M0.11: parity at end of day (≈79% weighted), remaining estimate

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

ROADMAP.md

@@ -25,14 +25,13 @@ once.
 
 ## How far from full parity
 
-Measured feature by feature in [docs/parity.md](docs/parity.md) (2 October 2026):
+Measured feature by feature in [docs/parity.md](docs/parity.md) (end of 2 October 2026):
 
-- **≈ 70% of After Effects' features, weighted by importance** (78% of the essentials, 56% of
-  professional daily-use features, 17% of the long tail); 257 of 298 effects.
-- **≈ 141 agent-hours of work remain by the audit's estimate.** With five Claude Opus 5.5 agents
-  working in parallel that is **≈ 12–15 hours of wall-clock time at the pace measured so far, and
-  up to ≈ 35–40 hours** if the audit's conservative per-feature figures hold (see the calibration
-  note in docs/parity.md).
-- Hardest remaining pieces: on-canvas text editing, GPU rendering, tracking and roto, Advanced 3D.
+- **≈ 79% of After Effects' features, weighted by importance** (87% of the essentials, 67% of
+  professional daily-use features, 21% of the long tail); 257 of 298 effects, 16 of them on the GPU.
+- **≈ 100 agent-hours of work remain by the audit's estimate.** With five Claude Opus 5.5 agents in
+  parallel that is **≈ 8–10 hours of wall-clock time at the pace measured so far, up to ≈ 25 hours**
+  by the audit's conservative per-feature figures.
+- Hardest remaining pieces: Roto Brush, the 3D camera tracker, Advanced 3D, a scripting object model.
 
 Come tell us what matters most to you on [Discord](https://discord.gg/artcraft).

docs/parity.md

@@ -54,6 +54,31 @@ hours** at the pace observed so far and **≈ 35–40 hours** if the audit's fig
 hardest remaining systems (Roto Brush, Warp Stabilizer, the 3D camera tracker, Advanced 3D, GPU
 rendering, on-canvas text editing) are where the conservative figure is most likely to be right.
 
+## Update at the end of 2 October 2026
+
+A third wave landed: viewer interactions (snapping, rulers, channels, exposure, snapshots, region
+of interest, shape pen and pen-tool family, motion-path handles, graph editor transform box),
+on-canvas text editing with per-character styles and paragraph settings, render fidelity (8/16/32
+bpc, Rec.709/Rec.2020/P3 working spaces and linear blending, frame blending with optical flow,
+collapse transformations, slip edits), a GPU compositor with 16 GPU effects, Wiggler/Smoother/
+Motion Sketch, the marker dialog, precompose options and the comp navigator, Project panel folder
+moves/rename/columns/thumbnails, drag-and-drop docking with floating panels, and the tracking
+library groundwork for mask tracking and Warp Stabilizer.
+
+| Measure | Morning | Now |
+|---|---|---|
+| Feature parity, weighted | 63.7% | **≈ 79%** |
+| Unweighted | 57.8% | ≈ 74% |
+| P0 / P1 / P2 | 75% / 38% / 17% | 87% / 67% / 21% |
+| Remaining (audit-scale agent-hours) | ≈ 167 | ≈ 100 |
+| Wall clock, five parallel agents | 42–50 h | **≈ 8–10 h at today's measured pace; ≈ 25 h by the audit's conservative figures** |
+
+What is left is concentrated in large systems: Roto Brush and Refine Edge, the 3D camera tracker,
+Advanced 3D (models, PBR, image-based lighting), the Warp Stabilizer and mask-tracking UI on top of
+the new tracking library, a JavaScript scripting object model, SVG/PSD import, WebM, a disk cache,
+the missing effect categories (3D Channel, Immersive Video, OCIO), native macOS menus, and
+wasm threads.
+
 ## By area
 
 | Area | Weighted parity | Remaining (agent-hours) | Biggest gaps |