Adds the Video group to the raster effects, after Sharpen:
- De-Interlace…: Eliminate Odd or Even Fields, Create New Fields by
Duplication or Interpolation. The fields are the rows of the document's
raster grid (Document Raster Effects Settings › Resolution, carried to
the filters as PixelSpace::line) counted from the top of the page, so
the result is the same at any zoom and moves with the page. A line
taken out copies the line above (the one below at the top), or takes
the average of the two.
- NTSC Colors (no options, applied at once): colours a composite
television signal can't carry, with luma plus chroma past 110 % of white
or luma minus chroma below -20 % in YIQ, have their chroma cut to fit,
keeping their luma. Saturated yellow, cyan and pure red lose some
saturation; legal colours stay as they are.
Catalogue rows with parameter docs, dialog dropdowns, menu, translations,
tests (effects, canvas, command sweep junk, menu) and ROADMAP.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In a PDF (or the PDF part of an .ai file), a glyph of a subset font that
no ToUnicode map, CID table or character map of the font program names
was drawn as outlines, so one text object came in split: "RADA" as the
type "ADA" plus the R's outline.
Such a glyph is now looked for in the installed face of the font's name:
the first character (of those single-byte fonts encode: ASCII, Latin-1,
Latin Extended-A, punctuation, the euro and trade mark signs, fi and fl)
whose glyph draws the same outline, point for point within 2/1000 em,
names it. A subset carries the font's own outlines, so an installed copy
of the same font finds every glyph. Other versions of the font, empty
glyphs and glyphs that are no character still keep their outlines, with
the warning as before. Results are cached per glyph.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A Direct Selection (or Group Selection) marquee only gathered the
anchors of paths, so type, images, symbols and other objects without
anchors to pick were never selected by it. They are now selected whole
when the marquee touches them, as with the Selection tool, next to the
path anchors it holds; locked and hidden objects stay out.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File › Place and File › Open read PSD and PSB files: the merged image
every such document carries after its layers, which is what a linked PSD
shows. A placed PSD links like any image, so the Links panel updates and
relinks it, and it is sized by its ResolutionInfo resource.
The reader is written from the public file format specification. It
reads Bitmap, Grayscale, Duotone, Indexed, RGB, CMYK (through the colour
settings' CMYK) and Lab, at 1, 8, 16 and 32 bits per channel (32-bit
values are linear), raw, PackBits or zipped with or without prediction.
A document with transparency stores its merged image on white with the
alpha in the first extra channel. It comes back with straight colours,
also for 16- and 32-bit files, which say so in their Lr16/Lr32 block.
Multichannel files are refused with a message. The file is untrusted:
every read is bounds-checked and the image's size is checked against
the decode budget before anything is allocated.
PSB is a read-only format of its own, so exports never write a PSD under
a .psb name. The desktop packaging still doesn't associate either
extension with VectorCraft (UNASSOCIATED_EXTS): they belong to raster
editors. Layers (import options) are left for later.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With the Gradient tool active, the Properties panel shows a Gradient
section: the type buttons (Linear, Radial, Freeform) and, for a
freeform gradient, Draw: Points or Lines as radio buttons. The Gradient
panel and the Properties panel share the type row and the draw mode
change.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Both fields read their text from the tab stop again every frame, so each
keystroke was lost before Enter or a click away could apply it: the
field seemed to clear itself while typing. They now use the panels' text
field, which keeps the text being typed until it is committed. The
leader keeps spaces (". " for spaced dots), up to eight characters.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Preferences › File Handling › Update Links only acted when a document
opened, so a linked image edited in another app while VectorCraft stayed
open kept its old pixels until Update Link in the Links panel, even with
Automatically chosen.
When the window comes back to the front, the active document's links
are now checked. With Automatically, changed files are read again; with
Ask When Modified, they are offered for update, once per change of a
file (keyed by path, size and modification time, since two saves can
share a time); with Manually, the Links panel shows them as modified.
Nothing is asked while a dialog is open.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Four Photoshop-style raster effects on the pixel-filter pipeline
(vectorcraft_effects::pixel::pixelate), under a new Effect › Pixelate
submenu between Blur and Sharpen in the Raster Effects section:
- Color Halftone (maxRadius 4..127, default 8; channel1..channel4 screen
angles -360..360, defaults 108/162/90/45): each colour channel is
screened at its angle in square cells sized so a dot of Max. Radius
fills one; each cell's dot covers the share of the cell that is the
channel's coverage-weighted mean there (white stays white, black
black). RGB documents screen R, G, B (channels 1 to 3); CMYK documents
screen C, M, Y, K inks (channels 1 to 4), also when they are drawn ink
plane by ink plane (the K plane uses channel 4).
- Crystallize (cellSize 3..300, default 10): every pixel takes the
colour at the nearest of one jittered point per cell (exact Voronoi
over a 5 x 5 neighbourhood, pruned by distance).
- Mezzotint (type: Fine/Medium/Grainy/Coarse Dots, Short/Medium/Long
Lines, Short/Medium/Long Strokes; default Fine Dots; a dropdown in the
dialog): each channel is turned fully on or off against its own random
threshold pattern, so the object becomes pure colours.
- Pointillize (cellSize 3..300, default 5): one dot of random size per
cell at a jittered point, coloured by the softened object there and as
opaque as the object at its centre, stacked in random order over a
white canvas where the object is.
Lengths are in points (Scale Strokes & Effects scales them) and every
pattern lies in document space around the object's centre, so the
result is the same at any zoom or raster resolution, moves with the
object, and is identical on every redraw (hash noise of the pattern's
cell indices, no state). Work per pixel is bounded whatever the
parameters, which are clamped to their ranges and finite-checked; the
halftone's cell grid is capped by the raster's size and a screen finer
than 3 pixels leaves the image as it is (its average). PixelSpace gains
`channels` so the renderer tells the filters what the channels hold.
Catalogue rows with parameter docs, outsets and reaches for cropping,
menu entries, dialog labels (Max. Radius, Channel 1-4, Cell Size), the
Mezzotint Type dropdown, translations, and tests: parameters and
clamping, tone and coverage, CMYK inks, polygon crystals, pure-colour
mezzotints with ten distinct patterns, dots on a white canvas, the same
result at twice the resolution and when moved, the canvas, PDF and SVG
through the engine, the command sweep with junk parameters, the dialogs
and the menu.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cap the stops taken from a stitching function (1024), bound linear_points by
depth and by a shared visit count, and stop eval from copying the whole
Functions array on every call.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Painting looked up each selected object's graph by walking up through
parent_of, a search of the whole document per level, so a fill or stroke
change on a large selection grew with the square of the document. The
series art of every graph is now mapped in one pass, and documents with
no graph skip the lookup.
A series index comes from the file: one past the graph's series grew the
graph's series paints to that length. Such a group is no longer taken
for a series.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Group Selection's fill and stroke on a graph series are kept on the graph,
separately per series, and reapplied when its data, type or size changes,
and through save, open and undo.
Effect › Distort & Transform › Transform… was a plain list of fields.
It now has Transform Each's layout: Scale and Move with sliders, Rotate
with an angle dial, then Copies, Reflect X and Y, the reference point and
Random, kept with the effect so editing it from the Appearance panel
shows them again.
- The effect scales, rotates and reflects about the chosen point of the
9-point grid (`reference`, the centre by default).
- Random takes a share of each value, drawn from the object's id: each
object varies its own way and keeps its result on every redraw; a
group's members move together.
- Copies stop before one reaches past 1e9 pt, and the scale and move are
capped, so large values can't overflow.
- Transform Each and the effect share the sections and options code; the
angle dial is a new widget.
- A plain number field now takes the focus when it is a dialog's first
field, so both dialogs open with Scale › Horizontal ready for typing.
Transform Objects, Transform Patterns and Scale Strokes & Effects are not
in the effect yet: the geometry effects reshape paths only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
vectorcraft-cli mcp and vectorcraft --control take the flags PhotoCraft
takes. While roots are in force, every path a command reads (open, place,
relink, SVG image links, library and profile loads, plug-ins, preset
imports, font searches) must lie inside the read root and every path it
writes (save, export, package, Export for Screens and for Web, print to
file, captures, library saves) inside the write root. Paths are made
absolute, links are followed (a missing file's nearest folder's), and the
result is compared by whole components, ignoring case on Windows; `..`
below a missing folder, dangling links and device names are refused. A
root left out grants none of its access; without the flags nothing
changes.
The checks live in one place, vectorcraft_engine::file_access, consulted
by the engine's file helpers and the app's file services. The headless
server confines its whole process; the app confines control requests,
the frames carrying input they inject and the background saves they
start, leaving the person at the keyboard and the app's own folders
alone. The screenshot tool now has the backend write its file.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Display Print Size at 100% Zoom divided an assumed 96 pixels per inch by
the display's scale factor, so on a scaled display (150%, Retina) a
document inch came out a fraction of an inch. Nothing measures the
screen's real density, so an inch is now 96 screen points, the reference
density display scaling is set against, at any scale factor. The unused
screen_ppi and pixels_per_point fields go.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* docs: register the MCP server from an installed release
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* docs: drop the third-party link; the Windows path is the default install folder
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* docs: drop the third-party link; the Windows path is the default install folder
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* docs: drop the third-party link; the Windows path is the default install folder
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Profile menu's preview drew a stroke's width profile assuming its
widths stay within the stroke weight. A profile made with the Width tool
can be many times wider, so its silhouette spilled over the Stroke panel.
It is now scaled to the preview by its widest point and clipped to it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A number field with a spinner and a preset list (stroke weight, font
size, leading…) was three boxes side by side: the field came out a
point taller than the spinner and the chevron, and each joint had two
borders. The field is now exactly as tall as the other controls of a
row, with its text centred, and the three parts share their borders.
num_field draws its box with the panel text fields' code instead of a
copy of it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking a tool's button (or tool.options {tool}) now also opens:
- Artboard tool: Artboard Options of the active artboard (the Artboard
tool's while it is in use, else the window's);
- the graph tools: Graph Type for the selected graph (an error without
one), the dialog Object > Graph > Type opens;
- the Symbolism tools: Symbolism Tools Options with the brush the eight
tools share (Diameter, Intensity, Symbol Set Density);
- Magic Wand: the Magic Wand panel.
The Object > Graph dialogs' opener is shared with the toolbar. The new
labels are translated in the eight complete catalogs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Flare tool keeps its options (Center: Diameter, Opacity, Brightness;
Halo: Growth, Fuzziness; Rays: on/off, Number, Longest, Fuzziness; Rings:
on/off, Path, Number, Largest, Direction) as persistent tool options,
saved with the preferences. The next flare dragged out uses them (the drag
still sets the centre and diameter, and Up/Down the ray count), a click
with the tool opens them filled in, and double-clicking the tool (or
tool.options {tool: "flare"}) opens them to edit: OK keeps them and draws
nothing. Before, the click dialog was the generic parameter form with
fixed defaults and the drag always used the command's defaults.
The new Flare Tool Options dialog lays the four groups out in two
columns; Rays and Rings have their checkboxes, and every value is kept
within its range. Its labels are translated in the eight complete
catalogs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A selected live polygon now shows Illustrator's Polygon Properties in the
Transform panel and the Properties panel's Transform section: side count,
angle, corner type and radius, radius, side length and Make Sides Equal
(enabled once an uneven scale has made its sides differ). Before, only the
side count and corner radius were there.
object.setLiveShape takes polygonAngle (degrees counterclockwise),
polygonRadius and sideLength (points, centre to vertex / side) and
makeSidesEqual, which drops the uneven scale and shear and keeps the
polygon's centre, angle and mean radius. Each call is one undo step; a
radius or length that isn't a number above 0 is an error. A star stays a
plain path, as in Illustrator.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Clicking an object's target circle in the Layers panel always replaced
the selection, so several objects couldn't be picked there. Shift-click
now adds the object (a layer: its art) to the selection, or takes it out
when it is selected already, as in Illustrator; nothing stays targeted
then. layer.target takes add: true for it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Select › Reselect repeated the last selection command, but a Select Same
command needs a selected object to compare with, so after Deselect it
failed with "nothing selected". Reselect now remembers the objects that
were selected when the command ran and, with nothing selected, takes the
reference from those still in the document.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking a brush in the Brushes panel (or the panel menu's Brush
Options…) opens its options. Calligraphic Brush Options: Angle,
Roundness and Size, each Fixed, Random or Pressure with its Variation,
over live previews of the nib and of a stroke. Bristle Brush Options:
Shape and the bristle sliders. OK runs brush.options; strokes painted
with the brush update.
The Paintbrush records the pen pressure along a stroke (path.freehand
takes [x, y, pressure] points), and a Calligraphic brush with Pressure
variation changes its nib along the stroke, from the value less the
variation at the lightest pressure to the value plus it at the heaviest.
Brushes saved before keep their Random variation. Pen pressure doesn't
reach the app on macOS yet (winit 0.30 reports none there).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic
Ikki Nishihara
Rick
Vikram Bhaskaran
Fabio William Conceição
Sawizzle