Hide Others, Lock Others and Outline Others left the layer they keep as
it was, so Alt-clicking the eye of a hidden layer hid everything and
Alt-clicking a locked layer's lock left it locked. As Illustrator's
Layers panel does, the layer clicked now shows (unlocks, previews) while
the others hide (lock, outline), in the same undo step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Anchor Point tool drags any segment of a selected blend's spine into
a curve, straight ones too, and Direct Selection reshapes a curved spine
segment as it does a path's (a straight one it leaves, as on paths). Both
run the new `object.blend.spine.reshapeSegment`, which bends the segment
with the same math as `path.reshapeSegment`, now shared as
`SubPath::bend_segment`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Only the Mesh tool drew a gradient mesh's grid, so with the Selection
or Direct Selection tool a selected mesh showed no outline and no
points, and its points couldn't be seen to be clicked. The selection
highlight now draws a gradient mesh's lines and points, as it already
did for mesh envelopes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
winit 0.30 delivers no file drops on native Wayland. The new Linux Display
Server preference (Automatic / X11 (XWayland), shown on Linux only, read at
startup) has winit open the window on X11 when the session is Wayland,
DISPLAY is set and the X11 libraries winit loads are installed (ldconfig
check ported from PhotoCraft); otherwise the window opens on Wayland and
the log says why. README, development notes, parity docs, ROADMAP and the
complete catalogs updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A marquee drawn wholly inside a filled shape counted as touching it, so
a marquee over a background (the usual way to pick small objects off it
in Outline view) selected the background too. As in Illustrator, the
marquee now needs the path itself: an anchor inside it or a segment
crossing its edges.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Object › Path › Offset Path (and `ui.menuDialog` for it) opens on the
offset, joins and miter limit of the last time OK was pressed, as in
Illustrator, instead of 10 pt and Miter every time. The values are kept
with the rest of the remembered dialog options.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Effect › Distort & Transform › Zig Zag… lays out its options the way
Illustrator's dialog does: Size and Ridges per segment each have a
slider beside their field, Relative / Absolute are radio buttons under
Size, and Points offers Smooth and Corner as radio buttons instead of a
dropdown. The label reads "Ridges per segment".
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A corner is now any anchor that isn't smooth where two sides meet at an
angle, straight or curved, as in Illustrator. The cut meets each side at
its setback measured along the curve, leaves both sides along their
tangents there, and each curved side is trimmed to what the cuts at its
ends leave of it. The largest radius is still the one taking the cut
halfway along the shorter side, measured along the curve. Corners
between straight sides draw exactly as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A property test of the importers (import_fuzz) crashed CI with
STATUS_STACK_BUFFER_OVERRUN: a shape with coordinates in the 1e20s from a
mutated file made vello_cpu either panic in flatten_simd on a rayon
worker (rayon then aborts the process, so the engine's panic guard never
sees it) or ask for a 132 GB allocation, which aborts too. A malformed
file could end the app and lose the user's work.
draw_shape now leaves a shape undrawn when its control points, through
the view, aren't finite or reach past 1e10 pixels, or a visible stroke
is that wide (MAX_DEVICE). A document's art stays within 4 million
points, 2.6e9 pixels at the closest zoom, and vello was checked safe
with 90,000 random shapes within 1e9 pixels and 30,000 within 1e12.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Artboard tool and the Artboards panel only ever had one artboard
selected, so Shift-clicking another didn't add it. As in Illustrator:
- Artboard tool: Shift-click adds an artboard to the selection (it
becomes active) or takes one out; a plain click on a selected one keeps
the selection, so a drag moves them all (Alt copies them all, the
copies becoming the selection), and Delete removes them all, one
artboard always staying. The other selected artboards show dashed
bounds; `selected` is a tool option.
- Artboards panel: with the Artboard tool, Shift- or Ctrl/Cmd-click on a
row adds or removes it, every selected row is highlighted, and Delete
Artboard removes them all.
- `artboard.move` and `artboard.delete` take `indices` besides `index`:
several artboards in one undo step, each with its art (an object moved
once where artboards overlap).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Mask art that is all visibility:hidden imports as nothing, and opacity_mask
then returned no mask: the object was drawn whole. An empty mask is what the
file means (black all over); the renderer and the PDF and SVG exports already
draw empty mask art by its clip and invert options.
The canvas built its peniko gradients premultiplied (peniko's default), while
Gradient::sample, the PDF export (shading plus SMask) and SVG viewers blend
colour and opacity separately: a transparent white stop into black drew grey
127 halfway instead of 191. Opaque gradients are unchanged.
On main, cargo xtask wasm printed two dead-code warnings in
vectorcraft-ui-egui, and this clippy run reported the same two as
errors:
cargo clippy --target wasm32-unknown-unknown -p vectorcraft-web -- -D warnings
ask_update_changed (dialogs/missing_links.rs) is called only from
tick_link_updates, and is_c_locale (i18n/mod.rs) is called only from
detect_system_lang. Both callers are compiled only for native targets.
Each function now has the same #[cfg(not(target_arch = "wasm32"))]
attribute as its caller. Native builds compile both functions as
before.
Remove Noise merged each small component into its most common neighbour
in one pass. When a speck was merged into a small region that was itself
merged away later, the region's flood fill skipped the speck's pixels
(already seen), so they stayed behind as a new island of the region's old
label. Higher Noise values merge more regions, so they left more such
islands: on noisy images the path count rose with Noise (70 -> 126 -> 206
paths from Noise 50 to 200 on one test image). denoise now repeats its pass
until one changes nothing; each merge joins two components, so it ends
(with a cap of 64 passes as a backstop). Labels shorter than w x h are left
alone instead of indexed past their end.
Tests: the minimal one-row case, a property test on random blocky noise
(no mergeable region under the minimum is left, and a larger minimum never
leaves more regions), and two noisy images whose path count must not rise
with Noise (both fail without the fix).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The MSI's wizard now has a Shortcuts page between the install folder and
Ready, with a ticked "Create a desktop shortcut" box (the Start Menu
shortcut is always installed, as the page says). The box sets the secure
INSTALLDESKTOPSHORTCUT property; the shortcut's component is installed
only with it, on the common desktop of this per-machine install, and is
removed with the app. msiexec /qn installs it too unless
INSTALLDESKTOPSHORTCUT="" is passed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Icons are drawn in the theme's colour. The Selection tool's filled arrow
therefore came out light in the dark themes and the Direct Selection
tool's hollow one dark, so they looked swapped to anyone who knows the
black Selection and white Direct Selection arrows (reported by a user).
Both arrows now paint a fill in a fixed colour (black, white;
dc-arrow-fill.svg, original) under their outline in the theme's colour.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The ••• button at the bottom of the toolbar no longer opens All Tools as a
centred dialog. It opens the All Tools drawer beside the toolbar, next to the
button. Escape or a click outside closes it; a click in the toolbar doesn't.
Tools that are already in the toolbar show dimmed in the drawer.
While the drawer is open the toolbar can be edited, as the public
documentation describes:
- drag a tool from the drawer onto a toolbar button's top or bottom edge
(left or right edge in two columns) to put it in its own slot there;
- drag it onto a button's middle to add it to that button's group;
- drag a toolbar button into the drawer to take its tool out;
- drag a toolbar button to another place in the toolbar to move its tool.
A line or outline shows where the tool will go, and the dragged tool follows
the pointer. While the drawer is closed the toolbar can't be edited.
The Basic and Advanced toolbars each keep their own edits in
UiState::toolbar_edits, which is saved with the preferences. It is serde
default, so older preferences still load, and a hand-edited file is cleaned
up when it loads. An edit that brings back the default toolbar clears the
saved edits. New UI commands toolbar.addTool {tool, slot?, place?},
toolbar.removeTool {tool, group?}, toolbar.reset and
window.editToolbar {open?} let MCP and the control channel make the same
edits. The drawer also has a Reset button.
The drawer moved from dialogs/all_tools.rs into the new edit_toolbar.rs. It
is tested with headless egui frame tests driven by pointer events (placement,
Escape, click outside, dimming, drag and drop in each direction, the locked
toolbar), along with command, persistence and drop-zone tests. The three new
command labels are translated in every complete catalog, and the error
messages reuse existing translated templates.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A star's inner radius was always half its outer one while drawing, so
its ratio couldn't be changed. As Illustrator documents for the Star
tool: Ctrl/Cmd during the drag keeps the inner radius where it is while
the outer one follows the pointer (the new ratio stays once the key is
let go, for the rest of the drag and the next stars), and Alt keeps the
star's shoulders straight (each point's sides in line with the next
points', a ratio of cos(2π/n)/cos(π/n); five points or more).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Placing an SVG fitted and centred it by its art's bounds whatever `crop`
said, so art drawn on a shared canvas lost its place and scale, and
`crop: "crop"` and `crop: "bounding"` gave the same result without a
warning. With `crop: "crop"` given, an SVG is now framed and clipped by
its viewBox (its artboard, as File › Open has it), as a PDF is by its
page: `rect` and `at` fit and centre that frame. By default, as
Illustrator places an SVG, and with "bounding", it is still its art's
bounds.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A browser's Copy Image puts the picture on the clipboard with text next
to it. Paste already took the picture when that text was only the
image's address (#597), but some browsers (seen on Fedora with KDE) put
the image's HTML there instead, `<img src="…" class="…" style="…">`,
which isn't an address, so the markup was pasted as type.
names_a_picture also takes markup whose only content is <img> elements
(no text outside its tags) as naming the picture, and Paste then reads
the bitmap. Markup with words in it, and an address alone, still paste
as text.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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