The Transform fields were sized from the row's room, the rotation field was
70 pt, the corner radius 80, Opacity 64, the stroke weight 90 and Keyboard
Increment 80, so the fields didn't line up. One `panels::field_width`, the
Transform fields' width measured from the full row, now sizes all of them (and
the Edit Artboards fields, and the Transform panel's corner radius).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The brands check keeps other products' names out of user-facing text; #694's
SVG warnings called Radial Blur, Smart Blur and Unsharp Mask "Photoshop-style
raster effects". They are "pixel effects" now.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- A press with a selection tool inside an artboard makes it the active one, as
the Artboard tool's does; before, only the navigator and the Artboards panel
changed it.
- Paste in Place, in Front and in Back take `artboard` (the UI passes the active
one): the objects go where they were on the artboard they were copied from,
on that artboard. Without it, they paste where they were, as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Effect › Blur › Radial Blur (spin/zoom, draft/good/best) and Smart Blur
(Normal mode), Effect › Sharpen › Unsharp Mask: Photoshop-style filters in
vectorcraft_effects::pixel, run by the renderer on the object's pixels in
stack order with Gaussian Blur and Feather, cached while panning; lengths in
points, bounded work per pixel. PDF, Expand Appearance and SVG export write
the effected objects as images. Dialogs with preview (method/quality
dropdowns, fields in documented order), menu entries, translations, tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Windows shows a window's big icon (ICON_BIG) in the taskbar and Alt+Tab.
eframe sets only the window icon (the small one, in the title bar), so the
taskbar showed a generic window instead of VectorCraft's icon. The app now sets
the big icon from the same 256 px image when the window is created.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cmd+, is how every Mac app opens its settings. It now opens Preferences on
macOS beside its own Cmd+K, unless a command or one of the user's shortcuts
already has the chord.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The toolbar names its tool groups (Select, Shapes, Draw, Modify...). A new
preference, on by default, turns the names off for a cleaner toolbar: a faint
dash then separates the groups.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Document tabs drew their close box before the title on every platform, the
macOS convention. On Windows, Linux and the web it now comes after the title,
as those platforms' tabs (and Adobe's own apps there) put it; macOS keeps it
before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- artboard.rearrange takes layout (gridByRow, gridByColumn, row, column;
byColumn stays as an alias of gridByColumn) and order (leftToRight,
rightToLeft); Columns is the row count of a grid by column and is
ignored by row and column. It returns {artboards, rows, columns}.
- A Rearrange All Artboards dialog: Layout and Layout Order toggles drawn
in code (widgets::layout_button, previewing the order), Columns/Rows,
Spacing, Move Artwork with Artboard and the artboard count.
- One click: Rearrange All in the Properties panel (Document section with
several artboards, Edit Artboards' Quick Actions); the Artboards panel's
Rearrange button and menu item now open the dialog too.
- Tests for every layout x order (artboards, art riding along, one undo
step), the dialog, the Properties button; the command sweep covers the
new params. Translations for ja, es, it, ru, fr, zh-hans, zh-hant and
pt-br; ROADMAP updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The crate README now spells out the provenance the review on
storytold/vectorcraft#667 asks the owner to decide on: no Affinity
software; afread's MIT description re-described without translating
code; every structure confirmed on public files (CRC-32 per entry,
self-typed fields); semantics fitted to Affinity's own thumbnails; how
the sample documents were licensed; read-only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
Conflicts: ROADMAP (main's guides and file-format rows, with the Affinity
items kept); fileio/load.rs (main's physical-size raster documents, kept
visible to the Affinity preview fallback).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
Preferences > User Interface > Canvas Color offered Match User Interface
Brightness and White only: with a dark interface the first is a high-contrast
dark canvas around the white page, and White hides where the page ends. Light
Gray, Medium Gray and Dark Gray keep the page's edge in view at a gentler
contrast.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The census behind the limit counted duplicate copies of the same public
files: there are 189 distinct documents, the largest still decoding 3.3
million values.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
VectorCraft found fonts only in the system's font folders (and, on Windows,
those font services activate). A new preference names one more folder, read
with its subfolders after the platform's: its fonts are listed in the font
menus and used as if installed, without installing them.
- vectorcraft_text::set_user_font_dirs / user_font_dirs: folders
system_font_dirs adds to every scan (none on wasm).
- prefs fontsFolder (Type > Options > Additional Fonts Folder), trimmed; when
it changes after the first scan, the fonts are scanned again at once, so the
folder's fonts appear (or go) and type in them lays out again.
- The label is translated where Additional Plug-ins Folder is.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
#677 lets one image decode take up to 2 GB, so large print sheets open on the
desktop. wasm32 can address only 4 GB and aborts when an allocation fails, so
the web app keeps the decoder's default 512 MB and reports larger images as an
error instead.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With the Artboard tool, the Properties panel showed the active artboard's name,
position and size but no quick way to turn it between portrait and landscape.
It now has a row with:
- Preset: New Document's saved and built-in presets, by category, matched in
either orientation (Custom when none matches); choosing one sizes the
artboard in its current orientation;
- Portrait and Landscape (the New Document toggle): the other one swaps the
artboard's width and height.
The artboard's top-left corner stays put, so no art moves with it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A value takes about 40 bytes in memory however few it took in the file,
and a bool array packs eight in a byte, so a small, highly compressed
doc.dat could declare billions of values and make the import abort on
allocation (review on storytold/vectorcraft#667). The parser now counts
fields and array elements against a 2^24 budget before allocating, and
reserves array storage fallibly, returning Error::Limit either way.
The largest of 333 public documents decodes 3.3 million values.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
Conflicts: README and ROADMAP (both sides kept: the French and Russian
interface with the Affinity sentence; the placed-documents bullet with
the Affinity one); place and swatch libraries (upstream's byte sniffing
and comments, with the preview-only refusal kept).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
object.cropImage {trim: true} cuts the selected image to the box of its pixels
with any alpha, copying them as they are (no re-render, no resampling) and
placing them where they were. An image with nothing to cut is left as it is
and isn't an error (trimmed: false), so a script can trim every image it
opens. Print-ready PNGs usually carry transparent padding; with this, Fit to
Artwork Bounds can size to the art.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Performance › Animated Zoom (with GPU Performance, which dims it when
off): the Zoom tool dragged sideways zooms about the press (right in,
left out) and held still zooms on (Alt: out); a click still steps. Off,
a drag zooms to the area dragged across, now drawn as a marquee. The
hint bar says which.
- User Interface › Large Tabs: taller document tabs with larger titles.
- User Interface › Scale Cursor Proportional to UI: off, the tool cursors
keep their size whatever the UI Scaling (OS and painted cursors alike).
- File Handling › Display Bitmaps as Anti-aliased Images in Pixel
Preview: off (the default), Pixel Preview samples images nearest-pixel
(`RenderOptions::smooth_images`).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A selection moved with the Selection or Direct Selection tool that lines
up with nothing along an axis lands as far from its neighbour as two
other objects of its row (or column) are apart, or halfway between its
two neighbours, within the snapping tolerance; the equal gaps are marked
with a line and end ticks in the Smart Guides colour. The objects are
taken as wholes on their layers (groups too), and inside a group holding
the selection, its other objects. Off, moves only line up as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
On every quit (Cmd+Q, VectorCraft > Quit, the close button) on a MacBook Pro
with a Touch Bar, AppKit threw from -[_NSTouchBarFinderObservation invalidate]
and macOS reported a crash. AccessKit's macOS adapter subclasses the window's
content view and gives it back its own class when the window is torn down;
AppKit's Touch Bar support observes the view under the subclass, so removing
that observation throws (the same cause Zed fixed in zed-industries/zed#65186).
On macOS with accessibility, the app now ends the process at the end of
on_exit, once the preferences are saved, before eframe tears the window down.
Nothing after the window is needed on a normal quit. While the window is still
starting up it doesn't, so a graphics failure still starts the app again on
another adapter (#651).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- The Home screen lists the first six of File > Open Recent Files, each by name
(a click opens it) and folder; one that can't be opened says so in the status
bar. With none, there is no section.
- In New Document, a double-click on a preset card creates the document from
it; a click still only chooses it. The Create buttons no longer overwrite a
create asked for earlier in the frame.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
CMYK went to RGB through display sRGB: CMYK -> sRGB (clamped) -> working RGB.
Into a wider space (Wide Gamut RGB, the 1998 primaries) that clipped every
colour sRGB can't hold - CMYK cyan's red channel landed at 99 instead of 0 -
and the black-point compensation setting had no effect (moxcms leaves it
unimplemented). An ICC CMYK profile now converts directly into the RGB
profile: into its primaries with linear curves, where compensation is a
linear remap from the profile's black (found by sending black through the
profile and reading it back), then onto its own curves. The canvas uses the
same conversion into sRGB, so what shows is what an RGB export writes.
Checked against Ghostscript with the same profiles (relative colorimetric,
compensation on and off): exports into Wide Gamut RGB and the sRGB display
agree within 1 level in 255. The built-in CMYK spaces are unchanged (Generic
CMYK compensates in its own model).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A CMYK image with an /SMask, /Mask or colour key was handed to the
interpreter and stored as an RGB PNG, converted with hayro's own bundled
profile (Perceptual) rather than the working CMYK, so it showed 10-30 levels
lighter than other CMYK images and lost its ink amounts. It now keeps its
inks as other CMYK images do (#320), and its alpha becomes a greyscale
opacity mask. PDF export already writes that as a DeviceCMYK image under a
soft mask, so a round trip keeps the inks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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