Commit Graph

5 Commits

Author SHA1 Message Date
Jax Spenser 29310175af Image Trace: Flat Logo mode (sub-pixel edges, restored corners, true lines and circles)
A fourth Image Trace mode for flat-colour logos. The existing tracer follows hard pixel
edges, so an outline can only be as good as the pixel grid; here each pixel is read as a
blend of the logo's flat colours, the blend is interpolated smoothly (cubic B-spline), and
every outline is placed where two colours are equally present, to a fraction of a pixel.

Outlines are then cleaned the way a person would:
- corners the blur rounded are put back (line fits either side of a bend, intersected);
- near-straight runs and near-circular arcs become exact lines and arcs (Snap Curves To Lines);
- the rest is fitted with as few cubic Beziers as the tolerance allows (Schneider);
- touching colours overlap by 0.06 px so no hairline gap opens between independent fits;
- shapes are painted biggest first; transparent areas fully enclosed by artwork (letters
  knocked out of a badge, the counters of an "o") are painted white so the logo reads the
  same on any background, or become real holes with Ignore White (each hole belongs to the
  smallest outline containing it);
- an outline whose fit strays more than 1.4 px from the raw contour is fitted plainly.

Colours are found automatically (and completed from pixels no blend of the known colours
explains, so a small accent is not lost) or named with `logoColors: ["#rrggbb", ...]` (white is
always its own class; colours closer than 12 count as one; at most ten). Gradients and photos
are refused with advice to use Color (a flat-colour score of the solid areas, 0.93). A
hard-edged source with no anti-aliasing is softened by under a pixel and fitted with looser
snap tolerances. Images over 1024 px on the long side are averaged down first (further, if
they are busy enough to make the unmixing expensive) and the result is mapped back exactly.
More real outlines than we will fit are refused, not silently truncated.

Also: a "Flat Logo" preset, the mode in the Image Trace panel (Method hidden: it always
stacks), the command docs and MCP prompt, es/fr/it/ru translations for the two new messages
and the mode name, and the ROADMAP.

Never-crash: no unwrap/expect/panic, every size and float is bounded and checked, with
tests for degenerate and extreme input (NaN/infinite parameters, 0x0 and 1x1 images, sparse
outlines, an anchor budget, a 200,000-entry palette) and a 250-run randomised no-panic
property test. The B-spline interpolation follows Unser et al. and Thevenaz et al., and the
curve fitter follows Schneider (Graphics Gems); both are written from the papers.

Measured (local experiment, not in CI): a flat-colour logo's vector original rendered down
to a soft 199x100 px PNG and traced. Mean edge error vs the original at 1600 px wide:
built-in colour presets 2.5 to 3.4 px, Flat Logo 0.78 px (0.48 px from a crisp source);
region overlap 0.88-0.91 vs 0.966. About 0.1 s for a 200 px logo.

Tests: 60 new in the trace crate (unmix, field, contours, geometry, Beziers, corners,
outline fitting, palette, end-to-end on synthetic shapes made in code) and 3 in the engine.
cargo xtask ci passes (fmt, clippy, test, assets, brands, layers, wasm): 4,290 tests.

Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
2026-10-09 17:57:04 +11:00
bflatastic 4a81e549a2 Part of #641: Image Trace: Palette (Limited, Full Tone, Automatic, Document Library)
Color mode's colours now come from a Palette (`palette` in imageTrace.make's
params), shown in the Image Trace panel under Mode:
- Limited: the `colors` best colours (what Color did before; the default).
- Full Tone: median cut until no colour box spans more than 96 (Less) … 8
  (More) levels per channel, up to 256 colours, set by `colorDetail` 0-100
  (the panel's Colors slider for this palette).
- Automatic: flat art (90% of the pixels in a few tight colours) traces with
  exactly its colours, anything else as Full Tone.
- Document Library: the most used (at most `colors`) colours of the
  document's swatches or of a swatch library (`library`: "document" or a
  library id or name, chosen in the panel's Library list), used as they are;
  traced shapes fill with the swatch's own colour, its colour model kept.
  The library's colours are looked up at every trace, not saved.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-09 09:51:49 +07:00
Brandon Thomas 0f241aac9f clippy: as_chunks for fixed-size pixel and pair chunks (Rust 1.99 lint was red on main)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-05 06:24:06 +07:00
Brandon Thomas f8136f1e35 Live Blends/Envelopes/Gradient Mesh, Shape Builder, Live Paint, Image Trace (drawcraft-trace), Recolor Artwork, Export for Screens, Actions panel, prefs persistence, real layer thumbnails; menus bound
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-09-30 11:02:16 -04:00
Brandon Thomas a7e49bfa72 continued work 2026-09-30 09:43:24 -04:00