The first window opens at 1440 x 900 when the screen has room for it around a
taskbar or Dock, and maximized (with a size that fits once un-maximized)
when it doesn't, as on 1600 x 900, 1366 x 768 or 150% scaled 1080p screens.
The window's size, position and maximized state are saved with the UI
preferences (UiState::window) and restored at the next launch, moved fully
onto a monitor that is still connected and maximized if it no longer fits.
Root cause: main.rs created the window at a fixed 1440 x 900 at the system's
default position, never checked it against the monitor and never remembered
it. The new apps/vectorcraft/src/window.rs places the still-hidden window
from the monitors winit reports (CreationContext::winit_window) and tracks
its geometry every frame.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
VectorCraft had an Additional Plug-ins Folder preference but nothing loaded from it. Port
PhotoCraft's wasmi plug-in host (same sandbox, manifest and parameter schema) as the new
vectorcraft-plugins crate (L2), extended for vector documents:
- Object filters read the selected paths and compound paths as JSON (native PathData and
Paint forms: geometry, fills, strokes, gradients, opacity) and return the objects to keep,
change, add or delete; the output is validated in full and applied as one undo step
(plugin.run). A failing plug-in leaves the document untouched.
- Live-effect plug-ins are geometry effects in the appearance stack (effect id
plugin.<id>), re-evaluated (and cached) when the object or parameters change, editable,
exported and baked by Expand Appearance; a missing plug-in leaves the geometry as is.
- plugin.list / info / run / install / remove / reload; the preference folder installs
every *.wasm at startup and when it changes; File > Open of a .wasm installs it (web).
- Object > Plug-ins and Effect > Plug-ins menus with dialogs generated from the parameter
schema (live preview), the Appearance panel's fx menu, docs/plugins.md, an original
example plug-in (Desaturate, a Rust crate outside the workspace) and fuzzing of the
plug-in boundary (engine/tests/plugin_fuzz.rs).
Tool plug-ins and paint-changing live effects are left for later (docs/plugins.md).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Save PDF > Output now applies: colours convert to a destination profile
(destination, or preserveNumbers keeping the numbers of colours already in
its model; grey stays grey; images and freeform gradient images convert
too; printer's marks don't). Profile inclusion writes ICC-based colour
spaces (CMYK with the destination's or the document's profile, RGB as sRGB,
grey), and transparency in CMYK output blends in the CMYK profile's space.
The output intent profile is embedded as the catalog's /GTS_PDFX output
intent with its condition, identifier and registry, and Trapped goes in
the document information (PDF/A keeps its own). A shared patch module
edits written PDFs (Lab spot alternates use it too).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export {format: "psd"} writes layered bitmaps (8 bits per channel),
written from the format's public specification: RGB, CMYK (ink amounts) or
grayscale, the resolution and an embedded profile, PackBits channels, and the
merged image (the flat render). layers (default true) draws each top-level
layer alone as a pixel layer, cropped to what it paints, with its name,
opacity and blend mode; a background colour becomes a Background layer.
maxEditability turns layers and sublayers into groups and every object into a
layer named as the Layers panel names it (text by its text); clipping, masked,
knockout or appearance-carrying layers stay one layer. hiddenLayers writes
hidden layers hidden instead of leaving them out; layers: false writes a flat
image on white. At most 30000 pixels a side.
Export As offers PSD with the psdOptions dialog (the PNG Options rows, then
Color Model, Flat Image / Write Layers with Maximum Editability and Include
Hidden Layers, Embed ICC Profile). Tests read the files back with the psd
crate (MIT OR Apache-2.0, a dev-dependency).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export {format: "tiff"} writes baseline TIFF through the raster
export path (resolution, background, anti-aliasing, artboard ranges):
colorModel rgb (transparency as unassociated alpha), cmyk (ink amounts,
CMYK colours keep their inks) or gray, lzw (weezl), byteOrder little (II)
or big (MM), embedIcc, and the resolution tags. Export As offers it with
the tiffOptions dialog; TIFF moves from read-only to read and write.
The TIFF writer is shared: EPS previews now use it (and its PackBits)
instead of their own copy, so eps depends on render (layers allow it).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crates/metafile (L3, pure Rust): hand-written EMF and WMF writers over
one shared document walk. EMF keeps Bezier paths, solid brushes, geometric
pens (width, caps, joins, miter limit, user-style dashes), clipping masks as
path clips, images (StretchDIBits, or AlphaBlend with transparency) placed by
a world transform, type as outlines; gradients become images clipped to their
shape and pattern fills their tiles clipped to it. The header's frame is the
artboard in 0.01 mm on a 100 px/mm reference device. WMF flattens curves into
polygons in 16-bit units behind a placeable header (with its checksum),
numbers objects as players do, and reports what it leaves out (clipping,
transparency, gradients, rotated images).
document.export {format: emf|wmf} (and serialize, export) writes one artboard,
or one file per artboard with useArtboards (false: the art's bounds); raster
effects are rendered to images first, as for PDF. Export As lists EMF and WMF.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Every Preferences > File Handling > Data Recovery interval, modified documents
changed since their last copy are written to the recovery store in the
background (the same snapshot and encoder as Background Save; the status bar
shows it). Complex documents (over 20,000 objects) are skipped while Turn off
Data Recovery for complex documents is on.
- A copy goes when its document is saved, reverted, closed or undone back to its
saved state, and when the app quits with nothing unsaved.
- Each running app keeps its copies in an area of its own: a sub-folder whose
.lock file it keeps locked for its lifetime (File::try_lock), or on the web a
heartbeat refreshed every minute. Only areas nobody holds (lock free, or no
heartbeat for three intervals, at least three minutes) are offered, and an
area is held while it is restored or discarded, so a second running instance
never offers or deletes a live instance's copies. Empty leftover areas are
tidied away.
- The next launch after a crash asks with the Recover Documents dialog (Restore /
Discard / Cancel): restored documents open as "<name> [Recovered]", unsaved, and
Save asks where to save them, suggesting their original file; the copy moves
into the new app's area.
- Store: the recoveryFolder preference, else Data Recovery beside the desktop
app's preferences; browser storage on the web (Services::recovery_store);
tests use an in-memory store (with in-memory locks, or heartbeats).
- Engine: file.recovery.save, file.recovery.list, file.recovery.restore {file?},
file.recovery.discard {file?}; DocState.recovered and DocState.recovery.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- pdf/src/encrypt.rs encrypts a written PDF with the standard security handler: 128-bit RC4
(PDF 1.4, revision 3; PDF 1.5, revision 4), 128-bit AES (1.6) or 256-bit AES (1.7/2.0,
revision 6), every string and stream, plaintext XMP metadata when asked, the permission bits
(printing none/low/high, five change levels, copy, screen readers). Crypto from RustCrypto
(aes, md-5, sha2: MIT OR Apache-2.0, pure Rust, wasm).
- PDF/A and PDF/X refuse passwords; equal passwords and passwords the algorithm can't take are
refused.
- Opening: the permissions password opens RC4/AES-128 files too; editing data comes back from
an encrypted PDF opened with its password.
- Save PDF › Security: the passwords, permissions and plaintext metadata, the encryption level.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crates/eps (L3): a hand-written EPS writer. A DSC header with
%%BoundingBox and %%HiResBoundingBox (y up from the origin), %%LanguageLevel
and spot colours; paths filled and stroked with caps, joins, miter limits
and dashes (strokes a plain line can't draw as filled outlines, brushes as
their art), clipping groups, linear and radial gradients as smooth
shadings at Level 3 and stepped fills at Level 2 or with compatible
gradient printing, patterns as tiles, freeform gradients and placed images
as images (Flate with masked transparent pixels at Level 3, run-length at
Level 2), type as glyph outlines, spot colours as Separation spaces and
overprints when preserved; RGB written as CMYK on request. A TIFF preview
(1-bit or colour, transparent or opaque) behind the binary header, a PNG
thumbnail and the native document in comments (eps::native and
eps::thumbnail read them back for a later import).
document.export {format: eps} and document.exportEps: transparency is
flattened first with a flattener preset (built-in or saved) and options;
the visible art's bounds, or with useArtboards one file per artboard named
{stem}_{artboard}.eps. Export As lists EPS, then EPS Options
(ui.epsOptionsDialog for agents, remembered between exports).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
SVG export writes UTF-8, UTF-16 (big-endian with a byte order mark) or
ISO 8859-1 (other characters as character references) and SVG/SVGZ
open in any of them. The Tiny 1.2 profile (simplified) writes
presentation attributes only and leaves out filters, masks, blend
modes and symbols with warnings. embedFonts embeds the fonts type uses
as @font-face subsets of the characters used, honouring the fonts'
fsType (whole when subsetting is forbidden, left out when embedding
is). New options: encoding, profile, embedFonts (SVG Options dialog,
document.formats); document.serialize also returns dataBase64 for
non-UTF-8 files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Format v3: optional gzip (Preferences > File Handling > Use Compression, or
document.save {compress}); compressed files open by their magic bytes, legacy
ones too.
- Every file write goes to a temporary file renamed over the target (engine
writes and the desktop app's writer), so a failed save keeps the old file.
- Only the images the document uses are written.
- Document keys from newer versions are kept (Document.extra, flattened).
- Assigned colour profiles are a real field (Document.color_profiles),
migrated from unknown.colorProfiles on load.
- document.save {version: 1|2} writes files older versions open; {preview}
embeds a PNG of the first artboard of at most 256 px.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crates/cad (L3): a hand-written ASCII DXF writer. Layers become DXF
layers (hidden: off, locked, non-printing: not plotted), straight paths
LWPOLYLINE (POLYLINE before R14), curves cubic SPLINEs through every
anchor, fills solid HATCHes (outlines in R12), strokes lines with a
lineweight and a linetype per dash pattern, type TEXT or glyph outlines,
placed images IMAGE entities linked to PNG or JPEG files. Units and
scale ($INSUNITS), scaled lineweights, 8/16/256 indexed or true colour
(420), transparency (440), Preserve Appearance / Maximize Editability,
Alter Paths for Appearance, Outline Text.
document.export {format: dxf} and document.exportDxf; useArtboards
writes one drawing per artboard; selectedOnly (any export) writes the
selection in its layers. Export As lists DXF (then DXF Options,
ui.dxfOptionsDialog for agents, remembered between exports) and DWG
greyed out; document.formats lists DWG and PICT as unsupported with a
hint, and exporting or opening them answers with it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
remote_connect_fails_fast bound a port and dropped it, so another test or
process could take the port before the connect and make it succeed. It now
holds a socket bound without listening (socket2, a test-only dependency):
connections to it are refused and nothing else can bind it meanwhile. It
also checks the failure comes within 5 s.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export {format: "png8" | "gif"} reduces the art to a palette of at most `colors`
(2–256) entries: median cut over a 15-bit histogram refined by k-means (perceptual,
selective or adaptive weighting), or the web-safe, black-and-white or grey palettes; art
with that many colours or fewer keeps them exactly. Dithering is Floyd–Steinberg diffusion,
an 8×8 ordered pattern or noise, with an amount. Pixels under half opacity become one
transparent entry; partly transparent edges blend over the matte. PNG-8 is an indexed PNG
(PLTE, tRNS, 1–8 bits per pixel, Adam7); GIF is a GIF89a (optionally interlaced). Both are in
document.formats, Export As (PNG-8 / GIF Options dialogs) and Export for Screens.
document.formats' writable list and the MCP export tool's format enum gain gif and png8
(their tests list them).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export {format: "jpg"} takes colorModel (rgb|cmyk|gray), quality 0–100, method
(baseline|optimized|progressive), scans (3–5), embedIcc and imageMap (none|client|server).
JPEGs are written with jpeg-encoder. CMYK files hold ink amounts drawn as the renderer's ink
planes, so CMYK colours keep their inks (black type stays black ink alone). Profiles are made
in code from the CMS (cms::icc_bytes): the RGB spaces from their primaries, the CMYK spaces as
Lab lookup tables sampled from their model, a grey with sRGB's tone curve, and loaded
profiles as loaded. Image maps write <stem>.html or <stem>.map beside the image for objects
with a URL and an Image Map shape. The JPEG Options dialog gains Color Model, Quality 0–10,
Method and Scans, Image Map and Embed ICC Profile; CMYK documents default to CMYK.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Copy and Cut also offer other apps a PNG of the copied objects, a PDF
with On Copy: PDF, and plain text when every copied object is type
(clipboard.flavours; clipboard.exportPng {scale?}, exportPdf,
exportText). Paste outside text editing takes what another app copied:
SVG, then PDF (clipboard.importPdf), then plain text as point text
(clipboard.importText), then a bitmap embedded at the view centre
(clipboard.importImage {dataBase64, mime?, center?}); pasting our own
copy keeps the lossless internal clipboard, and Cmd+V pastes a bitmap
that comes with no text. Services gains system_clipboard
(SystemClipboard: write, holds_ours, read, has): on Windows every
format at once, on macOS and Linux one (the text, else the PNG); the
web keeps SVG text only. With When pasting text: Keep Plain Text, text
the Type tool copied pastes without its formatting.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Opening or placing a PDF or .ai with several pages or a password shows the
Import PDF / Place PDF dialog: a page preview with page navigation, Pages
(All or a range) when opening, Crop To (Bounding Box, Art, Crop, Trim, Bleed,
Media) and a password prompt for encrypted files.
- vectorcraft-pdf: ImportOptions.pages / crop / password, CropTo, info()
(pages, sizes, rotation, boxes); NeedsPassword / WrongPassword / BadPage
errors; images keyed by content so placed pages merge safely.
- document.open takes pages, page, cropTo (or crop) and password;
document.pdfInfo (query) lists pages and boxes, reports needsPassword and
renders a page thumbnail.
- file.place and file.place.info read only the page placed and take every
PDF box as crop (art, trim, bleed, media besides crop and bounding) and a
password; the UI's File > Place asks with the dialog when no page is given,
keeping Link, Template and the other place params.
- testkit::pdf writes hand-made PDFs with page boxes and RC4 encryption.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > Export > Export As... (file.exportAs) picks any writable format and Use Artboards: All
or a range writes one file per artboard, <file>-<artboard>.<ext> (a PDF keeps them as pages);
off, the export covers the bounds of the visible art (an artless document is refused before the
save dialog). The format's options dialog follows: PNG/JPEG/WebP Options, SVG Options, or Save
PDF for artboards as pages. document.export takes useArtboards for raster formats (true: one
file per chosen artboard, default all) and PDF (false: the art's bounds), and the app's exports
return every file written and the encoder's warnings.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
PNG is written by an in-code chunk writer with the resolution in pHYs and optional Adam7
interlacing (JPEG stores the resolution in JFIF). document.export takes ppi (72/150/300/other,
wins over scale), background (transparent, white, black or a colour) and antiAlias (none, art,
type: text snapped to whole pixels); Export for Screens rows take them too (plus one top-level
antiAlias, and a row's ppi names its @Nx suffix), and so does object.rasterize. Hard edges stay
hard in every offscreen pass (groups, masks, filters), whatever the thread count.
RenderOptions.anti_alias and render::encode::RasterExportOptions; PNG/JPEG/WebP Options dialog
(pngOptions/jpgOptions/webpOptions) after File > Export As PNG.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.place {path | name+dataBase64, link, template, replace, at, rect, page, crop} places a
file as one undo step without touching the clipboard. Raster images come in at 100% of the
resolution their file declares (PNG pHYs, JFIF/EXIF, TIFF, BMP; 72 ppi otherwise), linked to
their path by default; SVG becomes one group with its embedded images; a PDF/.ai page or a
native document's artboard becomes one clipped group. The images, symbols, patterns and
swatches the art uses join the document (renamed on conflict). Replace keeps the replaced
object's stacking place and transform; Template puts the art on a new locked template layer
below the current one. file.place.info and image.info report size, ppi and colour mode.
File > Place picks a file and opens the Place dialog (Link, Template, Replace); the web picks
through the inbox. The Control bar shows Linked File/Embedded, the file name, colour mode and
ppi of the selected image.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
svgz is a writable format with the SVG options (document.export,
serialize, save, Export for Screens): exactly the SVG export, gzipped.
SVGZ is recognised by its extension or the gzip magic bytes and opens,
places and pastes like SVG (clipboard.importSvg takes dataBase64 of SVG
or SVGZ); Export As SVG or Save As to a .svgz name writes it
compressed. Gzip lives in the svg crate (pure-Rust flate2, builds for
wasm) and unpacking stops at 512 MB.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export, serialize and save, and the Save As / Save a Copy UI
commands, take the SVG options flat or as svg: {…}: styling
(presentation, style, entities, css), outlineText, images (embed or
link; linked files are written next to the SVG), objectIds (layerNames,
minimal, unique), decimals 1–7, minify, responsive, useArtboards and
range "all" (one SVG per artboard), preserveEditing (the SVG reopens as
the full document) and metadata. Unknown keys are rejected and
document.formats lists every option with its default. Results carry the
SVG writer's warnings.
Save writes SVG to an .svg path and Save again reuses its options.
Export As SVG and Save As / Save a Copy to .svg open SVG Options (first
use: Internal CSS and Responsive, then the last-used choices) with a
read-only code view. Save a Copy no longer retargets the document.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
PdfSettings (serde, camelCase) is the Save PDF model: Standard, Compatibility
PDF 1.4-2.0, General (Preserve editing, Thumbnails, Fast web view, View after
saving, Create layers), Compression, Marks and Bleeds, Output, Advanced and
Security. PdfOptions = settings + pages, title and date.
document.exportPdf {path?, preset?, artboard?|artboards?|range?, standard?,
compatibility?, ...sections} -> {path|dataBase64, bytes, warnings} applies the
options over the preset (null keeps the preset's value); PDF/X, passwords,
PDF/A-2b at 2.0 and out-of-range values are refused; options accepted but not
applied yet come back as warnings. document.export {format: pdf} and
document.formats take and list the same options.
The Save PDF dialog (file.export.pdf, ui.savePdfDialog) has Preset,
Standard and Compatibility on top and a section list; it runs the export
before asking for a path, so bad options never open a save dialog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking the Eyedropper opens Eyedropper Options (dialog
eyedropperOptions): raster sample size (point, 3x3, 5x5) and Picks Up /
Applies trees (transparency; focal fill colour, transparency, overprint;
focal stroke colour, transparency, overprint, weight, cap, join, miter,
dash; character and paragraph attributes). The options live in the
preferences (Prefs::eyedropper, eyedropper.setOptions, prefs key
eyedropper) and replace the earlier appearance/transparency switches.
appearance.copyFrom takes pickUp/apply overrides, reverse (Alt-click:
the selection's attributes onto the clicked object) and append
(Shift+Alt-click: add the source's fills and strokes). Type copies font,
size and paragraph attributes to type. Clicking an image samples its
pixels; sampled colours keep their colour model.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The mark left of Home (and in the About box) is now the VectorCraft app icon,
the engraved dragon from assets/app-icon/ (128 px PNG, include_bytes!), decoded
once per context into a mipmapped texture and drawn at 22 pt with the icon's own
rounded corners. The old code-drawn gradient square with a pen nib is removed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
One shared colour visitor (`colorcmds::Recolor`, used by Edit Colors, Recolor Artwork, the Blend
commands, the proxy Invert/Complement and Document Color Mode) maps solid colours, gradient stops
and text runs as before, and now also:
- gradient-mesh points (with fills); Blend grades meshes by their average and keeps their shading;
- embedded images' pixels (`includeImages?`, default on): the image becomes a recoloured copy under
a content key, the original stays for undo and other objects; linked images are left alone;
- the tiles of pattern fills and strokes (`includePatterns?`, default on): one recoloured copy per
pattern saved as a new pattern swatch ("Dots 2"), the original untouched.
Everything stays one undo step; only nodes that change are copied, in one walk of the tree.
- doc: `ImageBlob::map_rgb` (decode, map each distinct colour once, keep alpha, re-encode PNG),
`ImageBlob::content_key` (now also used by image import) and `ImageBlob::png`.
- `recolor.colors` lists mesh points and pattern tile colours too.
- patterncmds: `add_pattern` adds a pattern and its swatch (shared by Make Pattern and Save a Copy).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Both writers now ask the shared stroke geometry how to write each stroke
(effects::stroke::for_writer): a plain stroke where that is exact, else the
canvas's filled outlines (arrowheads, width profiles, dashes fitted to corners,
dots with round or projecting caps), grouped under the stroke opacity when the
line and its heads overlap. Brushed strokes are written as their brush art.
Inside/outside alignment only applies to closed paths, so open paths export as
centred strokes. The PDF outside-stroke clip frame and the SVG outside mask now
cover the whole stroke reach (miter spikes, projecting caps). SVG stroke
gradients use the same paint box as the canvas. The svg crate docs no longer
claim arrowheads, profiles, brushes and effects are dropped.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Clip groups clip by compound paths (with their holes), even-odd paths, text
outlines and groups (the union of their members) on screen, in raster
export, in SVG and in PDF alike, through one shared region:
Node::clip_outline (the model walk) and effects::clip_outline (text
outlined, several shapes united), cached per clipping path in the
renderer. Nothing to clip by hides the clipped art everywhere, and clicks
hit a clip group only inside its clipping region. Make Clipping Mask takes
a compound path or text object on top (it loses its paint) and Release
gives it back unchanged in kind.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic
Brandon Thomas