +3943,7 @@ axis Both Ambos
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it el degradado “{name}” no está definido en el archivo: lo sustituye un color sólido
|
||||
@msg an image VectorCraft can't read was left out se omitió una imagen que VectorCraft no puede leer
|
||||
@msg an image whose data is cut short was left out se omitió una imagen con datos incompletos
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel las imágenes vinculadas muestran la vista previa de baja resolución guardada en el archivo hasta que se encuentren sus archivos: vuelva a vincularlas en el panel Vínculos
|
||||
@msg its editing data doesn't say where its art is sus datos de edición no dicen dónde está su ilustración
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) este archivo se guardó sin compatibilidad con PDF y sus datos de edición no se pueden leer ({why})
|
||||
@msg No fonts are missing in this document No faltan fuentes en este documento
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3940,6 +3940,7 @@ axis Both Les deux
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it le dégradé « {name} » n’est pas défini dans le fichier : une couleur unie le remplace
|
||||
@msg an image VectorCraft can't read was left out une image que VectorCraft ne peut pas lire a été ignorée
|
||||
@msg an image whose data is cut short was left out une image aux données tronquées a été ignorée
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel les images liées affichent l’aperçu basse résolution enregistré dans le fichier tant que leurs fichiers ne sont pas trouvés : liez-les à nouveau dans le panneau Liens
|
||||
@msg its editing data doesn't say where its art is ses données d’édition ne disent pas où se trouve son illustration
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) ce fichier a été enregistré sans compatibilité PDF et ses données d’édition sont illisibles ({why})
|
||||
@msg No fonts are missing in this document Aucune police ne manque dans ce document
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -4027,6 +4027,7 @@ theme Appearance Kinézet
|
|||
@msg already editing a pattern már folyik egy mintázat szerkesztése
|
||||
@msg an image VectorCraft can't read was left out kimaradt egy kép, amelyet a VectorCraft nem tud olvasni
|
||||
@msg an image whose data is cut short was left out kimaradt egy csonka adatú kép
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel a csatolt képek a fájlban mentett kis felbontású előnézetet mutatják, amíg a fájljaik elő nem kerülnek: csatolja őket újra a Csatolások panelen
|
||||
@msg an object can't be read egy objektum nem olvasható
|
||||
@msg an object in perspective would leave the edited grid egy perspektivikus objektum kikerülne a szerkesztett rácsból
|
||||
@msg anchor must name a registered panel az anchor egy regisztrált panelt kell megnevezzen
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3943,6 +3943,7 @@ axis Both Entrambi
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it la sfumatura “{name}” non è definita nel file: la sostituisce un colore pieno
|
||||
@msg an image VectorCraft can't read was left out un'immagine che VectorCraft non può leggere è stata omessa
|
||||
@msg an image whose data is cut short was left out un'immagine con dati incompleti è stata omessa
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel le immagini collegate mostrano l'anteprima a bassa risoluzione salvata nel file finché i loro file non vengono trovati: ricollegale nel pannello Collegamenti
|
||||
@msg its editing data doesn't say where its art is i suoi dati di modifica non dicono dove si trova la grafica
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) questo file è stato salvato senza compatibilità PDF e i suoi dati di modifica non si possono leggere ({why})
|
||||
@msg No fonts are missing in this document In questo documento non mancano font
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3679,6 +3679,7 @@ theme Appearance 外観
|
|||
@msg its section ending with `%{end}` doesn't end `%{end}` で終わるはずのセクションが終わっていません
|
||||
@msg an image VectorCraft can't read was left out VectorCraft で読み込めない画像は除外されました
|
||||
@msg an image whose data is cut short was left out データが途中で切れている画像は除外されました
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel リンク画像は、元のファイルが見つかるまで、ファイルに保存された低解像度のプレビューで表示されます：リンクパネルで再リンクしてください
|
||||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it グラデーション「{name}」はファイル内で定義されていません: 代わりに単色を使用しています
|
||||
@msg objects with several fills or strokes, effects or brushes came in as their drawn look ({_1}): their appearance isn't editable yet 塗りや線が複数ある、または効果やブラシを適用したオブジェクト {_1} 個は見た目のまま読み込まれました: アピアランスはまだ編集できません
|
||||
@msg patterns nested too deeply are filled with mid-grey 入れ子が深すぎるパターンは中間のグレーで塗りつぶされています
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3657,6 +3657,7 @@ theme Appearance 외관
|
|||
@msg its section ending with `%{end}` doesn't end `%{end}`로 끝나는 구역이 끝나지 않습니다
|
||||
@msg an image VectorCraft can't read was left out VectorCraft가 읽을 수 없는 이미지는 제외했습니다
|
||||
@msg an image whose data is cut short was left out 데이터가 잘린 이미지는 제외했습니다
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel 연결된 그림은 해당 파일을 찾을 때까지 파일에 저장된 저해상도 미리 보기로 표시됩니다: 링크 패널에서 다시 연결하세요
|
||||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it 그레이디언트 “{name}”이(가) 파일에 정의되어 있지 않아 단색으로 대체했습니다
|
||||
@msg objects with several fills or strokes, effects or brushes came in as their drawn look ({_1}): their appearance isn't editable yet 칠이나 선이 여러 개인 개체, 효과, 브러시가 있는 개체는 그려진 모양({_1})으로 가져왔습니다: 모양새는 아직 편집할 수 없습니다
|
||||
@msg patterns nested too deeply are filled with mid-grey 너무 깊게 중첩된 패턴은 중간 회색으로 채웁니다
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3939,6 +3939,7 @@ axis Both Оба
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it градиент «{name}» не определён в файле: вместо него используется сплошной цвет
|
||||
@msg an image VectorCraft can't read was left out изображение, которое VectorCraft не может прочитать, пропущено
|
||||
@msg an image whose data is cut short was left out изображение с обрезанными данными пропущено
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel связанные изображения показываются как сохранённый в файле просмотр низкого разрешения, пока их файлы не найдены: восстановите связи на панели «Связи»
|
||||
@msg its editing data doesn't say where its art is в его данных редактирования не указано, где находится графика
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) этот файл сохранён без совместимости с PDF, и его данные редактирования не удаётся прочитать ({why})
|
||||
@msg No fonts are missing in this document В этом документе нет отсутствующих шрифтов
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3927,6 +3927,7 @@ axis Both Обидві
|
|||
@msg gradient “{name}” isn't defined in the file: a plain colour stands in for it градієнт «{name}» не визначено у файлі: замість нього використовується суцільний колір
|
||||
@msg an image VectorCraft can't read was left out зображення, яке VectorCraft не може прочитати, пропущено
|
||||
@msg an image whose data is cut short was left out зображення з обрізаними даними пропущено
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel пов’язані зображення показуються як збережений у файлі перегляд низької роздільності, доки їхні файли не знайдено: відновіть зв’язки на панелі «Зв’язки»
|
||||
@msg its editing data doesn't say where its art is у даних редагування не зазначено, де знаходиться графіка
|
||||
@msg this file was saved without PDF compatibility, and its editing data can't be read ({why}) цей файл збережений без сумісності з PDF, і його дані редагування не вдається прочитати ({why})
|
||||
@msg No fonts are missing in this document У цьому документі немає відсутніх шрифтів
|
||||
|
|
|
|||
|
Can't render this file because it has a wrong number of fields in line 13.
|
|
|
@ -2936,6 +2936,7 @@
|
|||
Update Changed Links 更新已更改的链接
|
||||
{count} linked image(s) changed on disk. Show the new versions? 有 {count} 个链接图像已在磁盘上更改。要显示新版本吗？
|
||||
@msg Updated {_1} linked file(s) changed on disk 已更新 {_1} 个在磁盘上更改的链接文件
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel 链接的图片在找到其文件之前显示文件中存储的低分辨率预览：请在“链接”面板中重新链接
|
||||
Update Modified Links 更新已修改的链接
|
||||
Updated {} image(s) 已更新 {} 张图像
|
||||
UPPERCASE 大写
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 2 and column 73.
|
|
|
@ -3029,6 +3029,7 @@
|
|||
Update Changed Links 更新已變更的連結
|
||||
{count} linked image(s) changed on disk. Show the new versions? 有 {count} 個連結影像已在磁碟上變更。要顯示新版本嗎？
|
||||
@msg Updated {_1} linked file(s) changed on disk 已更新 {_1} 個在磁碟上變更的連結檔案
|
||||
@msg linked pictures show the low-resolution preview saved in the file until their files are found: relink them in the Links panel 連結的圖片在找到其檔案之前顯示檔案中儲存的低解析度預覽：請在「連結」面板中重新連結
|
||||
Update Modified Links 更新已修改的連結
|
||||
Updated {} image(s) 已更新 {} 張影像
|
||||
UPPERCASE 全部大寫
|
||||
|
|
|
|||
|
Can't render this file because it contains an unexpected character in line 6 and column 47.
|
|
|
@ -1,6 +1,6 @@
|
|||
# File format parity
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (`.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
|
||||
Every format Illustrator opens, places, saves or exports, against VectorCraft's format table (`FORMATS`,
|
||||
`OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/mod.rs`). Illustrator's list comes from its public
|
||||
|
|
@ -47,7 +47,7 @@ private editing data. VectorCraft:
|
|||
|
||||
### Illustrator's private editing data
|
||||
|
||||
the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPrivateData` streams, a PDF's `AIPDFPrivateData` streams when it was saved with the editing data (#868), Zstandard or zlib, the EPS's in ASCII85) is not documented as a whole. VectorCraft reads its structure: layers and sublayers (names, order, visibility, lock, printing, preview, dimming, colour), groups as they were nested, compound paths, clipping groups and layer clipping, object names, hidden and locked objects, fills and strokes (grey, CMYK, RGB, named and spot colours, spot colours defined in Lab with their Lab values (#1032), global process colours as global swatches at their tint), linear and radial gradients, pattern fills with their patterns as pattern swatches (#1025), opacity, blend modes, isolation and knockout, embedded images with their alpha channel, guides, and every artboard where it is. An object with several fills or strokes, effects or a brush comes in as its drawn look (a group named after it). Type is made from the file's text document, whole and editable, shown or not: point type, area type (a story in several frames as threaded type) and type on a path, with its characters, fonts, size, leading, tracking, scaling, baseline shift, fill and stroke (grey, RGB or CMYK), alignment, indents and paragraph spacing; the page's drawing of it (often in pieces) is left out. Where the text document can't say (a frame of another kind, or a document that doesn't agree with the page), type that shows comes from the page into its text object's place (no group around it), and hidden type is left out with a note. Kerning, underline and the other character and paragraph options aren't read yet. A `.ai` saved without PDF compatibility (a placeholder page) opens from its editing data alone, its point type, area type and type on a path made from the text document. Symbols, pattern fills whose pattern it can't read, placed files and anything else it doesn't read make the file come in as its page (on a layer that doesn't show, they are left out of that layer), with a warning saying what. The layers' art is also compared with the page (by lightness, so colours written as their CMYK equivalents compare alike, and by whether a pixel is inked at all); the page is used when they differ by more than 5%, where one draws an object the other doesn't (away from type, whose lines may be laid out afresh), and when an EPS whose page is its art's box has art printed outside it (#735). An EPS whose page is its art's box keeps that page when it comes in through its layers, not the editing data's artboard, and a text object counts as drawn by the page by its colours, not only its lightness, so a red stroke stacked over a dark red one stays (#1102). `textAs: "outlines"` opens a `.ai` whose type shows from its PDF part, which has the outlines; `editingData: false` opens any of them as its page or PDF part only, for print pipelines (#735). A file whose import left something out (hidden text, art or layers) is never written over by an export or Save As to its own path unless `acknowledgeLoss: true` (`convert --replace-lossy`), so the original keeps what the document lacks. Where a `.ai` can't be read that way (or its layers are turned off in the import options), we read its PDF-compatible part, so Illustrator-only live objects arrive as appearance, and plain groups arrive ungrouped: that part draws each object on its own and marks only layers, clipping groups and groups with opacity, blending or a mask (those come back). Art outside the artboards isn't in that part at all (Illustrator's PDF part leaves it out), so it doesn't open; the import says so in a note (#472). Its pages still go where the editing data puts the artboards (a grid stays a grid), with the art on each, when it has as many artboards as pages, of the same sizes (#1068). That part also has no paragraphs: area type is written line by line, and comes back as area type only where its font is installed and lays the lines out with the same breaks, else as a point type object per line (#508). Art off the page that a PDF does draw opens on the pasteboard.
|
||||
the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPrivateData` streams, a PDF's `AIPDFPrivateData` streams when it was saved with the editing data (#868), Zstandard or zlib, the EPS's in ASCII85) is not documented as a whole. VectorCraft reads its structure: layers and sublayers (names, order, visibility, lock, printing, preview, dimming, colour), groups as they were nested, compound paths, clipping groups and layer clipping, object names, hidden and locked objects, fills and strokes (grey, CMYK, RGB, named and spot colours, spot colours defined in Lab with their Lab values (#1032), global process colours as global swatches at their tint), linear and radial gradients, pattern fills with their patterns as pattern swatches (#1025), opacity, blend modes, isolation and knockout, embedded images with their alpha channel, placed (linked) files as linked images in their place, each showing the low-resolution preview the file keeps of it until its file is found or relinked in the Links panel (#1264), guides, and every artboard where it is. An object with several fills or strokes, effects or a brush comes in as its drawn look (a group named after it). Type is made from the file's text document, whole and editable, shown or not: point type, area type (a story in several frames as threaded type) and type on a path, with its characters, fonts, size, leading, tracking, scaling, baseline shift, fill and stroke (grey, RGB or CMYK), alignment, indents and paragraph spacing; the page's drawing of it (often in pieces) is left out. Where the text document can't say (a frame of another kind, or a document that doesn't agree with the page), type that shows comes from the page into its text object's place (no group around it), and hidden type is left out with a note. Kerning, underline and the other character and paragraph options aren't read yet. A `.ai` saved without PDF compatibility (a placeholder page) opens from its editing data alone, its point type, area type and type on a path made from the text document. Symbols, pattern fills whose pattern it can't read, placed files the data keeps no preview of and anything else it doesn't read make the file come in as its page (on a layer that doesn't show, they are left out of that layer), with a warning saying what. The layers' art is also compared with the page (by lightness, so colours written as their CMYK equivalents compare alike, and by whether a pixel is inked at all); the page is used when they differ by more than 5%, where one draws an object the other doesn't (away from type, whose lines may be laid out afresh), and when an EPS whose page is its art's box has art printed outside it (#735). An EPS whose page is its art's box keeps that page when it comes in through its layers, not the editing data's artboard, and a text object counts as drawn by the page by its colours, not only its lightness, so a red stroke stacked over a dark red one stays (#1102). `textAs: "outlines"` opens a `.ai` whose type shows from its PDF part, which has the outlines; `editingData: false` opens any of them as its page or PDF part only, for print pipelines (#735). A file whose import left something out (hidden text, art or layers) is never written over by an export or Save As to its own path unless `acknowledgeLoss: true` (`convert --replace-lossy`), so the original keeps what the document lacks. Where a `.ai` can't be read that way (or its layers are turned off in the import options), we read its PDF-compatible part, so Illustrator-only live objects arrive as appearance, and plain groups arrive ungrouped: that part draws each object on its own and marks only layers, clipping groups and groups with opacity, blending or a mask (those come back). Art outside the artboards isn't in that part at all (Illustrator's PDF part leaves it out), so it doesn't open; the import says so in a note (#472). Its pages still go where the editing data puts the artboards (a grid stays a grid), with the art on each, when it has as many artboards as pages, of the same sizes (#1068). That part also has no paragraphs: area type is written line by line, and comes back as area type only where its font is installed and lays the lines out with the same breaks, else as a point type object per line (#508). Art off the page that a PDF does draw opens on the pasteboard.
|
||||
|
||||
## Format by format
|
||||
|
||||
|
|
@ -83,6 +83,7 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri
|
|||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-10-12 | minor | `.ai` editing data: placed (linked) files come in as linked images showing the preview the file keeps, so a file with them opens through its layers, with its guides (#1264); scores unchanged |
|
||||
| 2026-10-12 | minor | PDF and `.ai` import: a shape painted with a gradient opens as one path with the gradient (#1304). PDF and `.ai` export: the constant alpha soft mask of a CMYK page with transparency is white (#1286, in part) |
|
||||
| 2026-10-12 | minor | DXF reads control-point SPLINE closure (#1299 follow-up after #1320); open curves stay open and curves retained; rational/non-rational import and export versions regression-tested; scores/hours unchanged |
|
||||
| 2026-10-12 | minor | A `.ai` opens on its trim boxes with its bleed boxes as the document's bleed; a PDF opened on its trim boxes too (#1266); a PDF saved with its editing data opens as the `.ai` does |
|
||||
|
|
|
|||
|
|
@ -1,6 +1,6 @@
|
|||
# Gaps
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (G9: placed (linked) files read from `.ai` editing data, #1264; G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
|
||||
Every known shortfall against Illustrator, one entry each, **ranked by how much it stops a professional from
|
||||
switching**. This is the work list: unless you were given a task, pick the highest-ranked gap you can make
|
||||
|
|
@ -67,7 +67,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall
|
|||
- **Missing:** faithful layer and group structure from the editing data in real files (#951: 109 layers instead
|
||||
of 14), guides and non-printing construction
|
||||
lines (#779), open speed on large files (#758), legacy type in `.ai` files in PostScript form (those without
|
||||
their prolog open since #1027), live effects, brushes and symbols as live objects (#637; pattern fills and global colours are read since #1025). Writing Illustrator's own editing data is out of scope
|
||||
their prolog open since #1027), live effects, brushes and symbols as live objects (#637; pattern fills and global colours are read since #1025, placed (linked) files since #1264). Writing Illustrator's own editing data is out of scope
|
||||
(undocumented); Save As `.ai` stays PDF-compatible, and Illustrator 2018 opens such a file without its layers and
|
||||
groups (#868).
|
||||
- **Evidence:** the issues above; 28 of the 350 issues are about `.ai`/EPS (about 22 people, the most common single
|
||||
|
|
@ -234,6 +234,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall
|
|||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-10-12 | minor | G9: placed (linked) files in `.ai` editing data come in as linked images showing their saved preview, so such files open through their layers with their guides (#1264); estimate unchanged |
|
||||
| 2026-10-12 | minor | G9: gradient-filled shapes from a PDF or `.ai` open as paths, not clip groups (#1304); CMYK files with transparency show in applications reading soft masks by luminosity (#1286, in part: the layer groups' bounding boxes remain); G15: hiding or locking a layer deselects in linear time (#1353); estimates unchanged |
|
||||
| 2026-10-12 | minor | G7: custom document ruler origin (#1212) done; global/artboard mode switching and video rulers remain, estimate unchanged |
|
||||
| 2026-10-12 | minor | G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged |
|
||||
|
|
|
|||
|
|
@ -1,6 +1,6 @@
|
|||
# Parity with Adobe Illustrator
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click selects its corner, #1239; scores and hours unchanged; custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (`.ai` placed (linked) files read from the editing data, #1264, scores unchanged; gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click selects its corner, #1239; scores and hours unchanged; custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)
|
||||
|
||||
The authoritative parity assessment. [`ROADMAP.md`](../ROADMAP.md) summarizes it; [`gaps.md`](gaps.md) is
|
||||
the work list made from it. Deep areas have their own checklists: [UI and interaction](ui-parity.md),
|
||||
|
|
@ -492,6 +492,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
|||
- `.vectorcraft` (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash (browser tabs hold their copies with Web Locks too, so a background tab's copies are never taken for a crash's, and a tab repairs copies another removed when it resumes: #367), background save and export. The desktop app writes its warnings and errors (graphics adapter, a lost graphics device, panics the guard recovered from) to standard error and to `logs/vectorcraft.log` next to the preferences, the two previous runs kept and each file capped at 16 MiB, so a launch without a terminal still leaves something to attach to a bug report (#465).
|
||||
- SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a `<switch>`) wraps them, hidden ones hidden, and a file whose art sits loose under a root `<svg>` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask.
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A PDF saved with Illustrator's editing data opens through it as a PDF-compatible `.ai` does, with its layers and groups and with art reaching past its page unclipped; such a PDF holds the data in `AIPDFPrivateData` streams (part of #868). A shape a PDF or `.ai` paints with a gradient (a clip path round a shading) opens as one path filled with the gradient, not a clip group round a rectangle, so Shape Builder, Live Paint and Pathfinder work on its outline (#1304).
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Placed (linked) files in a `.ai`'s editing data come in as linked images in their place, each showing the low-resolution preview the file keeps of it until its file is found or relinked in the Links panel (a file found next to the document or at its path is read as the document opens). A file with them no longer falls back to its PDF part, so its guides, sublayers and hidden objects open (#1264; `crates/eps/src/import/ai/tests.rs`, `crates/engine/src/tests_links.rs`).
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- EPS and DXF in and out, EMF/WMF in and out; PNG (with PNG-8), JPEG, WebP, GIF, TIFF, BMP, Targa and layered PSD export; PSD and PSB files open and place, linked or embedded, as their merged image in every colour mode and depth (#918). EPS import runs a PostScript Level 3 interpreter written from the PostScript Language Reference: resource categories and `resourceforall`, local and global VM (`currentglobal`/`setglobal`/`gcheck`), `clipsave`/`cliprestore`, subarrays and substrings that share storage, the standard dictionaries in `systemdict`, `dictstack`, `internaldict`, executable filters and strings, `load` by any key, `//name` immediate names, `token`, `execform`, user paths, `cshow`, `rootfont`, `cachestatus`, colour rendering and halftone queries, file `status` and data read with `flushfile`, and `pdfmark` marks dropped (Discord feedback, #466, #469, #474). Masked images (`ImageType 3` in its three interleavings) and reusable streams are read, and an image's several data sources are read in turn, as the reference defines (procedures that read one file get their own rows: such images came in banded, #498). `restore` puts dictionaries back as they were at the `save`, so programs that count their saves in a dictionary read to their end (part of #505). Tiling patterns come in as pattern swatches, uncoloured ones too; Type 3 fonts' glyphs as their outlines, spaced by `ashow`/`widthshow`/`xshow`/`kshow`; mesh and function-based shadings (types 1, 4–7) as gradient meshes; sampled functions (type 0) and Flate/LZW predictors are read. It is tested with programs written from the specification in the ways common generators use these features; Inkscape/cairo EPS files open as vectors. When a file's PostScript still can't be read, it opens as its TIFF preview, its Windows metafile preview (as vectors) or its EPSI preview, and the warning (in the status bar, `document.open`/`app.open`/MCP `open_file` replies and `vectorcraft-cli info`) names the error, the operator that raised it and the procedures it ran in. Legacy PostScript `.ai` files (Illustrator 3–8, written with the prolog that defines their operators) keep their groups and nested groups (`u` … `U`), between and inside clipping groups; EPS and EMF/WMF import nest clips (and groups) at most 128 deep, so a hostile file can't exhaust the stack. DXF TEXT justified Fit or Aligned spans its two points (stretched, or scaled as a whole). PDF export writes type as real, searchable text in embedded subset fonts by default, as Illustrator's PDF presets do (Convert Text to Outlines is an option; printer's marks stay shapes), so text-heavy PDFs stay small (#733). DXF export writes each fill as its outlines followed by its hatch, so laser and cutter software, which skips hatches, gets filled art and type too (#546).
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- DXF control-point SPLINE import honors its closed flag (#1299 follow-up after #1320 fixed export), including rational curves; open curves whose endpoints meet stay open. Own-fixture regressions cover controls/knots, fit-point fallback and all export versions (`crates/cad/src/import/tests.rs`, `crates/cad/src/tests.rs`); native save/read checked; CIRCLE/ARC fitting, CNC preset and VCarve QA remain pending.
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- Affinity documents in (AF.1–AF.4): `.af` (Affinity 3) and `.afdesign`/`.afphoto`/`.afpub` (Affinity 1 and 2, container versions 8–12) open and place as editable art: layers and sublayers, groups (pass-through or isolated), artboards (with their names and backgrounds) and Publisher pages side by side, curves with live corners, parametric shapes (rectangles with corner radii, ellipses, polygons, stars, pies, triangles, trapezoids), compound shapes, solid/linear/elliptical gradient fills and strokes (weight, dashes, alignment, scale-with-object), clipping by nesting, vector and pixel masks, artistic and frame text with fonts, sizes, tracking, leading and alignment, placed images (their original JPEG/PNG) and pixel layers (8/16-bit RGB, CMYK), opacity, visibility, locking and blend modes, at the document's resolution in points. Effects, adjustments, brushes and pressure profiles, transparency gradients, master pages, symbol instances (imported as their cached picture), special shapes (cloud, heart, cog…, imported as ellipses) and Affinity-only blend modes are named in the import warning. A file whose native data can't be read opens as its embedded preview with the reason, and that preview can't be placed. Save never writes back over the Affinity file and there is no Affinity export. AF.4 adds Affinity 3 artboard recognition and actual-outline clipping, source-backed JPEG/PNG raster tiles, Unicode text-run recovery, stored fallback/exact installed fonts, OpenType feature flags and compound-geometry limits. 51 public CC0/MIT/Apache-2.0 files (33 current `.af`), pinned and sha256-verified (`cargo xtask corpus --affinity`), test native retention and every-board native/SVG/PDF/PSD output for current files; selected files compare their saved thumbnails. No Affinity reopen or independent paired PSD oracle was available; [source audit and complex-font gaps](affinity-validation.md); [scope, provenance and limits](../crates/affinity/README.md).
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@ -516,6 +517,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
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| Date | Change | Summary |
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|---|---|---|
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| 2026-10-12 | minor | File formats: placed (linked) files in a `.ai`'s editing data come in as linked images showing their saved preview, so such a file opens through its layers with its guides (#1264); own-fixture reader, lexer and link tests; score and hours unchanged (estimated) |
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| 2026-10-12 | minor | File formats: gradient-filled shapes import as paths (#1304); constant alpha soft masks export white for luminosity readers (#1286, in part); scores and hours unchanged (estimated) |
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| 2026-10-12 | minor | Polar Grid click dialog (#1192); `.ai` images on hidden lines read (#1264, in part); Affinity rectangles keep per-corner radii and cut corners (#666, in part); Tools panel buttons centred (#1363); Properties panel width with Image Trace (#1358, in part); scores and hours unchanged (estimated) |
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| 2026-10-12 | minor | Live Corners: a Direct Selection click on a widget selects its corner (#1239); Layers: deselecting on hide or lock is linear in the selection (#1353); scores and hours unchanged (estimated) |
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Reference in New Issue