96 lines
6.4 KiB
Markdown
96 lines
6.4 KiB
Markdown
# File format parity
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> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-10 · **Change:** major (new file: every file type Premiere Pro 26.5.2 reads or writes, against ours) · **Target:** Adobe Premiere Pro 2026 (26.5.2) and Media Encoder 2026
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Containers, stills, audio files, project and interchange files, captions and presets. Codecs inside
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the containers are in [codec-parity.md](codec-parity.md). Our import list is
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`filmcraft_media::{VIDEO,AUDIO,STILL}_EXTENSIONS` plus the openers in `filmcraft_codecs::openers()`;
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our export list is `filmcraft_export::Format`. Premiere's list is from Adobe's supported-formats
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documentation and the exporter folders in the installed bundle's `MediaIO/systempresets` (names
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only). "Tested" names the evidence.
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## Project and interchange
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| Format | Premiere | Read | Write | Tested | % |
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|---|---|---|---|---|---|
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| **Premiere project `.prproj`** | native | **no** | **no** | — | **0%** ([G2](gaps.md#g2-premieres-prproj-cannot-be-opened)) |
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| Our project `.fcproj` | — | yes, schema migrations | yes, atomic, auto-save, recovery journal | migration tests | — |
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| FCP7 XML (`xmeml`) | read + write | yes | yes | round-trip tests; Premiere-exported XML slow (#461) | 75% |
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| FCPXML | read (via XtoCC) | yes | yes | round-trip tests | 80% |
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| AAF (Edit Protocol) | read + write | yes | yes (embedded / linked / consolidated) | own CFB; **never opened in Media Composer / Pro Tools** | 55% |
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| OMF 2.0 | write | no | yes | never opened in Pro Tools | 50% |
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| EDL (CMX 3600) | read + write | yes | yes | tests | 85% |
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| OpenTimelineIO | read + write (26.0) | yes | yes | tests | 80% |
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| Avid Log Exchange (ALE) | write | no | yes | — | 70% |
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| Marker CSV / text | write | — | yes (#454) | — | 80% |
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| Selection as project | Premiere project | — | `.fcproj` only | — | 50% |
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| Templates (`.prproj` templates) | yes | — | our templates | — | 70% |
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| Motion Graphics templates `.mogrt` | read + write | **refused by design** (clean-room, AGENTS.md §1); our `.fcgt` instead | `.fcgt` | — | n/a |
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| Effect presets `.prfpset` | read + write | no | our JSON presets | — | 40% |
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| Keyboard shortcuts `.kys` | read + write | no | our presets incl. a Premiere layout | — | 60% |
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| Export presets `.epr` | read + write | no | our presets (import / export) | — | 50% |
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| LUTs `.cube`, `.3dl` | read | yes (1D / 3D / shaper) | — | tetrahedral CPU = WGSL | 95% |
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## Video containers
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| Container | Premiere | Read | Write | Tested | % |
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|---|---|---|---|---|---|
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| MP4 / M4V / 3GP | read + write | yes | yes (H.264, HEVC + AAC) | ffprobe, round trips | 90% |
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| QuickTime MOV | read + write | yes | yes (H.264, HEVC, ProRes, DNxHR, APV, MJPEG, PCM) | ffprobe | 90% |
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| MXF OP1a / OP-Atom | read + write (XDCAM, AVC-Intra, P2, AS-10 / AS-11, JPEG 2000, DNx) | yes (AVC, DNx, ProRes, MPEG-2, PCM / AES3, timecode) | OP1a (DNxHR, ProRes, H.264), OP-Atom | index-table seeking tests | 70% |
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| MPEG TS / PS (AVCHD `.mts`, `.m2ts`, `.ts`, `.mpg`, `.vob`, `.mod`) | read; write MPEG-2 / Blu-ray / DVD | yes | **no** | fixtures | 65% |
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| Matroska / WebM | read (limited) | yes (H.264, HEVC, VP9, AV1, ProRes, MJPEG + AAC, Opus, FLAC, MP3, Vorbis, PCM); WebM black report (#432), MKV multi-audio (#601) | no | fixtures; audio sample-aligned with the encoded signal (#790) | 75% |
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| **AVI** | read + write | **no** (extension listed, no demuxer, #598) | no | — | 0% |
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| WMV / ASF | read; write on Windows | no | no | — | 0% |
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| FLV / F4V | read + write | no | no | — | 0% |
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| DCP | write (Wraptor) | no | no | — | 0% |
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| APV raw / Y4M | — | yes | APV in MOV | — | ahead |
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| Ogg (Opus / Vorbis) | — | yes | no | granule-seek tests | ahead |
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| Camera folder structures (XDCAM, P2, AVCHD, Canon XF, RED) | Media Browser reads them | AVCHD files yes; spanned clips and metadata no | — | — | 30% |
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## Stills and image sequences
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| Format | Premiere | Read | Write (frame / sequence) | % |
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|---|---|---|---|---|
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| PNG, JPEG, TIFF, BMP, GIF | read + write | yes | PNG / TIFF / BMP / JPEG sequences, GIF | 90% |
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| WebP | — | yes | no | ahead |
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| **PSD** (layers as sequence) | read (layered) | no | — | 0% |
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| **OpenEXR** | read + write | stills and sequences: scan-line, none / RLE / ZIPS / ZIP, half / float / uint, RGB(A) or Y, kept as linear float (#828); no PIZ, PXR24, B44, DWA, tiled, multi-part or deep | sequences (half float, linear RGB / premultiplied RGBA; uncompressed, RLE, ZIPS or ZIP; #806, #874) | 70% |
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| **DPX** | read + write | yes: luma / RGB / RGBA, 8–16-bit, filled 10/12-bit, either byte order (#821); packed 10/12-bit, Y'CbCr 4:2:2 / 4:4:4 with or without alpha (#841); no RLE | sequences (10-bit RGB, BT.709; #779) | 90% |
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| Targa | read + write | yes: every image type, RLE, colour maps, 15–32-bit (#821) | sequences (24-bit, 32-bit with alpha; #779) | 95% |
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| HEIF / HEIC | read | no | — | 0% |
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| **Radiance HDR** | read | yes: RGBE, flat, old and new run-length scan lines, every axis order, kept as linear float (#1407); no XYZE, EXPOSURE / PRIMARIES lines ignored | — | 70% |
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| AI / EPS, ICO, PTL | read | no | — | 0% |
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## Audio files
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| Format | Premiere | Read | Write | % |
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|---|---|---|---|---|
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| WAV / BWF (timecode, iXML partial) | read + write | yes | yes | 90% |
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| AIFF / AIFC | read + write | yes | yes | 95% |
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| MP3 | read + write | read | **no** | 60% |
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| AAC / M4A | read + write | yes | yes (in MP4 / MOV, and AAC Audio: `.m4a` or ADTS `.aac`, #814) | 95% |
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| FLAC, Ogg, Opus | partial | yes | no | ahead on read |
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| WMA | read (Windows) | no | no | 0% |
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## Captions and subtitles
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| Format | Premiere | Read | Write | Tested | % |
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| SRT, WebVTT, SCC | read + write | yes | yes | frame-exact, property-tested | 95% |
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| MCC (608 + 708), EBU STL, TTML / IMSC1, DFXP | read + write | yes | yes | frame-exact | 90% |
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| 608 / 708 embedded in the video stream | write (MXF, H.264 SEI) | no | **no** | — | 0% |
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| Burn-in | yes | — | yes | golden tests | 95% |
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## Summary
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**File formats dimension: ~60%, 140–240 h** (codecs counted separately). The beta blocker is
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`.prproj`. After it, by user impact: AVI and WMV import, EXR / PSD stills, AAF / OMF
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validation in Avid and Pro Tools, DVD / Blu-ray / DCP / broadcast MXF delivery.
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## Revision history
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| Date | Change | Summary |
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| 2026-10-10 | major | Created: format-by-format comparison with Premiere 26.5.2 from the import / export registries, crate READMEs, the installed bundle's exporter listings and open issues |
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