Application/Mode/Bandwidth API with OpusEncoder::with_application and
with_mode; SILK analysis-by-synthesis encoder mirroring the decoder's
fixed-point reconstruction with noise feedback, LTP, NLSF quantisation and
per-frame rate control; hybrid CELT from band 17 in the shared range coder;
pre-skip 120 in every mode. Oracle tests against filmcraft-opus and ffmpeg
(native opus + libopus).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Effect Controls: Lumetri RGB and hue/saturation curve graphs, Colorama's
palette wheel, Glow's colour map strip and Arbitrary Map curves, Reshape
correspondence buttons and viewer handles (all prop.set, one undo step per
gesture, automation ids). Preview panel scrolls; Composition/Timeline tabs
get close, label swatch and viewer lock; Effect Controls tab the layer
swatch; dropdowns elide long text. Fix the browser start (no default disk
cache folder on wasm32). Browser smoke test covers frame workers, waiting
renders and the Media Browser.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Viewer frames render in long-lived Web Workers holding a project replica
(engine::remote: structural JSON diff/patch, Mirror, FrameServer); the
frame cache hands jobs to a RemoteFrames renderer (UI-thread fallback).
Roto Brush propagation runs in a job worker and streams segmentations
back (FrameSeg binary form), relayed to frame workers. Control-channel
wait:true commands whose job is offloaded reply when it ends. The Media
Browser browses a pluggable Browser: the file system on the desktop;
browser storage and File System Access folders on the web.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Levels (Individual Controls), Gamma/Pedestal/Gain, Photo Filter, Change Color,
Change to Color, Leave Color, Broadcast Colors, Color Balance (HLS), Video
Limiter, PS Arbitrary Map, CC Toner, CC Color Offset, CC Kernel, Auto Levels /
Contrast / Color and Equalize (histograms measured on the CPU, applied on the
GPU) on the GPU; Hue/Saturation colour ranges and Levels' channel controls no
longer fall back to the CPU.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Depth of field in Advanced 3D comps uses the camera's iris (Fast Rectangle, Triangle to
Decagon, rotation, roundness, aspect, diffraction fringe) and highlight gain/threshold/
saturation through the Classic 3D bokeh kernel. Collapsed precomps in an Advanced 3D comp
add their nested layers as real geometry (meshes, extrusions, cards) lit by the parent;
2D collapsed precomps draw nested 3D layers with the parent's renderer. Text and shape
strokes extrude as bevelled meshes stacked in paint order (model extrude_stacked).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Planes prepared for the GPU carry their depth of field (padding, radius map, levels) and the
bokeh_boost / bokeh_prefix / bokeh_gather kernels blur them where they are drawn, with the CPU's
spans; GPU-vs-CPU agreement tests for iris shapes, highlights, fringe, Fast Rectangle, tilted
planes and a 2D layer with a 3D track matte.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Preview panel: five shortcuts (Spacebar, Shift+Spacebar, Numpad 0, Shift+Numpad 0,
Alt+Numpad 0) each with saved options (include video/audio/overlays/layer controls, loop,
cache before playback, range incl. play around current time, play from, frame rate, skip,
resolution, full screen, play cached frames, move time to preview time), persisted in
prefs; playback.settings.get/set; the playback loop follows the preview plan.
Align panel: layer.align {edge, to} and layer.distribute {mode} engine commands (bounds
through transform and parents, one undo step); Align Layers to dropdown and Distribute row.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
CharStyle/TextDoc variations (layer.setText variations), shaped with harfrust instances so
advances follow HVAR/gvar, outlines drawn at the design-space position, animator deltas relative
to the style's values, Character panel Variable Font Axes fields (character.axis.<tag>).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas