Localize native/web file filters, diagnostic labels, numbered presets
and contributor tooltips with English fallback and Czech plural forms.
Fix gradient adjective agreement and disambiguate Japanese printer marks
in PDF/Print choices and summaries. Keep file extensions and names intact.
Add Czech catalog rows and regression coverage; update localization evidence.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Find in Folder… in Linked File Not Found and in the Links panel menu
looks in a folder the user picks, and in its subfolders, for the files
with the names of missing linked files, in any letter case. In the
Links panel menu it looks for the selected linked files when there are
any. It uses the folder search of the Missing Fonts dialog. Find
Linked Files lists each file it looks for with the files found for it.
A file with the size and contents saved with the link comes first. A
file of the saved size comes next when the link saved no hash or the
file is larger than 1 GB, and any other file of the name comes last.
Within each group, a file named in the same letter case comes first.
Then each file's folder names are compared with the saved path's, from
the innermost outward, up to the first one that differs, and a file
with more matching names comes before one with fewer. A file is chosen
when it is the only file found, or the only one with the saved
contents, and the user can choose another file or Don't Relink.
Relink relinks each file chosen, and each relink is one undo step.
With Copy into the document's folder, which shows for a saved
document, each image's file is copied next to the document first. The
file's name, then Name 2.png, Name 3.png and so on, are tried in turn
until one is free, which gets the copy, or is a file with the same
contents, which is used. A placed document is relinked where its file
is. The status line names the first file that fails to relink, and the
other files still relink. When Find Linked Files opens from Linked
File Not Found, the missing files left without a choice, and any that
fail to relink, go back to that dialog. On the web, Find in Folder… is
disabled in the Links panel menu, and links.findFiles can't start a
search.
- links.findFiles searches on separate threads and returns at once;
links.findFiles {} reports the search, and {stop: true} stops it. It
looks for at most 1,000 linked files at once: the active document's
missing ones, or those of the objects it is given. It hashes a file
only when a link of its name saved the file's size and a hash, and
only when the file is 1 GB or smaller. It ends once every linked
file has its same file, and it searches only the folders
text.findFontFiles may search, with the same maxSeconds, depth and
count limits.
- links.relink {copy} copies the file it is given into the saved
document's folder and links images to the copy; a call that includes
a placed document fails. Each name it writes is checked against the
automation write root. text.addFontFiles and links.relink {copy}
make their copies with fileio::copy_new, which never replaces a
file. The text.addFontFiles params text and docs/mcp.md say which
names are tried for a copy.
- vectorcraft-doc adds links::hash_reader, which hashes what a reader
reads as hash_bytes hashes bytes.
- ui.findLinksInFolder is the Links panel's Find in Folder… for agents;
docs/control-protocol.md lists the dialog's fields.
Docs: docs/mcp.md, docs/control-protocol.md, docs/target-app-parity.md.
A click on a Layers row runs layer.setCurrent, which makes the row's
layer current whether it is hidden or locked and keeps the selection.
Object › Arrange › Send to Current Layer then moved the selected
objects into that layer, or into a sublayer of a hidden or locked
layer, and left them selected. In that case drawing, typing and
pasting put new art on the topmost layer that is shown and unlocked,
and since #1039 they fail with "the target layer is locked or hidden"
when no layer is shown and unlocked.
Send to Current Layer now fails with that error when the current layer
is hidden or locked, or is inside a hidden or locked layer. It makes
the check that DocState::target_parent makes for new art
(Document::is_editable) before it moves anything or records an undo
step. The objects stay where they are and stay selected. The message
already has a row in the cs, de, es, fr, it, ja, pt-br, ru and uk
catalogs.
Docs: docs/target-app-parity.md.
Transform Again kept only the last transform's matrix and its Copy
flag. After a Selection tool handle drag resized area type, Transform
Again scaled the type instead of resizing the type area again. After
Move, Rotate, Scale, Reflect or Shear with Transform Patterns set
differently from General › Transform Pattern Tiles, Transform Again
followed the preference, and after a scale whose strokes or corners
param differed from Scale Strokes & Effects or Scale Corners, it
followed those preferences. A recorded Transform Again played back
with the preferences in effect at playback, although its step records
the strokes, corners and patterns values it used.
last_transform now keeps the options with the matrix, as
last_perspective keeps the perspective.transform params.
apply_transform stores the copy, typeAreas and patterns values a
transform command used, and strokes and corners when it scales.
commit_interaction stores the params of a drag's last object.transform
preview with the values that preview noted. object.transformAgain
passes the options to the transform it repeats, and a true or false
value given in its own params under one of those names takes
precedence. A recorded step plays back with the values it records.
Three engine tests fail without the change: Transform Again after a
handle drag on area type, Transform Again after a Move with patterns:
false while Transform Pattern Tiles is on and after a Scale with
strokes: true while Scale Strokes & Effects is off, and a recorded
Transform Again played back with Transform Pattern Tiles on.
Docs: docs/mcp.md, docs/ui-parity.md, docs/target-app-parity.md.
Preferences › Guides & Grid › Gridline every and Subdivisions set the
grid of the documents that were open when either value changed, and of
no other document. A document made with File › New, or opened from a
file VectorCraft reads no grid from (SVG, PDF, EPS, .ai and the other
imported formats), got a 72 pt grid with 8 subdivisions, whatever the
preferences were set to. After a restart the saved values applied to no
document, because the desktop app restores the preferences at launch,
before any document is open.
file.new now gives a new document the preferences' grid, and
document.open, file.newFromTemplate and file.revert give it to a
document read from such a file. A native file, and the native document
that an SVG, PDF, .ai or EPS file carries, keep the grid they were
saved with. Changing either preference still sets the grid of every
open document.
Docs: docs/mcp.md (gridlineEvery, gridSubdivisions),
docs/target-app-parity.md.
Fixes#1273. A selected group or compound path shows its paths' anchors
with the Pen, but Pen + Alt only looked at paths selected directly, so an
Alt-click there started a new path instead of converting the anchor.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Add deterministic document-space grain, highlight controls and a live
dialog with preview, cancel, undo and appearance editing. Preserve
coverage, support existing native and raster export paths, translate
new labels and update parity documentation.
Validate the tonal curve, stationarity, subpixel strength, zoom filtering
and tile seams. Full cargo xtask ci passes all seven gates.
The follow-up #966 left room for. With automatic kerning, horizontal type
with Proportional Metrics also applies `apkn`, and vertical type applies
`vkrn` and `vapk` along with `vpal`. Manual kerning turns them off, as it
turns off `kern`.
Vertical kerning used to cancel out: both top-to-bottom shapings had
harfrust's default `vkrn`. The baseline now has neither `vpal` nor the
kerning, so their difference carries both. A third shaping (`vpal` alone)
tells which advances `vpal` itself changed, and mojikumi steps aside only
for those. Vertical type without Proportional Metrics isn't kerned, as
before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The endpoints of a selected segment are hollow, so select.anchors and select.anchorsMany now
start from no anchors of that path instead of toggling the endpoint off.
select.anchors in toggle and add mode now starts from all of a path's
anchors when the path is selected as a whole, as select.anchorsMany does.
Before, Shift-clicking an anchor of a fully selected path left only that
anchor selected.
Follow-up to #1237 / #1254.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The colour histogram used the top 5 bits of each channel, so tones less
than 8 values apart always shared a bin and could never get their own
palette entry, however many colours were asked for. A dark, low-contrast
photo (a book-cover texture with RGB 33..66) traced to 5 colours when 12
were requested, and eight grey stripes 32..39 traced to one:
vectorcraft-cli run --in stripes-32-39.png --cmd select.all \
--cmd imageTrace.makeAndExpand \
--params '{"params":{"mode":"color","colors":8,"noise":0,"method":"overlapping"}}'
-> {"anchors":4,"colors":1,"id":4,"paths":1}
The histogram keeps its 32x32x32 bins, now fitted to each channel's range
among the opaque pixels: a channel spanning at most 32 values keeps every
value apart, a full-range channel keeps the old 5-bit bins.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Drop a failed control connection and reconnect for the next request, never resend an operation that may already have completed.
A loopback regression applies a rectangle then drops its reply. It reproduces two edits before the fix and verifies one edit, an error, and successful inspection afterward.
paint.setFill {"color": {"c": 18.16, "m": 13.39, "y": 13.9, "k": 0.79}} stored
K 79 %: recolor.colors listed the colour as "cmyk 18.16 13.39 13.9 79" and the
exported PDF printed it as a dark grey. color_value chose the scale for each
component on its own (above 1: percent, else a fraction), so a percentage of
1 or less beside larger ones became a fraction.
A {c, m, y, k} object now takes percent for every component as soon as one is
above 1, and fractions only when all four are within 0..1, as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The branch was cut from an older main, so its commit also removed four engine tests (stroke and
paint rejection, malformed anchor selection, bad anchors in path commands), the newer
window.panel.float/dock parameter docs and the un-collapse on showing a floating panel. This puts
them back and adds the Horizontal & Vertical Align Center label to the complete catalogs.
Object › Graph › Data (and the graph tool after drawing) opens the
Graph Data window as a worksheet, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-data.html
and
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/adjust-column-width.html
describe, in place of a free-text CSV field.
- The first row holds the series labels, the first column the category
labels, the other cells the values. A click picks a cell, edited in
the entry box above the sheet: Tab enters it and moves right, Enter
down (Shift: the other way), the arrow keys move between cells.
Pasting tab- or line-separated text fills cells from the picked one.
- Import Data reads a tab-separated text file (UTF-8, or UTF-16 with a
byte-order mark), at most a graph's 10,000 × 256 cells.
- Transpose row/column and Switch x/y (scatter graphs) rearrange the
sheet; Revert reads the graph's data again; Cell Style sets the
decimals shown and the columns' width. Apply redraws the graph and
leaves the window open.
- The sheet reads and writes the graph's series, categories and rows
(not CSV), so labels with commas, quotes or `|`, blank labels and
graphs without category labels come back as they were.
- Only the cells in view are drawn, read in place, so a full-size sheet
stays responsive.
Own choices, as the pages don't say: Number of Decimals only changes
what the sheet shows; Transpose is off when it would make more series
than a graph holds; the arrow keys move between cells rather than the
caret. Dragging a column's edge to resize it isn't supported yet.
Text formatted in a graph, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-the-text-in-graphs.html
describes (the whole graph with the Selection tool, or labels picked
with Group Selection, through the Character and Appearance controls),
now survives the graph being drawn again from its data.
- A graph keeps a character style per kind of label: value axis
numbers, category labels (category axis, radar spokes, pie names)
and legend labels (beside or across the top, or in wedges).
- text.setStyle, text.setFormat and fill/stroke changes on a graph's
labels apply the same change to their kind's kept style, so only what
the user changed is kept and every label of that kind follows. A
change to part of a label's text isn't kept.
- Labels are told apart by where the graph draws them, not by their
text, so a category named "2" and the value axis' 2 stay apart.
- Label spacing follows a kept size (legend rows, offsets from the axes
and wedges), so bigger labels don't overlap; at 9 pt it's as before.
Wedge labels stay white on dark wedges unless given a colour.
- A kept style from a file is held to the Character controls' limits.
Own choice, as the page doesn't say what happens on a data change:
formatting one label formats its whole kind, since the labels are drawn
again from the data. Other ways of restyling text (eyedropper,
character styles, Find Font) aren't kept yet. New fields are written
only when set; graphs without kept formatting draw the same art as
before.
Graph Type's column, bar and cluster widths from 1% to 1000%, overlapping
past 100%, the overlap order, and Draw Filled Lines, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-columns-bars-and-lines.html
describes.
- Column and cluster widths take 1–1000% and are drawn as set: past
100% columns (or clusters) overlap. The legend moves past columns
that reach beyond the plot.
- firstColumnInFront draws the first series over the others (in each
layer); firstRowInFront draws each series' first category over the
next. Across series the series order decides, so each series stays
one group for Group Selection.
- filledLines draws the connecting lines of line, scatter and radar
graphs as 3 pt bands filled with the series colour (set as a fill or,
on a thin line, a stroke) with a thin black outline. A run with no
outline to make, or a graph past 20,000 data points, keeps thin lines.
- The Graph Type query lists the overlap options only for graphs with
columns or bars, and filled lines only for graphs with lines.
Own choices, as the page doesn't say: both overlap options start off
(today's order), and the band is 3 pt wide. New fields are written only
when set. Graphs with default options draw the same art as before.
Graph Type's Add Drop Shadow, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-drop-shadows.html
describes, and Add Legend Across Top, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/change-the-position-of-legends.html
describes.
- dropShadow: a shadow behind each column, bar, stacked segment, line
(line, scatter and radar) and pie wedge, just behind the series of
its layer, so areas and columns drawn in front don't hide the shadows
of the layer behind them.
- legendAcrossTop: the legend's swatches and labels left to right from
the plot's left edge, wrapping at the plot's width, the last row just
above the plot and anything drawn over it (radar and stacked-pie
labels).
Own choices, as the pages don't say: a shadow is a black copy 2 pt down
and right at 35% opacity; markers, areas and legend swatches cast none,
nor do stacked segments of 0; a graph with more than 200,000 shadowed
marks draws none.
New fields are written only when set. Graphs with default options draw
the same art as before.
Graph Data's Transpose row/column and Switch x/y, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-data.html
describes, a `|` in a label as a line break, as
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-labels-and-data-sets.html
describes, and the pie graph options of
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-pie-graphs.html
- graph.setData {transpose: true} swaps rows and columns (after any new
data in the same call); a graph with more categories than a graph can
have series (256) is refused rather than cut. {switchXY: true} swaps
each scatter series' y and x columns, labels included.
- A `|` in a category or series label starts a new line: legend rows
grow with their lines, labels beside an axis or in a wedge centre
theirs. A label of only `|` is blank.
- Pie graphs: pieLegend none|standard|wedges (Legends in Wedges puts the
series labels inside their wedges, in white on dark wedges, drawn over
the pies), piePosition ratio|even|stacked and pieSort all|first|none,
as dropdowns in the Graph Type dialog, which lists them for pie graphs
only.
Own choices, as the page doesn't say: Position and Sort keep today's
drawing by default (Even, None); Ratio sizes pies by area, the biggest
keeping the full size; Stacked pies share a centre, each drawn as the
ring outside the next smaller one so none covers another, with their
names over them.
New fields are written only when set. Graphs with default options draw
the same art as before.
The Graph Design dialog lists the designs with a preview of the
selected one and has New Design, Rename, Delete Design, Paste Design
and Select Unused, as the Graph Design dialog of
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/reuse-graph-designs.html
works; the Marker dialog lists the designs.
graph.design takes them as params:
- new: name or true (the selected art, named "New Design", numbered
when that's taken);
- rename + to: the graphs drawing the design follow it to its new name;
- delete: a name or a list of names;
- paste: as before;
- no params or selectUnused: the designs, and those no graph draws with.
The engine's drawing is unchanged.
Graph designs are named art a graph draws in place of its default
marks. Marker designs follow
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/apply-marker-designs-to-graphs.html
and the Graph Design dialog
https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/reuse-graph-designs.html
- graph.design saves the selected art as a named design (Save Design),
pastes a copy of a design into the document, selected, to edit and
save again (Paste Design), and deletes one; graphs drawing a deleted
design go back to their default marks.
- graph.marker draws the data points and legend swatches of the series
picked with Group Selection (or listed, or every series) with a
design: its backmost object is scaled to fill the default marker's
square, strokes, effects and pattern tiles scaling with it. Line,
scatter and radar series; null goes back to the default square.
- Object › Graph › Design… and Marker… open dialogs listing the
document's designs.
Own choices, as the pages don't say: the backmost object's bounds, not
only a rectangle's, set the size (a single object uses its own bounds);
Delete Design manages the list; a design keeps its own paint, so
painting a series doesn't recolour it.
Designs are stored in a new `graphDesigns` list and series designs in
`seriesMarkers`, written only when present. A graph saved as a design is
kept as the plain art it draws. A design holds at most 2,000 objects, a
document 1,000 designs, and a graph whose designs would draw more than
200,000 objects draws default squares; a file's designs are tidied the
same way on open. Global swatch edits, image relinking and placed
documents see design art like symbol art. Graphs without marker designs
draw the same art as before.
These strings reach tl!/tr at render time but had no Czech entry; several are passed through variables or helpers, so the literal-based coverage test does not see them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The key "Add" is shared by Effect > Pathfinder > Add (PathfinderOp::Unite),
the File Info button and a label in the raster effects dialog. One plain row
cannot fit all three: "Přidat" is right for the button, but the Pathfinder
effect unites shapes, so it reads "Sjednotit".
- cs.tsv: `@id pathfinder.add` = "Sjednotit"; the plain "Add" row stays
"Přidat".
- menus.rs: Effect menu items all run effect.apply / effect.dialog, so the
command id cannot tell them apart. effect_item_label() looks the effect's
own id up first (an @id row), and "Last Effect: {name}" does the same.
- appearance.rs: the Appearance panel's effect labels use the same lookup.
- i18n/tests.rs: an @id row may now name an effect id as well as a command
id; czech_reads_as_czech pins Add and pathfinder.add.
No other catalog has an @id row, so their behaviour is unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
On Windows the Hand tool, Space and the Zoom tool showed the wrong
cursors: winit maps egui's Grab and Grabbing to the four-headed move
cursor (IDC_SIZEALL) and has nothing for ZoomIn/ZoomOut, so the hand
appeared as arrows and the magnifier not at all. Those four were the
only tool cursors left to the system.
They are now vector glyphs like the others (an open and a closed hand,
a magnifier with a plus or a minus), shown as OS cursors on the desktop
and painted on the web, and the canvas routes the Space, Hand and Zoom
states through the same path as the tool cursors.
Tests: the glyphs rasterize at every scale with the others; only the
busy states stay system cursors.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Clicking an anchor of a path selected whole (or one of several selected
anchors) with the Direct Selection tool left the selection as it was,
so the clicked anchor never became the selected one and Live Corners
and the anchor controls kept acting on every corner. A plain click now
selects that anchor alone, as the public documentation describes (a
click selects the anchor point, Shift-click adds others):
https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/select-anchor-points-in-paths.html
The press keeps the selection so a drag still moves every selected
anchor with the one held; only the release without a drag narrows it.
Shift still toggles, Alt still picks the whole path, and an anchor that
wasn't selected is still selected on the press.
Test: direct::tests::a_click_on_a_selected_anchor_selects_it_alone.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Losminek
FredApps
Luca Lorenz
bflatastic
dotCooCoo
Fabio Lussi
Ikki Nishihara
Tevinhead
imachus
japbcoelho
KnottyDyes
Murat Vural
sanyamsingh001
IHAGI-c
zakariayacine