egui 0.36 needs rustc 1.95 (hayro and krilla 1.92), so the declared 1.90 let
cargo fail on dependency versions instead of naming the toolchain. Clippy 1.95
also flagged four collapsible matches that newer clippy no longer does; each is
rewritten without changing behaviour.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The engine's file.new also claimed Cmd+N and engine commands win shortcut
lookups, so the shortcut made a blank document. file.newDialog now owns it,
as the docs already said; file.new stays the headless command.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
It used to open the New Document dialog. Now it runs the new app.home UI command:
the Home screen replaces the canvas while the documents stay open as tabs;
choosing a tab, or a document opening, closing or becoming active, returns.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Menu bar menus, their submenus, panel menus, the effects menu groups and library
submenus are as tall as their items down to the window's bottom edge, and scroll
only past that (widgets::menu_scroll), instead of running off screen.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Real-file test oracles live in storytold/photocraft-corpus, explained in
craftrules standards/test-corpora.md. Never commit large binary fixtures
here; fetch them pinned and sha256-verified.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
compatibility "1.3" writes a %PDF-1.3 file (its XMP metadata says 1.3
too) without transparency: a copy of the document is flattened first
with flattenerPreset (stored with PDF presets; empty is High Resolution)
and the flattener options over it, see-through image pixels counting as
transparency and rasterized areas clipped to their regions so no soft
mask is needed. Page groups are left out and the writer refuses a file
that would still have transparency. PDF/X-1a and PDF/X-3 share this
path (their version is now PDF 1.3; 1.4 is still accepted and written
as 1.3), and with it the preset, the header and metadata code and the
transparency check. Passwords at PDF 1.3 encrypt with 40-bit RC4
(revision 2). The Save PDF dialog lists PDF 1.3 and picks the flattener
preset under Advanced.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Embed Page Thumbnails gives every page a /Thumb image: the page drawn on
white, 106 px on its long side, without the layers the page leaves out
(the engine draws them; vectorcraft_pdf::page_areas says what each page
shows; PDF/X files get grey ones). Optimize for Fast Web View writes a
linearised file: the objects are put in linearised order and numbering,
encrypted when a password asks (the encryption dictionary goes with the
catalog, PDF layers' groups too), then laid out with the linearization
dictionary, both cross-reference tables and the page offset and shared
object hint tables (the hint stream encrypted like any other). Their
"not applied yet" warnings are gone. Reading the objects back uses the
lexer of encrypt.rs (syntax.rs adds what rewriting needs).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Advanced > Overprint: Preserve (the default; document.exportPdf
advanced.overprint) writes each overprinting fill and stroke (an object's
own, a character's, a type object's) with a graphics state of /OP true
/op true /OPM 1 (/OPM 0 in PDF/A); Discard writes none. White ones knock out
when Document Setup's Discard White Overprint is on, as in print. Mask art
never overprints. File > Print's composite PDF honours Print > Advanced >
Overprints: Preserve the same way (separations keep multiplying plates).
Each overprinting fill or stroke is drawn as a form marked to overprint
(crates/pdf/src/forms.rs); after writing, its content starts by setting the
overprinting graphics state, and the PDF/X self-check runs on the result.
The engine's "overprint is not written to PDF yet" warning and print's
"overprints print as knockouts in composite output" warning are gone.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Create PDF layers from top-level layers (document.exportPdf createLayers, the
Save PDF dialog's General option) now writes an optional content group per
top-level layer (template layers are left out): named as the layer, off when
the layer is hidden, /PrintState /OFF when its Print option is off, locked
when it is locked, listed top first, with a print auto-state (not under a
standard). The file reopens with those layers.
The PDF writer has no optional content, so each layer is drawn as a form of
its own (no transparency group, so it draws as in place) starting with a mark;
after writing, the uses of the layers' forms are wrapped in /OC ... BDC/EMC
and the catalog gets /OCProperties (crates/pdf/src/forms.rs, through the
shared patch writer and the PDF syntax reader of encrypt.rs). PDF 1.4 and a
knockout page group write plain page content with a warning; the dialog greys
the option at 1.4. The "not written yet" warning is gone.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The pdf crate's PrintSettings gains advanced {printAsBitmap,
overprints: preserve|discard|simulate, flattenerPreset} and
color.profile, all defaulting so saved print_setup values still load.
Composite output discards overprints (no /OP) or simulates them as
Overprint Preview draws them; separations keep them. A printer profile
converts composite colours with the chosen intent (a CMYK one writes
device CMYK) and separations separate with a CMYK one. The engine
flattens transparency with the preset, or renders each printed region
as one image for Print as Bitmap, before PDF or PostScript layout.
The Print dialog's Advanced and Color Management sections show them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
View > Show Print Tiling (view.printTiling) draws the pages of the
document's print settings on the canvas, dashed and numbered, from
print.preview's own layout (print.tiling), so the canvas and the
printed job agree. The Print Tiling tool replaces the no-op tool: a
drag places the first page's imageable corner (print.tiling.set,
saved as print_setup.tileOrigin, one undo step); a double click on
the canvas or the tool button resets it. Tiles start at the origin
and extend to cover the art; the Print dialog shows the tool's
placement with a Reset button.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.exportPdf {standard: pdfX1a|pdfX3|pdfX4} and the PDF/X presets now
write conforming files instead of being refused:
- every PDF/X file gets a /GTS_PDFX output intent (by default the CMYK
profile in effect, embedded), TrimBox, Trapped, GTS_PDFXVersion (and
GTS_PDFXConformance for X-1a), a title and dates; editing data,
passwords and, in X-1a/X-3, PDF layers are refused
- PDF/X-1a converts every colour and image to a CMYK destination,
untagged, with CMYK spot alternates; X-3 and X-4 tag colours with ICC
profiles
- X-1a and X-3 are written as PDF 1.3 and their transparency is flattened
first (High Resolution preset; images with see-through pixels count,
rasters stay opaque); X-4 keeps transparency, is PDF 1.6 at most and
names the standard in its XMP metadata
- the written file is checked against its standard (soft masks,
transparency groups, opacity, blend modes, RGB in X-1a, fonts not
embedded) and refused rather than mislabelled
- choosing a standard sets the latest compatibility it allows and turns
off what it forbids (engine and Save PDF dialog)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- ROADMAP: a new "Honest assessment (2026-10-05)" section with:
- scores by dimension (breadth, depth, large missing subsystems, interaction
fidelity, look and feel, file interop, bundled content, performance,
robustness, platforms, automation) and how far to trust the self-graded scores;
- the prioritized gap list with one-agent hour sizes;
- the direction (next, then, alongside, 1.0).
- ROADMAP: the parity rows for files, export, print, links and UI chrome are
re-derived after M4 (feature parity ~74% on the rubric, 68–74% honest range;
~230–350 h to feature parity, ~335–520 h to full parity, one agent), the M4 and
M11 milestone rows and the inventories are updated, and "Shipped so far" lists M4
and the robustness work.
- README Status: where we are, what's missing, where we're going.
- AGENTS.md / CLAUDE.md: sessions start from the gap list; landing a task updates
the assessment, the parity row and the README status in the same PR.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.print {format: "postscript"} (the default for a .ps path) writes the
print job as Level 3 or 2 (level) PostScript instead of a PDF: DSC comments
with %%Pages the page count, one page per sheet with its paper size,
printer's marks in Registration, separations naming their ink (%%PlateColor)
with its halftone screen, a fixed flatness and film negatives. Transparency
is flattened first with flattenerPreset. The answer says which format was
written. In the app, a PostScript job is always saved, never sent to the
printer (the Print dialog's own options are unchanged).
The PDF print's layout is exposed as vectorcraft_pdf::plan (the PDF writer
uses it too); vectorcraft_eps::print draws its sheets with the EPS writer's
document walk, each sheet once however many copies print.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.open and file.place read .eps files and PostScript by any name
(PostScript .ai opens as artwork, .ait as a new untitled document). An EPS
file VectorCraft wrote restores the document it carries (restored: true);
other files run through a small clean-room PostScript interpreter (paths,
colours and spot inks, gsave/grestore, concat, line state, bind def,
procedures, loops and dictionaries, clips, shadings, images through the
decoding filters, type as point type), and fall back to their TIFF preview
with a warning when the program can't be read. Operation, nesting, memory
and path budgets keep hostile files from hanging or exhausting memory.
The clipping-group nesting the metafile reader used moves to
vectorcraft_doc::clipnest, shared by both readers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Print dialog's Print Preset list loads [Default] or a saved preset
(reading [Custom] once the settings differ) and Save Preset... names the
settings as a preset. Edit > Print Presets... lists [Default] (generated,
protected) and the saved presets with how they differ from it; New... and
Edit... open the preset editor (the Print dialog's sections), Delete,
Import... and Export... use .vcprintpresets files, which File > Open also
imports. Commands print.presets.list/save/delete/import/export; the presets
live in Prefs.print_presets and persist with the preferences.
The open-dialog filter count test counts the new Print presets filter.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Print dialog (Ctrl/Cmd+P) edits the document's print settings in the
sections General, Marks and Bleed, Output, Graphics, Color Management,
Advanced and Summary, with a preview of each printed page under the section
list (drag the art to move its placement). It drives print.setup,
print.preview and file.print; the preview pages now carry their transform,
printed area and trim box. Print sends the job's PDF to the chosen printer
through the new PrintService (lp on macOS/Linux, the shell print verb on
Windows, a hidden frame and the browser's print dialog on the web); without
one, or with PDF File, it saves the PDF. Done only keeps the settings.
UI commands file.print, print.printers and print.printerSetup.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With Convert Text to Outlines off (advanced.outlineText: false), type is
written as selectable, searchable text: each glyph in its font, embedded
as a subset with a ToUnicode map, where its outline would be (rotated,
scaled, skewed and on-path type too; gradients keep their place). Fonts
whose licence forbids embedding, or allows only whole fonts, fall back to
outlines with a warning; a subset threshold below 100% is accepted with a
warning. Laid-out glyphs now carry their glyph id and transform.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Save PDF > Output now applies: colours convert to a destination profile
(destination, or preserveNumbers keeping the numbers of colours already in
its model; grey stays grey; images and freeform gradient images convert
too; printer's marks don't). Profile inclusion writes ICC-based colour
spaces (CMYK with the destination's or the document's profile, RGB as sRGB,
grey), and transparency in CMYK output blends in the CMYK profile's space.
The output intent profile is embedded as the catalog's /GTS_PDFX output
intent with its condition, identifier and registry, and Trapped goes in
the document information (PDF/A keeps its own). A shared patch module
edits written PDFs (Lab spot alternates use it too).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
document.export {format: "psd"} writes layered bitmaps (8 bits per channel),
written from the format's public specification: RGB, CMYK (ink amounts) or
grayscale, the resolution and an embedded profile, PackBits channels, and the
merged image (the flat render). layers (default true) draws each top-level
layer alone as a pixel layer, cropped to what it paints, with its name,
opacity and blend mode; a background colour becomes a Background layer.
maxEditability turns layers and sublayers into groups and every object into a
layer named as the Layers panel names it (text by its text); clipping, masked,
knockout or appearance-carrying layers stay one layer. hiddenLayers writes
hidden layers hidden instead of leaving them out; layers: false writes a flat
image on white. At most 30000 pixels a side.
Export As offers PSD with the psdOptions dialog (the PNG Options rows, then
Color Model, Flat Image / Write Layers with Maximum Editability and Include
Hidden Layers, Embed ICC Profile). Tests read the files back with the psd
crate (MIT OR Apache-2.0, a dev-dependency).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The svg crate's new CSS writer (css_rules) gives the CSS web pages style objects
with: rectangles and ellipses as background-color / linear-/radial-gradient(),
border and border-radius; type as font, color, spacing and alignment; shadows,
glows and blur as box-shadow, text-shadow and filter. It shares SVG export's
declarations (transparency, fonts, type spacing, colours, gradient stops), which
moved into svg/src/css.rs. Options: units, absolute position, width and height,
unnamed objects, rasterize unsupported art (as a PNG background-image).
Commands css.selection, css.generate and css.export; UI commands css.copy and
css.exportFile; the CSS Properties panel with a highlighted code view.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Export Selection… (file.exportSelection, a UI command) now collects the
selected objects as assets, one per object (multiple: false makes one),
reusing assets of art already collected, and opens Export for Screens on
its Assets tab with just those checked. document.exportSelection stays the
one-shot export for agents and scripts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Asset Export lists the document's assets as thumbnails: art
dragged in off the canvas (or added with +) becomes one asset per object,
or one of them all with Alt; Object > Collect for Export does the same.
Assets name their objects, so they follow edits (moving the art moves the
crop) and deleting the art removes it from its asset. Click selects,
double-click renames, the bin removes. The panel's export settings are
Export for Screens' own format rows on the document's shared settings, and
Export writes each asset alone, cropped to its art, into a picked folder
(the web downloads a zip). Export for Screens' Assets tab lists the assets
with checkboxes and exports the checked ones.
Commands: assets.add, assets.remove, assets.rename, assets.list,
assets.export, assets.settings.set; document.exportForScreens takes
assets. Model: Document.assets (ExportAsset {id, name, nodes}).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > Export > Save for Web (Legacy) (Ctrl/Cmd+Alt+Shift+S) opens a dialog with Original,
Optimized, 2-Up and 4-Up views showing each file's size and download time, and settings for
colour reduction, colours, dither, transparency and matte, interlacing, web snap, lossy GIF,
JPEG quality, the colour table (lock, map to transparent, web shift, sort), image size and
anti-aliasing, Clip to Artboard, sRGB, metadata, slices (all or selected), HTML output and
presets. Preview in Browser opens the HTML page.
Engine: document.exportForWeb, document.exportForWeb.preview (its byte count is the size of
the file Save writes), webExport.settings and webExport.presets.list/save/delete. Saved presets
and the remembered settings are stored in Prefs. Render: quantize_locked, and encode::web for
web snap, colour table edits, lossy GIF and GIF/JPEG comments. PNG files get an sRGB chunk.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic
Brandon Thomas