diff --git a/ROADMAP.md b/ROADMAP.md
index 2d483e7f..ad5cbeb7 100644
--- a/ROADMAP.md
+++ b/ROADMAP.md
@@ -127,7 +127,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap
 
 | Date | What landed |
 |---|---|
-| 2026-10-11 | Effect › Brush Strokes: Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e (G2). Command parameters from agents and files checked before anything changes (paint, place, cuts, dashes, crop, asset ids, anchors, paths, distort; #984–#999); command dialogs keep whole numbers whole, so Create Object Mosaic takes the tiles typed (#1000); stepper arrows take Shift (×10) and Ctrl/Cmd (÷10) like the arrow keys (#991). Exports and Rasterize supersample Art Optimized edges, so shapes meeting edge to edge leave no seam (#983). Character and paragraph styles take leading, kerning, mojikumi and the other attributes left out at their defaults (#1001). Drawing, typing and pasting with no layer shown and unlocked is refused instead of adding art to a hidden or locked layer (#1002). MCP `add_text` gives type on or in a path the colour asked for (#1003). MCP `screenshot` of a connected app renders the artboard asked for (#1004). `vectorcraft-cli run` ends quietly when its reader closes early (#1005). Select › All on Active Artboard selects on the artboard made active, not always the first (#1006). Reverse Gradient keeps off-centre midpoints, mirrored (#1007). A polar grid with no radial dividers draws none (#1008). Use Precise Cursors also covers the Pen's join pointer (#1009). SVGs with one absolute and one unitless root side import at their size, unstretched (#1010). DXF US survey inches, yards and miles open at their size and name (#1011). A file placed into a document with no other links follows its first change even while the app sits idle (#1031). PDF import keeps the style a font name says when the file doesn't embed the font (#1023). Shift selects ruler guides and art together, and Delete removes both (#1022). Open filled paths are hit by their fill on every side, the rotate cursor bows around the corner it is at, the flip icons match their flips, the Color Picker previews on the selection, and Properties › Transform reaches Scale Corners and Scale Strokes & Effects (#1036). Offset Path and the other booleans finish on outlines where the sweep used to loop until memory ran out (linesweeper 0.5, #1028). Floating panel groups stack into sets that move together, collapse to their tabs and dock as extra dock columns that scroll (#1020). Ruler guides live on layers: listed in the Layers panel, shown, hidden, locked, duplicated, merged and deleted with their layer, and moved between layers (#1021). A `.ai` whose editing data uses global process colours (`Xk`/`XK`) or pattern fills keeps its sublayers: the colours come in as global swatches at their tint, the patterns as pattern swatches (#1025). A `.ai` in PostScript form opens through its layers, read from the program itself, also when it names the prolog defining its operators without including it, as Rhino and other CAD apps write it (#1027). A fill or stroke chosen while the Type tool has characters selected colours just those characters (#1063). Scaled type shows its scaled font size, leading, baseline shift and horizontal scale in the Character panel, and a size typed there is the size you get (#1034). Character panel menu › Proportional Metrics sets Japanese and Chinese full-width glyphs on the font's proportional widths in horizontal type (#966). Align, Distribute, Move, Arrange, Lock, Hide, Ungroup and other Object commands that would change nothing no longer record an undo step or mark the document changed (#1060). Spot colours defined in Lab open with their Lab values from `.ai` and PDF files, instead of as wrong RGB colours or their CMYK equivalents (#1032). Build scripts leave a generated source they wouldn't change untouched, so the next build doesn't compile most of the workspace again where file times lose their sub-second part (#1051). A fill colour recolours the gradient mesh point last clicked with the Mesh tool or Direct Selection, and a Mesh tool click on a mesh's point selects that mesh (#1052). The All Tools drawer stays two tools wide instead of filling a wide window (#1054). Text Wrap's Make, Release and Options refuse a list of object ids with a malformed or unknown id instead of skipping it (#1055). A freeform gradient line with a malformed point index is refused instead of being shortened to the indices that are valid (#1056). The Corners dialog (`ui.corners`) refuses a malformed object id or a listed anchor that isn't a corner instead of editing the selection or the other corners (#1057). New View refuses a centre that isn't exactly [x, y] and a rotation that isn't a number, instead of trimming the one and saving the other as 0° (#1058). The command sweeps try junk scale, spacing and artboard values too, which they had skipped since before those bugs were fixed (#1059). EPS and PostScript `arc` and `arcn` with huge angles no longer hang the import, and an arc whose angles are whole turns apart is empty, as the PostScript reference defines it (#1062). Align and Distribute Spacing keep the key object still also when it is inside a selected group or compound path (#1074). A `.ai` whose layers can't be read yet still opens with its artboards where they were (in a grid, say), not in a row (#1068). Layer Options (`ui.layerOptions`) refuses a malformed or unknown row id instead of skipping it or opening on the highlighted rows (#1077). Shaper scribbles given a list of object ids refuse a malformed or unknown id instead of skipping it and editing the shapes that remain (#1078). Delete Width Point (`stroke.widthPoint.remove`) refuses a list of indices with a malformed entry instead of deleting the points that remain, and no longer wraps a huge index round on the web (#1079). Preferences' checkboxes have an outline when the pointer isn't over them, in every interface brightness, as the app's other dialogs' checkboxes do (#1080). The last plain checkboxes (Properties panel snapping and Scale Strokes & Effects, Revolve, Save options, Export for Screens, Variables, plug-in forms) keep a visible box at rest in every theme too (#885). Setting or copying a width point with a malformed index is refused instead of adding a new point or wrapping a huge index round (follow-up to #1079). An Illustrator EPS opened through its layers keeps its own page size and the red outline of text stacked over a dark one, as 0.8.0 did (#1102). The macOS DMG is built so the app in it passes `codesign --verify --strict --deep`, and the release checks that it does (#1085). Swatch and graphic style libraries, Libraries panel files, presets and plug-ins dropped on the window open as File › Open opens them instead of being placed on the canvas (#1083). A key object needs another selected object outside it: a change that leaves one object selected lets the key go, and one selected object aligns to the artboard whatever Align To says (#1088). Align to Artboard aligns to the active artboard, and actions play their Align to Artboard, All on Active Artboard and Paste in Place, in Front and in Back steps on the artboard active when they play (#1105). Align refuses a call with neither direction, and Align, Distribute, Reflect and Shear refuse a direction, axis, target or bounds they don't take instead of falling back to a default (#1106). `object.setProps` deselects the objects it hides or locks, the key object included, as the Layers panel's eye and lock do (#1107). Align, Distribute and Distribute Spacing move pattern tiles with the art when General › Transform Pattern Tiles is on (#1108). Object › Lock › All Artwork Above and Object › Hide › All Artwork Above deselect the selected objects they lock or hide, the key object included (#1109). Save Swatch Library's `count` is the number of swatches the file holds: `.gpl` and `.ase` hold solid colors only, and CSS leaves freeform gradients out (#1110). In a rotated view (Rotate View), an artboard's name stays at its own top-left corner (#1095). Ctrl+Shift+L, C, R, J and F align or justify the paragraphs of the selected type, or those the Type tool's selection touches (#1111). On macOS, file dialogs are sheets on the document window, so resizing one no longer crashes the app; while one is open the menus, Quit and Close wait, and its answer goes to the document that asked (#867). Shape Builder merges regions that crossing lines cut along the lines' own edges, so a strip merged across a grid of lines is one outline with no seams left inside (#1081). Proportional Metrics also works in vertical type: upright glyphs take the font's proportional heights (`vpal`), and Line-end Punctuation Half Width takes nothing more off the punctuation it re-spaced (#1082). Plug-in whole-number parameters keep their exact value however large, and stay in the range the manifest gives (#1091). PDF and `.ai` import keeps type spaced glyph by glyph (character tightening, optical kerning) with each glyph in its place, giving each character its own tracking when the file's font is installed, and CJK punctuation closed up by its proportional width continues its line (#1101). Direct Selection: pressing an anchor of a path selected whole keeps all its anchors selected, so the drag moves them all; Alt-dragging by an anchor copies the whole path, held by that anchor, which snaps onto other anchors and onto the original the copy leaves behind; Alt pressed or released during the drag turns the copy on and off, as with the Selection tool, whose copies snap to their original too, and the undo step is named Copy or Move for what the drag did (#1104). The toolbar's Fill/Stroke proxy and Color, Gradient and None buttons grow in two columns, where the three drawing modes sit side by side (#1129). An image copied in a browser that puts its `<img>` markup on the clipboard as text pastes as the picture, not the markup (#1089). `file.place` of an SVG with `crop: "crop"` frames and clips it by its viewBox, so art drawn on a shared canvas keeps its place and scale (#788). While a star is dragged, Ctrl/Cmd keeps its inner radius as the outer one grows and Alt keeps its shoulders straight (#812). Edit Toolbar opens the All Tools drawer beside the toolbar, dims the tools already in it, and adds, removes and moves tools by drag and drop while it is open (#1018). The Selection tool's arrow is black and Direct Selection's white in every theme, as users know them: in the dark themes they looked swapped. The font menu keeps its highlight on the same font when the list changes under it (a family's styles listed above it, fonts that finish loading, a favourite unstarred), and ends the live preview when that font leaves the list (#1116). The Windows installer has a Shortcuts page with a ticked "Create a desktop shortcut" box, and a silent install adds the shortcut unless `INSTALLDESKTOPSHORTCUT=""` is passed (#1128). Image Trace's Noise merges specks until none under its size is left beside another colour, so a higher Noise never gives more paths (#1130). `cargo clippy -D warnings` passes for the wasm32 web build (#1132). Gradient stops with opacity blend colour and opacity apart on the canvas, as Illustrator and the PDF and SVG exports do: a transparent stop's colour still tints the fade (#1142). An SVG mask whose art is all hidden imports as an empty opacity mask, so its object stays hidden as browsers draw it (#1143). Shift-click with the Artboard tool, or in the Artboards panel, selects several artboards, which then move, duplicate (Alt-drag) and delete together (#1139). A shape far beyond any page (from a malformed file) is left undrawn instead of making the renderer abort the app. Live Corners round corners where curved segments meet too, trimming each curve to what the cut leaves of it (#1144). Effect › Distort & Transform › Zig Zag's dialog has sliders for Size and Ridges per segment, and Relative / Absolute and Smooth / Corner as radio buttons (#1133). Object › Path › Offset Path opens on the offset, joins and miter limit it was last applied with (#1152). A marquee selects only the objects whose paths it touches: one drawn over a background, in Preview or Outline, no longer selects the background too (#1103). On Linux, Preferences › Performance › Linux Display Server › X11 (XWayland) opens the window through XWayland on a Wayland session, where files dropped from a file manager arrive (#1151). A selected gradient mesh shows its mesh lines and points with the Selection and Direct Selection tools too, not only with the Mesh tool (#1111). A blend's spine bends: the Anchor Point tool drags any of its segments into a curve, straight ones too, and Direct Selection reshapes its curved segments (`object.blend.spine.reshapeSegment`, #1111). Alt-click on a hidden layer's eye shows that layer as it hides the others, and on a locked layer's lock unlocks it as it locks the others: the layer clicked is the one left in view (#1158). Object › Compound Path › Release splits a path of several subpaths (an SVG `d` with several `M`s, a path drawn in one go over MCP) into one path per subpath, with its paint and stacking order, as it does a compound path (#1163). MCP `render_preview` takes an `artboard` index, so an agent can look at every page of a multi-artboard document (#1163). The MCP drawing tools say that omitted paint follows the new-art appearance (a white fill and 1 pt black stroke at first), and `export` says which formats take `outlineText` (#1148). The desktop app refuses a malformed `--automation-read-root` / `--automation-write-root` (no folder, an empty one, another option or the flag twice) before it starts, instead of dropping the root its environment variable set and leaving the control channel unconfined (#1157). PDF export warns, once per object, when the 64 million pixel cap renders its raster effects below the document's raster effects resolution, with the requested and the achieved ppi (#1147). MCP `command_batch` with `atomic: true` makes the whole batch one undo step, named by `label` (`edit.undoGroup.begin`/`end`, #1163). `file.list {path}` lists a folder's files and folders for agents, held to the automation read root (#1163). Thai typed in a font without Thai glyphs is set in an installed font made for Thai (Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai…) instead of whichever face with Thai glyphs loaded first, and Lao, Khmer and Myanmar likewise. With the Type tool, the Left and Right arrows and Delete step over whole clusters (a Thai consonant with its vowel and tone marks, a letter with a combining accent, an emoji sequence), so the caret never lands inside one; Backspace still takes back one character at a time, a mistyped tone mark say. Thai, Lao, Khmer and Myanmar area type breaks its lines between words, which those scripts don't separate with spaces, instead of running on to the next space; the words come from ICU4X's line segmenter (its dictionaries on the desktop, its smaller LSTM models on the web). |
+| 2026-10-11 | Effect › Brush Strokes: Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e (G2). Command parameters from agents and files checked before anything changes (paint, place, cuts, dashes, crop, asset ids, anchors, paths, distort; #984–#999); command dialogs keep whole numbers whole, so Create Object Mosaic takes the tiles typed (#1000); stepper arrows take Shift (×10) and Ctrl/Cmd (÷10) like the arrow keys (#991). Exports and Rasterize supersample Art Optimized edges, so shapes meeting edge to edge leave no seam (#983). Character and paragraph styles take leading, kerning, mojikumi and the other attributes left out at their defaults (#1001). Drawing, typing and pasting with no layer shown and unlocked is refused instead of adding art to a hidden or locked layer (#1002). MCP `add_text` gives type on or in a path the colour asked for (#1003). MCP `screenshot` of a connected app renders the artboard asked for (#1004). `vectorcraft-cli run` ends quietly when its reader closes early (#1005). Select › All on Active Artboard selects on the artboard made active, not always the first (#1006). Reverse Gradient keeps off-centre midpoints, mirrored (#1007). A polar grid with no radial dividers draws none (#1008). Use Precise Cursors also covers the Pen's join pointer (#1009). SVGs with one absolute and one unitless root side import at their size, unstretched (#1010). DXF US survey inches, yards and miles open at their size and name (#1011). A file placed into a document with no other links follows its first change even while the app sits idle (#1031). PDF import keeps the style a font name says when the file doesn't embed the font (#1023). Shift selects ruler guides and art together, and Delete removes both (#1022). Open filled paths are hit by their fill on every side, the rotate cursor bows around the corner it is at, the flip icons match their flips, the Color Picker previews on the selection, and Properties › Transform reaches Scale Corners and Scale Strokes & Effects (#1036). Offset Path and the other booleans finish on outlines where the sweep used to loop until memory ran out (linesweeper 0.5, #1028). Floating panel groups stack into sets that move together, collapse to their tabs and dock as extra dock columns that scroll (#1020). Ruler guides live on layers: listed in the Layers panel, shown, hidden, locked, duplicated, merged and deleted with their layer, and moved between layers (#1021). A `.ai` whose editing data uses global process colours (`Xk`/`XK`) or pattern fills keeps its sublayers: the colours come in as global swatches at their tint, the patterns as pattern swatches (#1025). A `.ai` in PostScript form opens through its layers, read from the program itself, also when it names the prolog defining its operators without including it, as Rhino and other CAD apps write it (#1027). A fill or stroke chosen while the Type tool has characters selected colours just those characters (#1063). Scaled type shows its scaled font size, leading, baseline shift and horizontal scale in the Character panel, and a size typed there is the size you get (#1034). Character panel menu › Proportional Metrics sets Japanese and Chinese full-width glyphs on the font's proportional widths in horizontal type (#966). Align, Distribute, Move, Arrange, Lock, Hide, Ungroup and other Object commands that would change nothing no longer record an undo step or mark the document changed (#1060). Spot colours defined in Lab open with their Lab values from `.ai` and PDF files, instead of as wrong RGB colours or their CMYK equivalents (#1032). Build scripts leave a generated source they wouldn't change untouched, so the next build doesn't compile most of the workspace again where file times lose their sub-second part (#1051). A fill colour recolours the gradient mesh point last clicked with the Mesh tool or Direct Selection, and a Mesh tool click on a mesh's point selects that mesh (#1052). The All Tools drawer stays two tools wide instead of filling a wide window (#1054). Text Wrap's Make, Release and Options refuse a list of object ids with a malformed or unknown id instead of skipping it (#1055). A freeform gradient line with a malformed point index is refused instead of being shortened to the indices that are valid (#1056). The Corners dialog (`ui.corners`) refuses a malformed object id or a listed anchor that isn't a corner instead of editing the selection or the other corners (#1057). New View refuses a centre that isn't exactly [x, y] and a rotation that isn't a number, instead of trimming the one and saving the other as 0° (#1058). The command sweeps try junk scale, spacing and artboard values too, which they had skipped since before those bugs were fixed (#1059). EPS and PostScript `arc` and `arcn` with huge angles no longer hang the import, and an arc whose angles are whole turns apart is empty, as the PostScript reference defines it (#1062). Align and Distribute Spacing keep the key object still also when it is inside a selected group or compound path (#1074). A `.ai` whose layers can't be read yet still opens with its artboards where they were (in a grid, say), not in a row (#1068). Layer Options (`ui.layerOptions`) refuses a malformed or unknown row id instead of skipping it or opening on the highlighted rows (#1077). Shaper scribbles given a list of object ids refuse a malformed or unknown id instead of skipping it and editing the shapes that remain (#1078). Delete Width Point (`stroke.widthPoint.remove`) refuses a list of indices with a malformed entry instead of deleting the points that remain, and no longer wraps a huge index round on the web (#1079). Preferences' checkboxes have an outline when the pointer isn't over them, in every interface brightness, as the app's other dialogs' checkboxes do (#1080). The last plain checkboxes (Properties panel snapping and Scale Strokes & Effects, Revolve, Save options, Export for Screens, Variables, plug-in forms) keep a visible box at rest in every theme too (#885). Setting or copying a width point with a malformed index is refused instead of adding a new point or wrapping a huge index round (follow-up to #1079). An Illustrator EPS opened through its layers keeps its own page size and the red outline of text stacked over a dark one, as 0.8.0 did (#1102). The macOS DMG is built so the app in it passes `codesign --verify --strict --deep`, and the release checks that it does (#1085). Swatch and graphic style libraries, Libraries panel files, presets and plug-ins dropped on the window open as File › Open opens them instead of being placed on the canvas (#1083). A key object needs another selected object outside it: a change that leaves one object selected lets the key go, and one selected object aligns to the artboard whatever Align To says (#1088). Align to Artboard aligns to the active artboard, and actions play their Align to Artboard, All on Active Artboard and Paste in Place, in Front and in Back steps on the artboard active when they play (#1105). Align refuses a call with neither direction, and Align, Distribute, Reflect and Shear refuse a direction, axis, target or bounds they don't take instead of falling back to a default (#1106). `object.setProps` deselects the objects it hides or locks, the key object included, as the Layers panel's eye and lock do (#1107). Align, Distribute and Distribute Spacing move pattern tiles with the art when General › Transform Pattern Tiles is on (#1108). Object › Lock › All Artwork Above and Object › Hide › All Artwork Above deselect the selected objects they lock or hide, the key object included (#1109). Save Swatch Library's `count` is the number of swatches the file holds: `.gpl` and `.ase` hold solid colors only, and CSS leaves freeform gradients out (#1110). In a rotated view (Rotate View), an artboard's name stays at its own top-left corner (#1095). Ctrl+Shift+L, C, R, J and F align or justify the paragraphs of the selected type, or those the Type tool's selection touches (#1111). On macOS, file dialogs are sheets on the document window, so resizing one no longer crashes the app; while one is open the menus, Quit and Close wait, and its answer goes to the document that asked (#867). Shape Builder merges regions that crossing lines cut along the lines' own edges, so a strip merged across a grid of lines is one outline with no seams left inside (#1081). Proportional Metrics also works in vertical type: upright glyphs take the font's proportional heights (`vpal`), and Line-end Punctuation Half Width takes nothing more off the punctuation it re-spaced (#1082). Plug-in whole-number parameters keep their exact value however large, and stay in the range the manifest gives (#1091). PDF and `.ai` import keeps type spaced glyph by glyph (character tightening, optical kerning) with each glyph in its place, giving each character its own tracking when the file's font is installed, and CJK punctuation closed up by its proportional width continues its line (#1101). Direct Selection: pressing an anchor of a path selected whole keeps all its anchors selected, so the drag moves them all; Alt-dragging by an anchor copies the whole path, held by that anchor, which snaps onto other anchors and onto the original the copy leaves behind; Alt pressed or released during the drag turns the copy on and off, as with the Selection tool, whose copies snap to their original too, and the undo step is named Copy or Move for what the drag did (#1104). The toolbar's Fill/Stroke proxy and Color, Gradient and None buttons grow in two columns, where the three drawing modes sit side by side (#1129). An image copied in a browser that puts its `<img>` markup on the clipboard as text pastes as the picture, not the markup (#1089). `file.place` of an SVG with `crop: "crop"` frames and clips it by its viewBox, so art drawn on a shared canvas keeps its place and scale (#788). While a star is dragged, Ctrl/Cmd keeps its inner radius as the outer one grows and Alt keeps its shoulders straight (#812). Edit Toolbar opens the All Tools drawer beside the toolbar, dims the tools already in it, and adds, removes and moves tools by drag and drop while it is open (#1018). The Selection tool's arrow is black and Direct Selection's white in every theme, as users know them: in the dark themes they looked swapped. The font menu keeps its highlight on the same font when the list changes under it (a family's styles listed above it, fonts that finish loading, a favourite unstarred), and ends the live preview when that font leaves the list (#1116). The Windows installer has a Shortcuts page with a ticked "Create a desktop shortcut" box, and a silent install adds the shortcut unless `INSTALLDESKTOPSHORTCUT=""` is passed (#1128). Image Trace's Noise merges specks until none under its size is left beside another colour, so a higher Noise never gives more paths (#1130). `cargo clippy -D warnings` passes for the wasm32 web build (#1132). Gradient stops with opacity blend colour and opacity apart on the canvas, as Illustrator and the PDF and SVG exports do: a transparent stop's colour still tints the fade (#1142). An SVG mask whose art is all hidden imports as an empty opacity mask, so its object stays hidden as browsers draw it (#1143). Shift-click with the Artboard tool, or in the Artboards panel, selects several artboards, which then move, duplicate (Alt-drag) and delete together (#1139). A shape far beyond any page (from a malformed file) is left undrawn instead of making the renderer abort the app. Live Corners round corners where curved segments meet too, trimming each curve to what the cut leaves of it (#1144). Effect › Distort & Transform › Zig Zag's dialog has sliders for Size and Ridges per segment, and Relative / Absolute and Smooth / Corner as radio buttons (#1133). Object › Path › Offset Path opens on the offset, joins and miter limit it was last applied with (#1152). A marquee selects only the objects whose paths it touches: one drawn over a background, in Preview or Outline, no longer selects the background too (#1103). On Linux, Preferences › Performance › Linux Display Server › X11 (XWayland) opens the window through XWayland on a Wayland session, where files dropped from a file manager arrive (#1151). A selected gradient mesh shows its mesh lines and points with the Selection and Direct Selection tools too, not only with the Mesh tool (#1111). A blend's spine bends: the Anchor Point tool drags any of its segments into a curve, straight ones too, and Direct Selection reshapes its curved segments (`object.blend.spine.reshapeSegment`, #1111). Alt-click on a hidden layer's eye shows that layer as it hides the others, and on a locked layer's lock unlocks it as it locks the others: the layer clicked is the one left in view (#1158). Object › Compound Path › Release splits a path of several subpaths (an SVG `d` with several `M`s, a path drawn in one go over MCP) into one path per subpath, with its paint and stacking order, as it does a compound path (#1163). MCP `render_preview` takes an `artboard` index, so an agent can look at every page of a multi-artboard document (#1163). The MCP drawing tools say that omitted paint follows the new-art appearance (a white fill and 1 pt black stroke at first), and `export` says which formats take `outlineText` (#1148). The desktop app refuses a malformed `--automation-read-root` / `--automation-write-root` (no folder, an empty one, another option or the flag twice) before it starts, instead of dropping the root its environment variable set and leaving the control channel unconfined (#1157). PDF export warns, once per object, when the 64 million pixel cap renders its raster effects below the document's raster effects resolution, with the requested and the achieved ppi (#1147). MCP `command_batch` with `atomic: true` makes the whole batch one undo step, named by `label` (`edit.undoGroup.begin`/`end`, #1163). `file.list {path}` lists a folder's files and folders for agents, held to the automation read root (#1163). Thai typed in a font without Thai glyphs is set in an installed font made for Thai (Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai…) instead of whichever face with Thai glyphs loaded first, and Lao, Khmer and Myanmar likewise. With the Type tool, the Left and Right arrows and Delete step over whole clusters (a Thai consonant with its vowel and tone marks, a letter with a combining accent, an emoji sequence), so the caret never lands inside one; Backspace still takes back one character at a time, a mistyped tone mark say. Thai, Lao, Khmer and Myanmar area type breaks its lines between words, which those scripts don't separate with spaces, instead of running on to the next space; the words come from ICU4X's line segmenter (its dictionaries on the desktop, its smaller LSTM models on the web). The font menu's script filter has Thai beside Japanese and Latin: the families whose character map has Thai. |
 | 2026-10-10 | Initial live Revolve (Effect › 3D and Materials, #846, #605), in its own `three-d` crate. Progress docs re-measured and restructured to the craftrules standard (this page, `docs/target-app-parity.md`, `gaps.md`, `ui-parity.md`, the format, hardware, localization, effects and type checklists). Same day: v0.8.0; Effect › Distort, Pixelate and Texture filters (13); German interface; Variables (data merge); Graph Type value axes and tick marks; restart when the first frame never reaches the screen (#964) |
 | 2026-10-09 | Radial Blur, Smart Blur, Unsharp Mask (gap 2 begins); 340 commits, the busiest day |
 | 2026-10-08 | v0.5.0–v0.7.0; community contributions: Pen and shape-tool modifiers, Layers, Artboards, Japanese composition, Hebrew/Arabic type, interface languages, saved selections |
diff --git a/crates/text/src/fontdb.rs b/crates/text/src/fontdb.rs
index 6fa0d4a1..3411745d 100644
--- a/crates/text/src/fontdb.rs
+++ b/crates/text/src/fontdb.rs
@@ -574,10 +574,12 @@ impl FontClass {
         [FontClass::Serif, FontClass::Sans, FontClass::Rounded, FontClass::Script, FontClass::Monospaced, FontClass::Decorative];
 }
 
-/// What a font menu filters on: whether a family sets Japanese, and its kind.
+/// What a font menu filters on: whether a family sets Japanese or Thai, and its kind.
 #[derive(Clone, Copy, Debug, Default, PartialEq, Eq)]
 pub struct FontTraits {
     pub japanese: bool,
+    /// Its character map has Thai (ก and า).
+    pub thai: bool,
     pub class: FontClass,
 }
 
@@ -595,6 +597,7 @@ impl FontTraits {
         };
         // Hiragana (bit 49) or Katakana (bit 50) in the Unicode ranges, or the JIS code page.
         let japanese = ranges2 & (0b11 << 17) != 0 || codepages & (1 << 17) != 0 || has_japanese_name;
+        let thai = ['\u{0E01}', '\u{0E32}'].iter().all(|c| font.charmap().map(*c).is_some());
         let family_type = panose.first().copied().unwrap_or(0);
         let serif_style = panose.get(1).copied().unwrap_or(0);
         let proportion = panose.get(3).copied().unwrap_or(0);
@@ -692,7 +695,7 @@ impl FontTraits {
         } else {
             FontClass::Other
         };
-        FontTraits { japanese, class }
+        FontTraits { japanese, thai, class }
     }
 }
 
diff --git a/crates/ui-egui/src/font_menu.rs b/crates/ui-egui/src/font_menu.rs
index 3cec6c0a..f1fcde74 100644
--- a/crates/ui-egui/src/font_menu.rs
+++ b/crates/ui-egui/src/font_menu.rs
@@ -84,17 +84,29 @@ const SAMPLES_PER_FRAME: usize = 4;
 const MAX_PENDING: usize = 8;
 /// What a sample shows when the font lacks the selected text's characters (or there is none).
 const FALLBACK_SAMPLE: &str = "Sample";
-/// The script filter's choices: all, Japanese, Latin.
-const SCRIPTS: usize = 3;
+/// The script filter's choices: all, Japanese, Latin, Thai.
+const SCRIPTS: usize = 4;
 
 fn script_label(i: usize) -> &'static str {
     match i {
         1 => tl!("Japanese"),
         2 => tl!("Latin"),
+        3 => tl!("Thai"),
         _ => tl!("All Scripts"),
     }
 }
 
+/// Does a family of `traits` pass script filter `script` ([`SCRIPTS`])? Latin: neither Japanese
+/// nor Thai.
+fn script_matches(script: usize, traits: vectorcraft_text::FontTraits) -> bool {
+    match script {
+        1 => traits.japanese,
+        2 => !traits.japanese && !traits.thai,
+        3 => traits.thai,
+        _ => true,
+    }
+}
+
 fn class_label(c: FontClass) -> &'static str {
     match c {
         FontClass::Serif => tl!("Serif / Mincho"),
@@ -283,7 +295,7 @@ fn list(ui: &mut Ui, state_id: egui::Id, st: &mut MenuState, current: &str, samp
                 return true;
             }
             let traits = db.family_traits(f);
-            (st.script == 0 || (st.script == 1) == traits.japanese) && st.class.is_none_or(|c| c == traits.class)
+            script_matches(st.script, traits) && st.class.is_none_or(|c| c == traits.class)
         };
         let mut rows: Vec<Row> = vec![];
         for f in db.menu_family_list().iter().filter(|f| wanted(f)) {
@@ -748,6 +760,21 @@ pub(crate) fn sample_text(app: &VectorcraftApp) -> Option<String> {
 
 #[cfg(test)]
 mod tests {
+
+    /// The script filter: Thai lists families with Thai; Latin, those with neither Thai nor
+    /// Japanese.
+    #[test]
+    fn the_thai_filter_lists_fonts_with_thai() {
+        use vectorcraft_text::FontTraits;
+        let (thai, japanese, latin) =
+            (FontTraits { thai: true, ..Default::default() }, FontTraits { japanese: true, ..Default::default() }, FontTraits::default());
+        let passing = |t: FontTraits| (0..super::SCRIPTS).filter(|s| super::script_matches(*s, t)).collect::<Vec<_>>();
+        assert_eq!(passing(thai), [0, 3]);
+        assert_eq!(passing(japanese), [0, 1]);
+        assert_eq!(passing(latin), [0, 2]);
+        assert_eq!(super::script_label(3), "Thai");
+    }
+
     use super::{Row, remap_highlight};
 
     fn family(name: &str) -> Row {
diff --git a/crates/ui-egui/src/i18n/de.tsv b/crates/ui-egui/src/i18n/de.tsv
index 393887d9..8736fc42 100644
--- a/crates/ui-egui/src/i18n/de.tsv
+++ b/crates/ui-egui/src/i18n/de.tsv
@@ -1323,6 +1323,7 @@
 	Last Effect…	Letzter Effekt…
 	Last Page	Letzte Seite
 	Latin	Lateinisch
+	Thai	Thai
 	Latin Extended	Lateinisch, erweitert
 	Latin-1 Supplement	Lateinisch-1, Ergänzung
 	Layer	Ebene
diff --git a/crates/ui-egui/src/i18n/es.tsv b/crates/ui-egui/src/i18n/es.tsv
index 38df03d6..49b75cbe 100644
--- a/crates/ui-egui/src/i18n/es.tsv
+++ b/crates/ui-egui/src/i18n/es.tsv
@@ -1341,6 +1341,7 @@
 	Last Effect…	Último efecto…
 	Last Page	Última página
 	Latin	Latín
+	Thai	Tailandés
 	Latin Extended	Latín extendido
 	Latin-1 Supplement	Suplemento Latín-1
 	Layer	Capa
diff --git a/crates/ui-egui/src/i18n/fr.tsv b/crates/ui-egui/src/i18n/fr.tsv
index 16b91d1b..b191982b 100644
--- a/crates/ui-egui/src/i18n/fr.tsv
+++ b/crates/ui-egui/src/i18n/fr.tsv
@@ -1340,6 +1340,7 @@
 	Last Effect…	Dernier effet…
 	Last Page	Dernière page
 	Latin	Latin
+	Thai	Thaï
 	Latin Extended	Latin étendu
 	Latin-1 Supplement	Supplément Latin-1
 	Layer	Calque
diff --git a/crates/ui-egui/src/i18n/it.tsv b/crates/ui-egui/src/i18n/it.tsv
index 61e9b3a2..2739d92d 100644
--- a/crates/ui-egui/src/i18n/it.tsv
+++ b/crates/ui-egui/src/i18n/it.tsv
@@ -1341,6 +1341,7 @@
 	Last Effect…	Ultimo effetto…
 	Last Page	Ultima pagina
 	Latin	Latino
+	Thai	Thailandese
 	Latin Extended	Latino esteso
 	Latin-1 Supplement	Supplemento Latino-1
 	Layer	Livello
diff --git a/crates/ui-egui/src/i18n/ja.tsv b/crates/ui-egui/src/i18n/ja.tsv
index 099039dd..819e2993 100644
--- a/crates/ui-egui/src/i18n/ja.tsv
+++ b/crates/ui-egui/src/i18n/ja.tsv
@@ -48,6 +48,7 @@
 	Hard	強い禁則
 	Soft	弱い禁則
 	Latin	欧文
+	Thai	タイ文字
 	Monospaced	等幅
 	Roman Baseline	欧文ベースライン
 	Rounded	丸ゴシック
diff --git a/crates/ui-egui/src/i18n/ru.tsv b/crates/ui-egui/src/i18n/ru.tsv
index 7c04233a..55bedd5f 100644
--- a/crates/ui-egui/src/i18n/ru.tsv
+++ b/crates/ui-egui/src/i18n/ru.tsv
@@ -1339,6 +1339,7 @@
 	Last Effect…	Последний эффект…
 	Last Page	Последняя страница
 	Latin	Латиница
+	Thai	Тайская
 	Latin Extended	Расширенная латиница
 	Latin-1 Supplement	Дополнение Latin-1
 	Layer	Слой
diff --git a/crates/ui-egui/src/i18n/uk.tsv b/crates/ui-egui/src/i18n/uk.tsv
index 472d5e29..49925c68 100644
--- a/crates/ui-egui/src/i18n/uk.tsv
+++ b/crates/ui-egui/src/i18n/uk.tsv
@@ -1335,6 +1335,7 @@
 	Last Effect…	Останній ефект…
 	Last Page	Остання сторінка
 	Latin	Латиниця
+	Thai	Тайська
 	Latin Extended	Розширена латиниця
 	Latin-1 Supplement	Додаток Latin-1
 	Layer	Шар
diff --git a/crates/ui-egui/src/i18n/zh-hans.tsv b/crates/ui-egui/src/i18n/zh-hans.tsv
index 4ccb52b9..405a95f1 100644
--- a/crates/ui-egui/src/i18n/zh-hans.tsv
+++ b/crates/ui-egui/src/i18n/zh-hans.tsv
@@ -3417,6 +3417,7 @@
 	Graphics: {adapter}	显卡：{adapter}
 	Japanese	日文
 	Latin	拉丁文
+	Thai	泰文
 	Layer Options	图层选项
 	Layers Panel Options	图层面板选项
 	Monospaced	等宽
diff --git a/crates/ui-egui/src/i18n/zh-hant.tsv b/crates/ui-egui/src/i18n/zh-hant.tsv
index 435516d0..dc528af0 100644
--- a/crates/ui-egui/src/i18n/zh-hant.tsv
+++ b/crates/ui-egui/src/i18n/zh-hant.tsv
@@ -1316,6 +1316,7 @@
 	Last Effect…	最後一次效果…
 	Last Page	最後一頁
 	Latin	拉丁文
+	Thai	泰文
 	Latin Extended	拉丁文擴充
 	Latin-1 Supplement	拉丁文-1 補充
 	Layer	圖層
diff --git a/docs/type-parity.md b/docs/type-parity.md
index 8f07c70e..f169d817 100644
--- a/docs/type-parity.md
+++ b/docs/type-parity.md
@@ -1,6 +1,6 @@
 # Type parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Type is Illustrator's largest single area by use (weight 13 of 105 across "Type core" and "Type advanced" in
 [target-app-parity.md](target-app-parity.md)). This checklist lists the features one by one. Status is from the
@@ -26,6 +26,7 @@ against Illustrator's public documentation; **estimated** unless noted.
 | Character size and horizontal scale after object/group scaling | done | #1034: fields and setters compensate the stored affine; point size follows the transformed em-height axis, not the glyph ink bounds. Range edits, keyboard increments, leading and baseline shift use document points; rotation, reflection and shear remain editable. |
 | Preserve font sizes while scaling a group | missing | Separate enhancement; scaling still scales text with the other artwork. |
 | OpenType panel, Glyphs panel, alternates | done | Highlight Alternate Glyphs preference unused (#394) |
+| Font menu: samples, live preview, filters, favourites; font matching by any name; Find Font | done | #339; script filter: Japanese, Latin, Thai |
 | Font menu: samples, live preview, filters, favourites; font matching by any name; Find Font | done | #339 |
 | Missing glyphs set in an installed font made for their script (Thai, Lao, Khmer, Myanmar first; then any font that has them) | done | Thai: Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai, TLWG |
 | Variable fonts | partial | named instances as styles; axis sliders missing |
@@ -54,6 +55,7 @@ against Illustrator's public documentation; **estimated** unless noted.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-11 | minor | Font menu: a Thai script filter beside Japanese and Latin; score unchanged (estimated) |
 | 2026-10-11 | minor | Thai, Lao, Khmer and Myanmar text breaks its lines between words (ICU4X line segmenter) instead of only at spaces; score unchanged (estimated) |
 | 2026-10-11 | minor | The Type tool's arrows and Delete move by grapheme cluster, never between a Thai consonant and its vowel or tone marks; score unchanged (estimated) |
 | 2026-10-11 | minor | Thai (Lao, Khmer, Myanmar) missing from the font in use falls back to an installed font made for the script instead of whichever face covering it loaded first; score unchanged (estimated) |