std::process::exit skipped eframe's on_exit (ui.json, close_library) and the
may_close check, so changes still in memory could be lost on Cmd+Q.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With a CropAngle, Lightroom's CropLeft/CropTop and CropRight/CropBottom
are the top-left and bottom-right corners of the tilted crop on the
stored image, and its angle turns the other way to LightCraft's. The
import treated the edges as an axis-aligned rectangle in the rotated
frame and kept the angle's sign, so straightened crops came out the
wrong shape and size.
Carry the two corners through the orientation and then LightCraft's
straighten rotation (angle = -CropAngle, mirrored orientations flip it
back), using the stored image's aspect from fileWidth/fileHeight. On a
real catalog every one of 223 straightened crops now matches the frame
of Lightroom's export, and the content difference falls to that of
unstraightened crops.
Refs #483
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
crs crop edges are normalized to the stored (unrotated) image, while
LightCraft's crop rectangle lives in the oriented frame. Catalog import
applied them unchanged, so crops on portrait photos (EXIF 6 or 8) landed
along the wrong axes.
Read Lightroom's orientation code (Adobe_images.orientation: AB, BC, CD,
DA and the mirrored BA, CB, DC, AD) and map the rectangle into the
oriented frame with Orientation::map_norm_rect; a mirrored orientation
also mirrors the straighten angle. The code comes from the catalog, so
this works while the originals are still missing at import time.
Refs #483
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Lightroom Classic catalogs store the crop edges and straighten angle in
their develop settings but, unlike XMP, never a HasCrop flag. The shared
crs mapper only applies a crop when crs:HasCrop is True, so every crop in
an imported catalog was dropped and reported as unmapped.
Infer HasCrop in the catalog path when any crop field is present. The XMP
path is unchanged: there HasCrop="False" with crop fields means the crop
is switched off.
Refs #483
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
wgpu's default DX12 compiler (Auto) loads whichever dxcompiler.dll the DLL
search path finds first. LightCraft ships none, so it picked up another
program's copy; one without dxil.dll beside it (e.g. DXC 1.7) warns that
the DXIL is unsigned, wgpu treats that as a compile error, its
indirect-validation pipelines fail, the device is lost and the window
never opens ("Parent device is lost", exit code 1).
Every wgpu instance (window and both compute devices) now uses
lightcraft_gpu::backend::backend_options(): wgpu's env options with the
DX12 compiler pinned to FXC (d3dcompiler_47.dll, part of Windows), unless
WGPU_DX12_COMPILER asks for another.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The one-strip Sony ARW layout was accepted when the raw strip was 1.00-1.25x width x height bytes. The DSLR-A200, A230 and A350 sample files carry strips of 1.06x, 1.23x and 1.04x, passed that test and decoded as colour noise. Every file that decodes correctly (108 in the test archive) has a strip of exactly width x height bytes, so the layout is now accepted only then; the rest report "Sony ARW version 1 / packed compressed variant" and open from the embedded preview like the A290/A380. Part of #461 (not a decoder). RENDER_CACHE_VERSION 16 -> 19.
The 512 floor and its ColorDataVersion 3 keying rested on one file.
Versions without a known black-level position now fall back to black 0
for the white level, so the 40D sRAW renders with slightly raised blacks.
The Huffman-compressed Pentax files (compression 65535) assumed BGGR from
the array origin. The K10D, K200D, K2000 and every body from the K-3 on are
RGGB, so red and blue were exchanged before demosaicing. They now use the
Exif CFAPattern from the first sample of the stored array, like the other
compressions; BGGR stays the fallback for files without the tag. Extends the
CFA test to compression 65535. RENDER_CACHE_VERSION 17 to 18.
An odd-height adaptive QP map (EOS R7: 4732 sensor rows, 1183 QP rows)
was rejected as unsupported, so R7 C-RAW files opened from their embedded
JPEG. The map decodes to the exact end of its entropy stream; the last
row of the second-level high-frequency bands has no partner row and its
QP is used alone. Even-height maps never reach this rule, so the six
verified M50/R100/R8 fixtures are unchanged.
Checked on paired R7 RAW and C-RAW captures (ISO 100 and 6400): all
six C-RAW files decode, developed images match their RAW counterparts
visually, and ISO 6400 sensor means agree within 0.1%.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01Gs6roPby7THvteijZwptQt
The pattern was shifted by the image-area origin for compression 1 and
32773. The *ist D (area origin 19, 11, tag RGGB) fits RGGB from the array
origin in a mosaic-level fit against its camera JPEG, so the shifted reading
exchanged red and blue. The six 32773 files have an even origin and keep
their layout. Adds a hand-made-bytes test with an odd area origin for both
compressions.
sRAW and mRAW store subsampled YCbCr in a lossless-JPEG frame cut into
slices of whole MCUs. Reuse the subsampled lossless decoder added for
Sony M/S ARW with Canon's per-component sequential prediction, re-chop
the stream into image planes, and convert to linear white-balanced RGB
with chroma gains measured per file against the camera's own IFD2 RGB.
Render cache version 17.
Compression 32773 is accepted in the PEF reader only when every strip has exactly the packed size of its rows at the declared bit depth, and is then read as uncompressed MSB-first samples. Any other 32773 size stays unsupported. Uncompressed PEFs take their colour filter from the Exif CFAPattern as seen from the image area origin. A Samsung-branded TIFF whose maker note has the Pentax layout is probed as PEF. RENDER_CACHE_VERSION 16 to 17.
The unknown-tab error now names every Settings tab (it missed AI Denoise after the
faces merge). lightcraft-sam3-worker (#359) only builds its server off wasm32, so
`cargo xtask wasm` passes again.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Every demo-photo source load evaluated the procedural scene from scratch. A 24 MP demo
original costs ~200 CPU-seconds (AlpineLake, the photo the Detail tests open), and #323
added ~30 loupe tests that each load it at 1:1, Before and After separately. On the 4-vCPU
FreeBSD VM the ui-egui lib tests went from 1198 s to 3046 s, and the tests' 120 s/300 s
waits expired (loupe windows, fixture thumbnails starved of the shared rayon pool, the demo
detail snapshot).
Demo scene pixels are now generated once per (scene, size) and shared: concurrent loads
wait for one generation (Before/After at 1:1 no longer generate the original twice) and
the most recent results are kept up to half the memory budget. Locally, pinned to 4 CPUs,
the ui-egui lib suite now finishes in 155 s; without the change it had done 231 of 338
tests after 25 minutes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
### Summary
When selecting "Quit LightCraft" from the native macOS menu bar, the application occasionally crashes with an `EXC_BAD_INSTRUCTION` (SIGILL) error report during shutdown.
### Root Cause
1. The native menu action triggered `ctx.send_viewport_cmd(egui::ViewportCommand::Close)`.
2. Forcing an explicit viewport close via the command queue while macOS and AppKit are initiating their own termination sequence creates a race condition with `winit`.
3. This conflict during native window, view, and observer teardown leads to an illegal instruction fault.
### Solution
- Replaced the manual `ViewportCommand::Close` trigger on `QUIT` with a clean `std::process::exit(0)`.
- This bypasses the problematic `winit`/AppKit teardown race condition on macOS, allowing the application to shut down instantly and cleanly without generating crash reports.
One config-dir helper (engine::config::config_dir; camera_profiles re-exports it) with both
the face-models and denoise-models defaults; hosts set up both model folders; Settings has
Faces and AI Denoise tabs; both command sets registered; both model dialogs; locale entries
from both; one [features] table per app manifest; Cargo.lock regenerated by cargo; the
DecodedSource cache cost counts both segmentation mattes and the denoised twin.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas
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Elliot Graham
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Claude
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