Object › Graph › Data (and the graph tool after drawing) opens the
Graph Data window as a worksheet, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-data.html
and
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/adjust-column-width.html
describe, in place of a free-text CSV field.
- The first row holds the series labels, the first column the category
labels, the other cells the values. A click picks a cell, edited in
the entry box above the sheet: Tab enters it and moves right, Enter
down (Shift: the other way), the arrow keys move between cells.
Pasting tab- or line-separated text fills cells from the picked one.
- Import Data reads a tab-separated text file (UTF-8, or UTF-16 with a
byte-order mark), at most a graph's 10,000 × 256 cells.
- Transpose row/column and Switch x/y (scatter graphs) rearrange the
sheet; Revert reads the graph's data again; Cell Style sets the
decimals shown and the columns' width. Apply redraws the graph and
leaves the window open.
- The sheet reads and writes the graph's series, categories and rows
(not CSV), so labels with commas, quotes or `|`, blank labels and
graphs without category labels come back as they were.
- Only the cells in view are drawn, read in place, so a full-size sheet
stays responsive.
Own choices, as the pages don't say: Number of Decimals only changes
what the sheet shows; Transpose is off when it would make more series
than a graph holds; the arrow keys move between cells rather than the
caret. Dragging a column's edge to resize it isn't supported yet.
Text formatted in a graph, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-the-text-in-graphs.html
describes (the whole graph with the Selection tool, or labels picked
with Group Selection, through the Character and Appearance controls),
now survives the graph being drawn again from its data.
- A graph keeps a character style per kind of label: value axis
numbers, category labels (category axis, radar spokes, pie names)
and legend labels (beside or across the top, or in wedges).
- text.setStyle, text.setFormat and fill/stroke changes on a graph's
labels apply the same change to their kind's kept style, so only what
the user changed is kept and every label of that kind follows. A
change to part of a label's text isn't kept.
- Labels are told apart by where the graph draws them, not by their
text, so a category named "2" and the value axis' 2 stay apart.
- Label spacing follows a kept size (legend rows, offsets from the axes
and wedges), so bigger labels don't overlap; at 9 pt it's as before.
Wedge labels stay white on dark wedges unless given a colour.
- A kept style from a file is held to the Character controls' limits.
Own choice, as the page doesn't say what happens on a data change:
formatting one label formats its whole kind, since the labels are drawn
again from the data. Other ways of restyling text (eyedropper,
character styles, Find Font) aren't kept yet. New fields are written
only when set; graphs without kept formatting draw the same art as
before.
Graph Type's column, bar and cluster widths from 1% to 1000%, overlapping
past 100%, the overlap order, and Draw Filled Lines, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-columns-bars-and-lines.html
describes.
- Column and cluster widths take 1–1000% and are drawn as set: past
100% columns (or clusters) overlap. The legend moves past columns
that reach beyond the plot.
- firstColumnInFront draws the first series over the others (in each
layer); firstRowInFront draws each series' first category over the
next. Across series the series order decides, so each series stays
one group for Group Selection.
- filledLines draws the connecting lines of line, scatter and radar
graphs as 3 pt bands filled with the series colour (set as a fill or,
on a thin line, a stroke) with a thin black outline. A run with no
outline to make, or a graph past 20,000 data points, keeps thin lines.
- The Graph Type query lists the overlap options only for graphs with
columns or bars, and filled lines only for graphs with lines.
Own choices, as the page doesn't say: both overlap options start off
(today's order), and the band is 3 pt wide. New fields are written only
when set. Graphs with default options draw the same art as before.
Graph Type's Add Drop Shadow, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-drop-shadows.html
describes, and Add Legend Across Top, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/change-the-position-of-legends.html
describes.
- dropShadow: a shadow behind each column, bar, stacked segment, line
(line, scatter and radar) and pie wedge, just behind the series of
its layer, so areas and columns drawn in front don't hide the shadows
of the layer behind them.
- legendAcrossTop: the legend's swatches and labels left to right from
the plot's left edge, wrapping at the plot's width, the last row just
above the plot and anything drawn over it (radar and stacked-pie
labels).
Own choices, as the pages don't say: a shadow is a black copy 2 pt down
and right at 35% opacity; markers, areas and legend swatches cast none,
nor do stacked segments of 0; a graph with more than 200,000 shadowed
marks draws none.
New fields are written only when set. Graphs with default options draw
the same art as before.
Graph Data's Transpose row/column and Switch x/y, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-data.html
describes, a `|` in a label as a line break, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-labels-and-data-sets.html
describes, and the pie graph options of
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-pie-graphs.html
- graph.setData {transpose: true} swaps rows and columns (after any new
data in the same call); a graph with more categories than a graph can
have series (256) is refused rather than cut. {switchXY: true} swaps
each scatter series' y and x columns, labels included.
- A `|` in a category or series label starts a new line: legend rows
grow with their lines, labels beside an axis or in a wedge centre
theirs. A label of only `|` is blank.
- Pie graphs: pieLegend none|standard|wedges (Legends in Wedges puts the
series labels inside their wedges, in white on dark wedges, drawn over
the pies), piePosition ratio|even|stacked and pieSort all|first|none,
as dropdowns in the Graph Type dialog, which lists them for pie graphs
only.
Own choices, as the page doesn't say: Position and Sort keep today's
drawing by default (Even, None); Ratio sizes pies by area, the biggest
keeping the full size; Stacked pies share a centre, each drawn as the
ring outside the next smaller one so none covers another, with their
names over them.
New fields are written only when set. Graphs with default options draw
the same art as before.
The Graph Design dialog lists the designs with a preview of the
selected one and has New Design, Rename, Delete Design, Paste Design
and Select Unused, as the Graph Design dialog of
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/reuse-graph-designs.html
works; the Marker dialog lists the designs.
graph.design takes them as params:
- new: name or true (the selected art, named "New Design", numbered
when that's taken);
- rename + to: the graphs drawing the design follow it to its new name;
- delete: a name or a list of names;
- paste: as before;
- no params or selectUnused: the designs, and those no graph draws with.
The engine's drawing is unchanged.
Graph designs are named art a graph draws in place of its default
marks. Marker designs follow
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/apply-marker-designs-to-graphs.html
and the Graph Design dialog
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/reuse-graph-designs.html
- graph.design saves the selected art as a named design (Save Design),
pastes a copy of a design into the document, selected, to edit and
save again (Paste Design), and deletes one; graphs drawing a deleted
design go back to their default marks.
- graph.marker draws the data points and legend swatches of the series
picked with Group Selection (or listed, or every series) with a
design: its backmost object is scaled to fill the default marker's
square, strokes, effects and pattern tiles scaling with it. Line,
scatter and radar series; null goes back to the default square.
- Object › Graph › Design… and Marker… open dialogs listing the
document's designs.
Own choices, as the pages don't say: the backmost object's bounds, not
only a rectangle's, set the size (a single object uses its own bounds);
Delete Design manages the list; a design keeps its own paint, so
painting a series doesn't recolour it.
Designs are stored in a new `graphDesigns` list and series designs in
`seriesMarkers`, written only when present. A graph saved as a design is
kept as the plain art it draws. A design holds at most 2,000 objects, a
document 1,000 designs, and a graph whose designs would draw more than
200,000 objects draws default squares; a file's designs are tidied the
same way on open. Global swatch edits, image relinking and placed
documents see design art like symbol art. Graphs without marker designs
draw the same art as before.
The command palette listed select.key as Set Key Object. A pick runs
the command without an id, which cancels the key object (#541).
select.key is now labeled Cancel Key Object, the label of the Align
panel menu item that also cancels the key object. The palette lists
it once, and engine.commands reports the new label. The params text
and docs/mcp.md say that select.key {id} makes id the key object, and
that select.key {}, or an id that names no selected object, cancels
it. The Set Key Object rows are removed from the 10 catalogs that
had one.
Docs: the select.key params text, docs/mcp.md,
docs/target-app-parity.md.
# Conflicts:
# crates/engine/src/cmd/select.rs
# docs/mcp.md
# docs/target-app-parity.md
Agents could set and clear the key object but not read it:
document.inspect, the control channel's ui.pointer reply and the
headless pointer_gesture reply left it out, and select.key returned
null. select.key with an id that was not selected, or with a value
that is not an id, such as "x", cleared the key without an error. A
compound-path member or an object inside a selected group could become
the key.
select.key now checks its id as select.set, select.add and
select.toggle do (#784). It returns an error for an id that is not a
selected top-level object and leaves the key as it was. Layers,
compound-path members and objects inside another selected object are
not top-level objects. select.key {id: null} used to clear the key and
is now an error; select.key {} still clears it. select.key returns
{key}, and document.inspect and both pointer replies include the key
object as "key".
In isolation mode a Selection-tool click can pick an object that
select.key does not accept as the key: a sublayer inside an isolated
layer, a member inside an isolated compound path, or an object in an
isolated group that is also selected. The tool no longer sends
select.key {id} for such an object. When the object is already the
key, the tool still sends select.key {}, which clears the key.
A recorded action whose select.key step names an object that is not a
selected top-level object when the action plays now fails and is
rolled back, as an action with a select.set step naming a deleted
object has failed since #784.
Docs: docs/mcp.md, docs/control-protocol.md, docs/target-app-parity.md.
With two or more objects selected and no key object, a click on Align
to Key Object in the Align panel stored Key as the Align To choice and
set no key. The align buttons of the Align panel, the Control bar and
the Properties panel then ran object.align with to: "key", which fails
with "no key object". Distribute Spacing sent the panel's spacing
value and kept the leftmost or top object in place. The stored Key
stayed until Align to Selection, Align to Artboard or Cancel Key
Object was chosen.
The button now runs select.key on the topmost selected object, the
last in paint order, whatever order the objects were selected in, and
the canvas draws that object with the key-object outline. The align
buttons in all three places and Distribute Spacing then use that key,
and Cancel Key Object clears it. A key that is already set stays the
key. With fewer than two objects selected the button is disabled, as
the Distribute buttons are. The button stores no choice, so once the
key is cleared by Cancel Key Object, by a click on the key object or
by another selection, Align To shows the stored Selection or Artboard
choice again. Cancel Key Object no longer sets that choice to
Selection.
Docs: docs/target-app-parity.md.
artboard.move with moveArt (the Artboard tool's drag of one artboard or
several and, with copy, its Alt-drag), artboard.duplicate with art and
artboard.rearrange with moveArtwork moved the art, or its copies,
without their pattern tiles, whatever General › Transform Pattern Tiles
was set to. They now follow the preference as the transforms and
artboard.setProps do: with it on, pattern fills and strokes move with
the art. Each also takes a `patterns` param for one call. When the art
uses a pattern, the journal records the choice, and a recorded action
plays back with it.
Docs: docs/mcp.md (transformPatternTiles, artboard copies),
docs/target-app-parity.md.
# Conflicts:
# crates/engine/src/cmd/menucmds.rs
These commands edited the document even when nothing changed, so the
call recorded an undo step, emptied Redo and marked the document
modified:
- All Artwork Above and Other Layers (Object › Lock and
Object › Hide) with nothing to lock or hide: no object above the
selection, no other layer, or every one already locked (Lock) or
hidden (Hide).
- Transform Each with no object to transform, and without Copy when
both scales are 100% and there is no move, rotation or reflection.
- Rearrange All Artboards when no artboard moves, or with no artboard.
- stroke.widthPoint.set and stroke.widthPoint.copy when the profile
comes out as it was, and stroke.widthProfile.set with the profile the
strokes have already.
- Liquify when the stroke reshapes no path, and Puppet Warp given the
pins the art holds already (rest: true), or without rest when every
pin stays where it is and turns the art by 0° or is free.
- Define Perspective Grid with the grid the document has, Attach to
Active Plane with no object, Release with Perspective on art that is
not in perspective, Move Plane to where the plane is, without copies,
and Move Plane to Match Object when the plane is there and active
already.
- Move, Nudge and Transform in Perspective without Copy when no object
moves (1e-9 pt or less along the plane or its normal, Snap to Grid
included, or the identity), and Transform Again after one.
These commands now return without editing the document. The replies
have the same form as before. Transform Each with Copy and no object
to transform no longer empties the selection. Puppet Warp without rest,
with every pin where it is and turning the art by 0° or free, no longer
turns a live shape into a plain path. All Artwork Above still deselects
selected objects that are hidden or locked. Width Point counts a change
of 1e-9 or less in a point's place or width factor (its width over half
the stroke weight) as none. OK in Width Point Edit with the widths it
shows, with or without Adjust Adjoining Width Points, records no undo
step. After a move in perspective that moved nothing, Transform Again
repeats the identity.
One line in the evidence list of docs/target-app-parity.md names the
commands.
On a hybrid laptop whose Wayland compositor runs on the discrete GPU
(Hyprland with AQ_DRM_DEVICES naming the NVIDIA card first), the built-in
panel still hangs off the integrated GPU, so the display rule put it first,
and the window stayed empty: the compositor took the frames and showed
nothing, with no error, so neither the restart on a failed adapter (#502)
nor the first-frame watch (#964) noticed.
Which GPU drives a display stands in for which GPU the compositor draws
with. Under Wayland the compositor says so itself: the main_device of its
linux-dmabuf feedback (version 4), the device it imports client buffers on,
which Mesa's Vulkan device-select layer reads for the same purpose.
compositor_gpu.rs asks for it on a short-lived connection, maps the dev_t
to PCI ids through /sys/dev/char, and under Automatic adapter_order ranks
that adapter ahead of the display GPUs. No answer (X11, an older compositor,
a GPU no adapter matches) leaves the existing rules in charge; a user's own
choice, WGPU_ADAPTER_NAME and the restart skip list still come first.
wayland-client and wayland-protocols are already in the tree through winit;
they become direct Linux-only dependencies.
Adds the Character panel menu's Digits option (with the Middle Eastern /
Indic options, beside Paragraph Direction in the Paragraph panel) as a
character attribute: CharStyle::digits, saved only when set, with
text.setFormat {digits} and text.setRangeStyle {id, start, end, digits}
("default" | "arabic" | "hindi" | "farsi"; a bad value is an error).
Shaping draws every digit of the Western, Arabic-Indic (U+0660–U+0669)
and Eastern Arabic-Indic (U+06F0–U+06F9) sets in the chosen system,
whatever was typed, before font fallback, so a font without the
Arabic-Indic digits gets a fallback for them. The text, its clusters,
the caret, selection and search stay as typed, as with All Caps; SVG
export writes the digits as drawn.
Catalog rows for Digits, Arabic, Hindi and Farsi in the ten translated
languages. Docs: docs/mcp.md (Digits), type-parity.md (digit types
done; Character Direction, kashidas, composers and the split caret
still missing), target-app-parity.md and gaps.md.
Behaviour from the public documentation (a character-level option with
the values Arabic, Hindi and Farsi in the Character panel menu):
https://helpx.adobe.com/indesign/desktop/language-and-proofing/arabic-and-hebrew/choose-digit-types.html
Tests: doc (the mapping and serialization), text (glyphs of "page 3" in
Hindi/Farsi equal the typed Arabic-Indic digits' on the typed clusters;
skips without a font covering the three sets), engine (setFormat,
setRangeStyle, undo, error), svg (digits written as drawn), ui-egui
(the menu shows with the Indic options).
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Ctrl/Alt+arrows and double-click treated a run of Thai (Lao, Khmer,
Myanmar) without spaces as one word, and stopped at a word's tone and
vowel marks, which didn't count as part of a word. They now stop at the
word boundaries the line segmenter finds in those scripts (shared with
line breaking, so no more data ships), and combining marks count as
part of a word, also for combining accents in other scripts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The web build has no installed fonts, so Thai there showed as empty
boxes. With a craft-fonts checkout that has Noto Sans Thai, its Thai
font joins the document font database after the Arabic ones (the
fallback for Thai where no Thai font is installed) and the web build
fetches it before the app starts, as it does Noto Sans Arabic.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The font menu's script filter offered Japanese and Latin only, so Thai
fonts had to be found by name among every installed family. It now has
Thai too: the families whose character map has Thai. Latin lists the
families with neither Japanese nor Thai.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
These scripts don't separate words with spaces, and lines only broke at
spaces, hyphens and CJK characters, so a Thai paragraph in area type ran
on to the next space (or was cut wherever it overflowed). Each
paragraph's glyphs now carry the word ends ICU4X's line segmenter finds
in text of those scripts (its dictionaries on the desktop, its far
smaller LSTM models on the web), and a line may break after them as
after a space. Other text keeps its own breaks, and clusters (a
consonant with its vowel and tone marks) still never split.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Two branches' status lines both landed in a merge; they are one line
again, naming both changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Type tool's Left and Right arrows and Delete moved one code point at
a time, so the caret could stop between a Thai consonant and its vowel
or tone marks (or inside an accented letter or emoji sequence), where
typing or deleting splits the cluster. They now step over extended
grapheme clusters. Backspace still takes back one character at a time,
as Thai typists expect for a mistyped tone mark.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Thai typed in a font without Thai glyphs (Source Sans 3, a Latin font)
took the first loaded face that had them, or the first installed file
that did, in path order: on one Windows machine a display face (Kanit)
rather than Leelawadee UI. Characters of Thai, Lao, Khmer and Myanmar
now try fonts made for their script first, installed ones loaded on
demand (Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai,
the TLWG fonts for Thai), then the fallback as before. Latin beside
them keeps the font chosen.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An agent driving VectorCraft over the confined MCP server had no way to
see which files it was given, so it guessed names. `file.list {path}`
lists a folder's files (with their sizes) and folders by name, held to
the automation read root like every read; links are listed as links and
not followed. At most 5000 entries, with `truncated` saying when there
were more.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An agent's build over MCP left one undo step per batch step (about 280
for one job). `command_batch` takes `atomic: true` (and an optional
`label` naming the step) to make the whole batch one undo step. It runs
the batch in an undo group, opened and closed by the new commands
`edit.undoGroup.begin {label?}` and `edit.undoGroup.end {cancel?}`, so
every backend (headless or the connected app) supports it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The report module moves to cmd/rasterfx/report.rs (the crate's foo.rs +
foo/ layout instead of #[path]). An object is the document's when its id
is below the document's next id, so building the report no longer walks
the whole document (and its symbols and patterns) on every PDF, SVG,
print and clipboard export. The parity docs say what changed in the
status line and one evidence bullet instead of a separate paragraph.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 64 million pixel cap can silently lower raster-effect resolution. Report each original object's id and name with requested and achieved ppi through the existing export warnings, retaining the lowest resolution across its images.
Keep the cap and rendering unchanged, cover capped and uncapped exports, and record the evidence without changing parity scores.
DXF already outlines type unless preserve: editability, so say so next to
the outlineText flag; reword the new-art sentence and point to paint.default.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Omitted paint fields keep the current appearance, so agents can get a black outline when they only set a fill. Document the initial white fill and 1 pt black stroke and recommend explicit paint for outline-free art.
Clarify SVG/SVGZ outlineText versus PDF options.advanced.outlineText and PDF's live-text default, noting DXF also accepts the top-level flag. Descriptions and documentation only; drawing and export behavior are unchanged.
render_preview only rendered the first artboard, so an agent couldn't
look at pages 2 and on of a multi-artboard document without switching
to screenshot. It now takes an optional 0-based `artboard` (as
screenshot does) and refuses an index the document doesn't have.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Anchor Point tool drags any segment of a selected blend's spine into
a curve, straight ones too, and Direct Selection reshapes a curved spine
segment as it does a path's (a straight one it leaves, as on paths). Both
run the new `object.blend.spine.reshapeSegment`, which bends the segment
with the same math as `path.reshapeSegment`, now shared as
`SubPath::bend_segment`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
winit 0.30 delivers no file drops on native Wayland. The new Linux Display
Server preference (Automatic / X11 (XWayland), shown on Linux only, read at
startup) has winit open the window on X11 when the session is Wayland,
DISPLAY is set and the X11 libraries winit loads are installed (ldconfig
check ported from PhotoCraft); otherwise the window opens on Wayland and
the log says why. README, development notes, parity docs, ROADMAP and the
complete catalogs updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A marquee drawn wholly inside a filled shape counted as touching it, so
a marquee over a background (the usual way to pick small objects off it
in Outline view) selected the background too. As in Illustrator, the
marquee now needs the path itself: an anchor inside it or a segment
crossing its edges.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Effect › Distort & Transform › Zig Zag… lays out its options the way
Illustrator's dialog does: Size and Ridges per segment each have a
slider beside their field, Relative / Absolute are radio buttons under
Size, and Points offers Smooth and Corner as radio buttons instead of a
dropdown. The label reads "Ridges per segment".
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A corner is now any anchor that isn't smooth where two sides meet at an
angle, straight or curved, as in Illustrator. The cut meets each side at
its setback measured along the curve, leaves both sides along their
tangents there, and each curved side is trimmed to what the cuts at its
ends leave of it. The largest radius is still the one taking the cut
halfway along the shorter side, measured along the curve. Corners
between straight sides draw exactly as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Artboard tool and the Artboards panel only ever had one artboard
selected, so Shift-clicking another didn't add it. As in Illustrator:
- Artboard tool: Shift-click adds an artboard to the selection (it
becomes active) or takes one out; a plain click on a selected one keeps
the selection, so a drag moves them all (Alt copies them all, the
copies becoming the selection), and Delete removes them all, one
artboard always staying. The other selected artboards show dashed
bounds; `selected` is a tool option.
- Artboards panel: with the Artboard tool, Shift- or Ctrl/Cmd-click on a
row adds or removes it, every selected row is highlighted, and Delete
Artboard removes them all.
- `artboard.move` and `artboard.delete` take `indices` besides `index`:
several artboards in one undo step, each with its art (an object moved
once where artboards overlap).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The MSI's wizard now has a Shortcuts page between the install folder and
Ready, with a ticked "Create a desktop shortcut" box (the Start Menu
shortcut is always installed, as the page says). The box sets the secure
INSTALLDESKTOPSHORTCUT property; the shortcut's component is installed
only with it, on the common desktop of this per-machine install, and is
removed with the app. msiexec /qn installs it too unless
INSTALLDESKTOPSHORTCUT="" is passed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The ••• button at the bottom of the toolbar no longer opens All Tools as a
centred dialog. It opens the All Tools drawer beside the toolbar, next to the
button. Escape or a click outside closes it; a click in the toolbar doesn't.
Tools that are already in the toolbar show dimmed in the drawer.
While the drawer is open the toolbar can be edited, as the public
documentation describes:
- drag a tool from the drawer onto a toolbar button's top or bottom edge
(left or right edge in two columns) to put it in its own slot there;
- drag it onto a button's middle to add it to that button's group;
- drag a toolbar button into the drawer to take its tool out;
- drag a toolbar button to another place in the toolbar to move its tool.
A line or outline shows where the tool will go, and the dragged tool follows
the pointer. While the drawer is closed the toolbar can't be edited.
The Basic and Advanced toolbars each keep their own edits in
UiState::toolbar_edits, which is saved with the preferences. It is serde
default, so older preferences still load, and a hand-edited file is cleaned
up when it loads. An edit that brings back the default toolbar clears the
saved edits. New UI commands toolbar.addTool {tool, slot?, place?},
toolbar.removeTool {tool, group?}, toolbar.reset and
window.editToolbar {open?} let MCP and the control channel make the same
edits. The drawer also has a Reset button.
The drawer moved from dialogs/all_tools.rs into the new edit_toolbar.rs. It
is tested with headless egui frame tests driven by pointer events (placement,
Escape, click outside, dimming, drag and drop in each direction, the locked
toolbar), along with command, persistence and drop-zone tests. The three new
command labels are translated in every complete catalog, and the error
messages reuse existing translated templates.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Placing an SVG fitted and centred it by its art's bounds whatever `crop`
said, so art drawn on a shared canvas lost its place and scale, and
`crop: "crop"` and `crop: "bounding"` gave the same result without a
warning. With `crop: "crop"` given, an SVG is now framed and clipped by
its viewBox (its artboard, as File › Open has it), as a PDF is by its
page: `rect` and `at` fit and centre that frame. By default, as
Illustrator places an SVG, and with "bounding", it is still its art's
bounds.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The second half of #966. With Proportional Metrics on, a vertical segment is
also shaped top to bottom, with and without `vpal`: the difference gives
each glyph's change of advance down the column and its x and y placement.
An upright glyph (not tate-chu-yoko) in a font with vertical metrics takes
them on top of its cell, so it moves with its shorter cell; a font without
vertical metrics keeps `upright_cell`'s cell, and with the switch off
nothing is shaped twice and the column is as before.
As in horizontal type, Line-end Punctuation Half Width takes nothing more
off the punctuation `vpal` re-spaced and trims the punctuation it leaves
full height as before. Docs: mcp.md, and Proportional Metrics leaves the
missing lists in gaps.md, type-parity.md and target-app-parity.md.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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