The M3/M4 work added ten panic sites the new workspace lints deny:
- doc: the lens/taper width profiles fall back to a uniform profile
instead of `expect` (the presets are a constant table, covered by tests).
- engine: `FlattenOptions::default` builds the medium preset directly
(`builtin`), `apply` skips an empty group instead of `expect`, the
writable-format fallback reports an error instead of `expect`, and the
new-art template's stroke comes back as an `Option` (it always has one)
instead of `expect`.
- tools: the freeform gradient drag returns no actions for a grab it never
starts (was `unreachable!`), and the gradient tool's release takes the
gesture with `if let` instead of `expect`.
Behaviour on the success paths is unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shipped code no longer unwraps, expects or panics: every one of the 124
unwrap()/expect()/panic!/unreachable! sites outside tests now handles the
failure (Result/Option, ?, let-else, defaults) and reports errors to the user.
- Lints: workspace clippy denies unwrap_used, expect_used, panic, todo,
unimplemented and unreachable; clippy.toml allows them in tests, and
integration tests, examples and testkit opt out explicitly.
- Safety net (vectorcraft_engine::guard): a panic in a top-level command rolls
the document back and returns EngineError::Internal; a panicking tool is
reset; the MCP server answers with an internal error and keeps serving; the
UI frame and each control request are guarded.
- APIs that hid failures now return them: Rendered::to_png/to_jpeg/to_webp
return Result (JPEG/WebP errors used to write empty files),
FontDb::face returns Option, Region::top returns Option.
- Fuzzing: engine/tests/import_fuzz.rs feeds garbage, hostile and mutated SVG
and PDF through import → render → export (30k cases locally, no panics).
- Docs: AGENTS.md/CLAUDE.md rule, docs/development.md "Robustness" section,
README pointer and a PR template checklist.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Radial gradients show a dashed extent ellipse: its handle across the bar
sets the aspect ratio, the ellipse elsewhere rotates it, and the dot inside
the centre ring drags the focal point (GradientGeom.focal) for an off-centre
radial. paint.setGradientGeom takes aspect (%) and focal ([x,y] | null), and
start/end may be left out; the focal point keeps its place in the ellipse as
the vector, aspect and object transform. It renders as a two-point radial,
exports and imports as SVG fx/fy and PDF two-point radial shadings, expands
to off-centre rings, and travels in gradient params and the native format.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With the Gradient tool on a freeform gradient the selected point shows its
spread as a dashed ring with a handle; dragging either sets the spread. A
point dragged out of the object is removed on release, and double-clicking a
point opens the gradientStop popover, which now edits the selected freeform
point (colour, opacity, spread). In Lines mode successive clicks draw one
smooth line (with a rubber band to the pointer); clicking an existing point
continues the line from it, and Escape or a click off the art ends it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With nothing selected, Stroke panel edits (stroke.set / stroke.setAdvanced: cap, join, dashes,
arrowheads, profile...) and a graphic style clicked in the Graphic Styles panel
(graphicStyle.apply, add too) set up the next object drawn: its stroke options, fills, strokes,
effects, opacity and blend mode, linked to the style. The Appearance panel's New Art Has Basic
Appearance (appearance.setNewArtBasic, preference newArtBasic, on by default) now works: off,
new art takes the whole appearance of the last selection. paint.default resets the template,
appearance.newArt reports it, and with nothing selected the Stroke panel shows its stroke and
the Appearance panel its rows. PaintDefaults gains the template appearance, opacity, blend
mode and style.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking a width point opens Width Point Edit (Side 1, Side 2, Total Width, a link
keeping the sides equal, Adjust Adjoining Width Points, Delete; dialog `widthPoint`, also
`ui.widthPointEdit`). Shift-click selects several width points, which drag and widen together
as one undo step; Alt-dragging a point's centre copies it (`stroke.widthPoint.copy`); dropping a
point onto another makes a discontinuous point (two points at the same t), and the stroke's
width steps there. `stroke.widthPoint.set` takes `adjustAdjoining`, keeps a discontinuous point
when only its widths change, and `stroke.widthPoint.remove` takes `indices`. Flipping a profile
along the path swaps the sides of its steps; `document.inspect` reports `widthPoints`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With Use Preview Bounds on, the Transform panel, Properties and Control bar
X/Y/W/H, the Selection tool's bounding box, Align, Distribute and
Distribute Spacing measure visual bounds (the whole stroke). setBounds sets
the visual box, scaling the path so that kept or scaled strokes land on
the typed size. object.align/distribute/distributeSpacing take
bounds?: "preview"|"geometric"; the Align flyout item shows and toggles the
preference through prefs.set.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Colours gain a CIE Lab model (`Color::Lab {l,a,b}`, serde tag `lab`), handled through the
CMS (display, separation, conversions, gamut), tints (toward paper white), keep_model, harmonies,
recolouring, blends, Info and the Color panel. Swatch Options gets a Lab mode
(`swatch.edit {mode: "lab"}` / `{color: {l,a,b}}`), and colour params accept `{l,a,b}`.
Swatches panel → Spot Colors… (`ui.spotColors`, dialog `spotColors`) runs `swatch.spotOptions
{useLab}` (Document.spot_use_lab, default on): Lab spot colours show and separate from their Lab
values, or art linked to them takes their working-CMYK equivalents, as one undo step. PDF export
writes Lab spot inks as Separation spaces with a Lab alternate (tint function from paper white),
or a DeviceCMYK one with CMYK equivalents.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Applying a gradient swatch records it as the gradient's swatch (the Swatches panel highlights
it and the Gradient panel's swatch menu marks it). A stop given a global or spot swatch (and a
tint) in paint.editGradient / a gradient paint's stops, dropped from the Swatches panel or
picked in the stop popover stays linked: editing the swatch recolours it, in art and in
gradient swatches, deleting it unlinks it. Spot stops separate on their plate, and a gradient
whose stops are all tints of one spot ink (or paper white) exports to PDF as a Separation
shading; gradients mixing models are written in one colour space (the PDF writer requires it;
mixed models used to abort the export).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking the Eyedropper opens Eyedropper Options (dialog
eyedropperOptions): raster sample size (point, 3x3, 5x5) and Picks Up /
Applies trees (transparency; focal fill colour, transparency, overprint;
focal stroke colour, transparency, overprint, weight, cap, join, miter,
dash; character and paragraph attributes). The options live in the
preferences (Prefs::eyedropper, eyedropper.setOptions, prefs key
eyedropper) and replace the earlier appearance/transparency switches.
appearance.copyFrom takes pickUp/apply overrides, reverse (Alt-click:
the selection's attributes onto the clicked object) and append
(Shift+Alt-click: add the source's fills and strokes). Type copies font,
size and paragraph attributes to type. Clicking an image samples its
pixels; sampled colours keep their colour model.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
paint.freeform.addPoint/setPoint/deletePoint/addLine/splitLine/selectPoint
and the paint.freeform.get query edit the freeform gradient behind the active
proxy (one undo step each; errors on other paints). The session keeps the
selected point. The Gradient tool on a freeform gradient selects and drags
points, adds points on the art (joined in Lines mode) and on lines, and
deletes the selected point. The Gradient panel shows the Draw toggle and the
selected point's colour, opacity, spread and Delete Point; the Color panel
recolours the selected point.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Freeform gradients carry their own points (colour, opacity, spread) and lines
(Catmull-Rom curves through points), blended by inverse-distance weighting
from each disc of pure colour. paint.editGradient {kind: "freeform", mode?}
places 4+ points inside the shape, coloured along the stops (which follow the
points' colours). The renderer samples the field on a cached colour grid
drawn as an image paint clipped by the fill or stroke. Moves, transforms,
box rebases and warps move the points; old files load unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Gradient tool handles (a drawn vector's start and end, the end handle and the moved start) snap to anchors, edges
and smart guides, with the guide overlays; Shift constrains to 45° steps from the Constrain Angle preference
(`ToolContext::constrain_angle`, `constrain_angle_from` in geom). Double-clicking a toolbar button runs the new UI
command `tool.options {tool}`: the Gradient tool opens the Gradient panel, the Eyedropper opens Eyedropper Options
(`eyedropper.setOptions {appearance?, transparency?}`, which `appearance.copyFrom` honours and its params override).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Gradient panel gains the Fill/Stroke proxy, a thumbnail menu of the document's gradient swatches with Save to
Swatches, Angle and Aspect Ratio fields with preset menus (the shared spin field), Show/Hide Options, and a stop
colour row whose eyedropper samples the next colour clicked on art into the selected stop (Eyedropper tool option
`stop`, `paint.sampleColor {stop}`). On the slider a selected midpoint diamond shows and sets its midpoint in
Location, double-clicking a stop opens the shared stop popover, Alt-drag copies a stop and Alt-dropping it on
another swaps their colours (`swap_stop_colors`), and a dropped colour swatch adds or recolours a stop. Clicking a
stop no longer falls through to the add-stop strip. Swatch tiles and the gradient thumbnail drag onto art, which
paints the object under the pointer through `paint.setFill`/`paint.setStroke {ids}`. The panel, the popover and
the Color panel share one stop-writing helper.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shift-sampling a type object's run gradient projected the document point onto a vector kept in
text space, so placed gradients on moved or turned type sampled the wrong colour. The eyedropper
now reads the paint through Node::proxy_paint and samples in the paint's own space and box (text
space for runs, the stroke-inflated box for strokes).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- A fill row no longer turns stroke edits (stroke.set, setAdvanced, paint.setStroke, gradients) into
a new stroke on a selected group's own stack: an active row only stands for edits of its kind.
- Removing, duplicating or moving items of other objects (`ids`) no longer re-points the active row.
- transparency.set with an item touches the item only for opacity/blend (isolate or knockout alone
is one undo step) and rejects unknown blend modes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Clicking a fill or stroke row runs appearance.setActiveItem; the toolbar,
Control bar and Properties proxies and the Color, Swatches, Gradient,
Stroke and Transparency panels show and edit that item, and the gradient
tool's annotator follows it. paint.setFill/setStroke, stroke.set/
setAdvanced, paint.editGradient/setGradientGeom and transparency.set take
item (omitted: the active item, null: the top one). Item edits and the
appearance.* commands address the selected objects' own stacks, so a
group's own fills no longer leak into its contents. Any selection change
clears the active item.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- New original DrawCraft mark (gradient + pen nib) replaces the two-letter badge
- render: thumbnails and pattern tiles use a single-threaded context (vello's default is
multithreaded and panics on filters); per-item raster effects detected
- Type tool state no longer leaks across documents
- ui.set {status} for clean screenshots
- README: new hero, feature shots, Made in DrawCraft gallery; examples/neon-drive, ribbons,
feature-sheet; ASSETS.md updated; heading renamed to Crafting Apps
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic
Brandon Thomas